LEADER 00856nam0-22003011i-450 001 990006544930403321 005 20190621081922.0 035 $a000654493 035 $aFED01000654493 035 $a(Aleph)000654493FED01 035 $a000654493 100 $a20010426d1991----km-y0itay50------ba 101 0 $aita 102 $aIT 200 1 $aPericle di Atene e la nascita della democrazia$fDonald Kagan 210 $aMilano$cA. Mondadori$d1991 215 $aXII, 356 p.$cill.$d21 cm 225 1 $aSaggi 700 1$aKagan,$bDonald$f<1932- >$0185804 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990006544930403321 952 $aXII A 981$b16837$fFSPBC 952 $aDDR-IV B 037.5$b1213 ddr$fDDR$m21-2876 959 $aFSPBC 959 $aDDR 996 $aPericle di Atene e la nascita della democrazia$9178088 997 $aUNINA LEADER 02413nam 22005773u 450 001 9910454107003321 005 20210114073125.0 010 $a1-283-27205-9 010 $a9786613272058 010 $a1-4411-5901-0 035 $a(CKB)1000000000754729 035 $a(EBL)436869 035 $a(OCoLC)609838679 035 $a(SSID)ssj0000362448 035 $a(PQKBManifestationID)12069356 035 $a(PQKBTitleCode)TC0000362448 035 $a(PQKBWorkID)10363274 035 $a(PQKB)11278042 035 $a(MiAaPQ)EBC436869 035 $a(EXLCZ)991000000000754729 100 $a20130418d2003|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLeni Riefenstahl$b[electronic resource] $eThe Seduction of Genius 210 $aLondon $cContinuum International Publishing$d2003 215 $a1 online resource (305 p.) 225 1 $aPropaganda 300 $aDescription based upon print version of record. 311 $a0-8264-7023-8 327 $aContents; Translator's Preface; Acknowledgements; Introduction: The Problem with Leni Riefenstahl; Part One: The Talent; Part Two: The Genius of Nazi Filmmaking; Part Three: Deprived of Power; Notes; Appendices; Bibliography; Index 330 $aLeni Riefenstahl achieved fame as a dancer, actress, photographer, and director, but her entire career is colored by her association with the Nazi party. Appointed by Hitler, she directed the Nazi propaganda film Triumph des Willens along with her best-known work Olympia, a documentary of the 1936 Berlin Olympics. By 1939 Riefenstahl was arguably the most famous woman film director in the world; yet, after World War II, she was never again accepted as a filmmaker.Rainer Rother's book provides detailed coverage, from original documentation, of those aspects of Riefenstahl's career she herself h 410 0$aPropaganda 606 $aRiefenstahl, Leni 606 $aFilm$2HILCC 606 $aMusic, Dance, Drama & Film$2HILCC 608 $aElectronic books. 615 4$aRiefenstahl, Leni. 615 7$aFilm 615 7$aMusic, Dance, Drama & Film 676 $a791.430233092 700 $aRother$b Rainer$01039955 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910454107003321 996 $aLeni Riefenstahl$92462445 997 $aUNINA LEADER 00952nam0 22002771i 450 001 UON00252352 005 20231205103635.32 010 $a20-12-78887-4 100 $a20040406d1996 |0itac50 ba 101 $afre 102 $aFR 105 $a|||| ||||| 200 1 $aHistoire de l'ecriture$fLouis-Jean Calvet 210 $aParis$cHachette$d2002 215 $a296 p.$cill.$d18 cm 606 $aPALEOGRAFIA$3UONC025694$2FI 620 $aFR$dParis$3UONL002984 676 $a411.1$cScrittura$v21 700 1$aCALVET$bLouis-Jean$3UONV042771$0191516 712 $aHachette$3UONV247610$4650 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00252352 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI B Afr 7 205 $eSI AA 26462 5 205 996 $aHistoire de l'ecriture$91234875 997 $aUNIOR LEADER 02981nam 22005775 450 001 9910520066603321 005 20240724122356.0 010 $a9789811671784$b(electronic bk.) 010 $z9789811671777 024 7 $a10.1007/978-981-16-7178-4 035 $a(MiAaPQ)EBC6838688 035 $a(Au-PeEL)EBL6838688 035 $a(CKB)20275126900041 035 $a(OCoLC)1292364331 035 $a(DE-He213)978-981-16-7178-4 035 $a(EXLCZ)9920275126900041 100 $a20211219d2021 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEcoscenography $eAn Introduction to Ecological Design for Performance /$fby Tanja Beer 205 $a1st ed. 2021. 210 1$aSingapore :$cSpringer Nature Singapore :$cImprint: Palgrave Macmillan,$d2021. 215 $a1 online resource (239 pages) 311 08$aPrint version: Beer, Tanja Ecoscenography Singapore : Springer Singapore Pte. Limited,c2021 9789811671777 327 $aIntroduction -- Chapter 1: Ecological Thinking -- Chapter 2: Ecological Practice -- Chapter 3: Ecoscenography in Three Acts -- Chapter 4: Two case studies in Ecoscenography -- Conclusion. 330 $aThis ground-breaking book is the first to bring an ecological focus to theatre and performance design, both in scholarship and in practice. Ecoscenography weaves environmental philosophies and practices across genres and fields to provide a captivating vision for the future of sustainable theatre production. The book forefronts leading designers that are driving this emerging field into the mainstream through their relational and reciprocal engagement with place, audiences, materials, and processes. Beyond its radical philosophy and framework, Ecoscenography makes a compelling case for pursuing an ecological ethic in theatre and performance design, not only as a moral imperative, but for the extraordinary possibilities that it offers for more-than-human engagement. Based on her personal insights as a leading ecological researcher and practitioner, Beer offers a rich resource for scholars, students and practitioners alike, opening up new processes and aesthetics of theatrical design that enhance the environmental and social advocacy of the field. 606 $aGeography 606 $aPerforming arts 606 $aTheater 606 $aSociology, Urban 606 $aRegional Geography 606 $aTheatre and Performance Arts 606 $aUrban Sociology 615 0$aGeography. 615 0$aPerforming arts. 615 0$aTheater. 615 0$aSociology, Urban. 615 14$aRegional Geography. 615 24$aTheatre and Performance Arts. 615 24$aUrban Sociology. 676 $a551.6 700 $aBeer$b Tanja$01075429 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910520066603321 996 $aEcoscenography$92584633 997 $aUNINA