LEADER 01181nam0 22002651i 450 001 UON00221924 005 20231205103418.664 100 $a20030730d1963 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| ||||| 200 1 $aTeatro inglese della Restaurazione e del Settecento$eDryden - Otway - Congreve - Farquhar - Gay - Lillo - Goldsmith - Sheridan$f[a cura e con introduzione di Gabriele Baldini] 210 $a Firenze$cSansoni$d1963. CXX$d889 p. ; 21 cm 410 1$1001UON00173569$12001 $a Grandi classici stranieri$1210 $aFirenze$cSansoni 606 $aTEATRO INGLESE$xSec. 17.-18.$3UONC047284$2FI 620 $aIT$dFirenze$3UONL000052 676 $a792.0942$cTeatro inglese$v21 702 1$aBALDINI$bGabriele$3UONV134456 712 $aSansoni$3UONV246441$4650 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00221924 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI Teat 792 C BAL $eSI LO 38077 5 996 $aTeatro inglese della Restaurazione e del Settecento$9150343 997 $aUNIOR LEADER 03476nam 22006612 450 001 9910824016203321 005 20151016142657.0 010 $a1-107-45473-5 010 $a1-107-46179-0 010 $a1-139-89342-4 010 $a1-107-45961-3 010 $a1-107-47248-2 010 $a1-107-30075-4 010 $a1-107-46532-X 010 $a1-107-46887-6 035 $a(CKB)3710000000057238 035 $a(EBL)1543581 035 $a(OCoLC)862077028 035 $a(SSID)ssj0001040519 035 $a(PQKBManifestationID)12364802 035 $a(PQKBTitleCode)TC0001040519 035 $a(PQKBWorkID)11001576 035 $a(PQKB)11517061 035 $a(UkCbUP)CR9781107300750 035 $a(Au-PeEL)EBL1543581 035 $a(CaPaEBR)ebr10795381 035 $a(MiAaPQ)EBC1543581 035 $a(EXLCZ)993710000000057238 100 $a20130111d2013|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEtymology and the invention of English in early modern literature /$fHannah Crawforth, Lecturer in Early Modern Literature, King's College, London$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2013. 215 $a1 online resource (xi, 218 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-107-61455-4 311 $a1-107-04176-7 320 $aIncludes bibliographical references and index. 327 $aIntroduction: Etymology in early modern literature -- Etymology and estrangement in the poems of Edmund Spenser -- Etymology and textual time in the masques of Ben Jonson -- Etymology and place in Donne's sermons -- Etymology and the ends of idealism in Milton's prose -- Conclusion: A world in a word. 330 $aHow did authors such as Jonson, Spenser, Donne and Milton think about the past lives of the words they used? Hannah Crawforth shows how early modern writers were acutely attuned to the religious and political implications of the etymology of English words. She argues that these lexically astute writers actively engaged with the lexicographers, Anglo-Saxonists and etymologists who were carrying out a national project to recover, or invent, the origins of English, at a time when the question of a national vernacular was inseparable from that of national identity. English words are deployed to particular effect - as a polemical weapon, allegorical device, coded form of communication, type of historical allusion or political tool. Drawing together early modern literature and linguistics, Crawforth argues that the history of English as it was studied in the period radically underpins the writing of its greatest poets. 517 3 $aEtymology & the invention of English in early modern literature 606 $aEnglish literature$yEarly modern, 1500-1700$xHistory and criticism 606 $aEnglish language$yEarly modern, 1500-1700$xEtymology 606 $aPoetics 615 0$aEnglish literature$xHistory and criticism. 615 0$aEnglish language$xEtymology. 615 0$aPoetics. 676 $a820.9/357 700 $aCrawforth$b Hannah Jane$f1980-$01633974 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910824016203321 996 $aEtymology and the invention of English in early modern literature$93973995 997 $aUNINA