LEADER 03312nam 22007815 450 001 9910484152903321 005 20230810170659.0 010 $a9783030443337 010 $a3030443337 024 7 $a10.1007/978-3-030-44333-7 035 $a(CKB)4100000011254661 035 $a(MiAaPQ)EBC6202751 035 $a(DE-He213)978-3-030-44333-7 035 $a(Perlego)3480601 035 $a(EXLCZ)994100000011254661 100 $a20200518d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTranslated and Visiting Russian Theatre in Britain, 1945-2015 $eA "Russia of the Theatrical Mind"? /$fby Cynthia Marsh 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (xvi, 392 pages) $cillustrations 311 08$a9783030443320 311 08$a3030443329 320 $aIncludes bibliographical references and index. 327 $a1. Setting the Scene -- 2. Gogol's Russia -- 3. From Merchant to Gentry Russia -- 4. Exposing Cultural Transfer -- 5. Confronting Modern Russias -- 6. Staging Russian Prose -- . 330 $aThis book tackles questions about the reception and production of translated and untranslated Russian theatre in post-WW2 Britain: why in British minds is Russia viewed almost as a run-of-the-mill production of a Chekhov play. Is it because Chekhov is so dominant in British theatre culture? What about all those other Russian writers? Many of them are very different from Chekhov. A key question was formulated, thanks to a review by Susannah Clapp of Turgenev's A Month in the Country: have the British staged a 'Russia of the theatrical mind'? 606 $aPerforming arts 606 $aTheater 606 $aRussia$xHistory 606 $aEurope, Eastern$xHistory 606 $aSoviet Union$xHistory 606 $aTheater$xHistory 606 $aCultural industries 606 $aAdaptation (Literary, artistic, etc.) 606 $aTheatre and Performance Arts 606 $aRussian, Soviet, and East European History 606 $aContemporary Theatre and Performance 606 $aGlobal and International Theatre and Performance 606 $aTheatre Industry 606 $aAdaptation Studies 615 0$aPerforming arts. 615 0$aTheater. 615 0$aRussia$xHistory. 615 0$aEurope, Eastern$xHistory. 615 0$aSoviet Union$xHistory. 615 0$aTheater$xHistory. 615 0$aCultural industries. 615 0$aAdaptation (Literary, artistic, etc.) 615 14$aTheatre and Performance Arts. 615 24$aRussian, Soviet, and East European History. 615 24$aContemporary Theatre and Performance. 615 24$aGlobal and International Theatre and Performance. 615 24$aTheatre Industry. 615 24$aAdaptation Studies. 676 $a801.950947 676 $a301 700 $aMarsh$b Cynthia$4aut$4http://id.loc.gov/vocabulary/relators/aut$0909276 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910484152903321 996 $aTranslated and Visiting Russian Theatre in Britain, 1945-2015$94329731 997 $aUNINA LEADER 01261nam0 22003011i 450 001 UON00223444 005 20231205103425.413 010 $a05-213-1194-2 100 $a20030730d1986 |0itac50 ba 101 $aeng 102 $aGB 105 $a|||| 1|||| 200 1 $aˆThe ‰bilingual family$ea handbook for parents$fEdith Harding and Philip Riley 210 $aCambridge [etc.]$cCambridge University Press$d1986$erist. 1987 215 $ax, 155 p.$d23 cm. 606 $aBilinguismo$xStudi$3UONC050103$2FI 606 $aLINGUAGGIO INFANTILE$3UONC039648$2FI 620 $dCambridge$3UONL000022 676 $a404.2$cBilinguismo$v21 700 1$aHARDING$bEdith$3UONV135458$0174905 701 1$aRILEY$bPhilip$3UONV135459$0174906 712 $aCambridge University Press$3UONV245943$4650 801 $aIT$bSOL$c20250620$gRICA 912 $aUON00223444 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI Angl VIII 0178 $eSI LO 36445 7 0178 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI Angl VIII 0178 bis $eSI LO 37347 7 0178 bis 996 $aBilingual family$91268507 997 $aUNIOR