LEADER 01210nam0 22003011i 450 001 UON00205933 005 20231205103313.792 010 $a03-333-9170-5 100 $a20030730d1989 |0itac50 ba 101 $aeng 102 $aGB 105 $a|||| 1|||| 200 1 $aWomen in romanticism$eMary Wollstonecraft, Dorothy Wordsworth and Mary Shelley$fMeena Alexander 210 $aHoundmills$cMacmillan$d1989 215 $axi, 215 p$d19 cm. 606 $aSHELLEY MARY WOLLSTONECRAFT$3UONC038317$2FI 606 $aWOLLSTONECRAFT MARY$3UONC039945$2FI 606 $aWORDSWORTH DOROTHY$3UONC065897$2FI 620 $aGB$dHoundmills, Basingstoke$3UONL000108 676 $a820.99287$cLetteratura inglese. Per e di altri tipi di persone. Donne$v21 700 1$aALEXANDER$bMeena$3UONV123527$0544285 712 $aMacmillan & Co.$3UONV247335$4650 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00205933 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI Angl V C 353 $eSI LO 49036 5 353 $sBuono 996 $aWomen in romanticism$9876153 997 $aUNIOR LEADER 02874oam 22005894a 450 001 9910838215303321 005 20231110224329.0 010 $a0-8165-3724-0 035 $a(CKB)5590000000429725 035 $a(MiAaPQ)EBC28336922 035 $a(Au-PeEL)EBL28336922 035 $a(OCoLC)1227278415 035 $a(MdBmJHUP)musev2_81012 035 $a(EXLCZ)995590000000429725 100 $a20171114h20182018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aLatinas and Latinos on TV$eColorblind Comedy in the Post-racial Network Era /$fIsabel Molina-Guzma?n 205 $a1st ed. 210 1$a:$cUniversity of Arizona Press,$d2018. 210 4$dİ2018. 215 $a1 online resource (153 pages) 225 0 $aLatinx pop culture 311 $a0-8165-3833-6 327 $aIntroduction: Latina/os, hipster racism, and post-racial TV -- Scrubs(ing) the beginnings of post-racial TV -- Hipster racism comes to colorblind TV -- Reading against the post-racial TV Latina -- Conclusion: Post-racial past and colorblind futures on TV. 330 $a"Interweaving discussions about the ethnic, racial, and linguistic representations of Latinas/os within network television comedies, Isabel Molina-Guzma?n probes published interviews with producers and textual examples from hit programs like Modern Family, The Office, and Scrubs to understand how these primetime sitcoms communicate difference in the United States. Understanding the complex ways that audiences interpret these programs, Molina-Guzma?n situates her analysis within the Obama era, a period when ethnicity and race became increasingly grounded in hipster racism, and argues that despite increased inclusion, the feel-good imperative of TV comedies still inevitably leaves racism, sexism, and homophobia uncontested"--Back cover. 410 0$aLatinx Pop Culture 606 $aLateinamerikaner$2gnd 606 $aFernsehen$2gnd 606 $aSituation comedies (Television programs)$2fast$3(OCoLC)fst01744318 606 $aHispanic Americans on television$2fast$3(OCoLC)fst00957632 606 $aSituation comedies (Television programs)$zUnited States 606 $aHispanic Americans on television 607 $aUSA$2gnd 607 $aUnited States$2fast 615 7$aLateinamerikaner 615 7$aFernsehen 615 7$aSituation comedies (Television programs) 615 7$aHispanic Americans on television. 615 0$aSituation comedies (Television programs) 615 0$aHispanic Americans on television. 676 $a791.45652968073 700 $aMolina-Guzma?n$b Isabel$01621553 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910838215303321 996 $aLatinas and Latinos on TV$94140385 997 $aUNINA