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200 1 $a Rossjane$estolicnje ziteli$fJu. V. Arutjunjan
210   $aMoskva$cRussian Academy of Science$d1994. 204 p. ; 20 cm.
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100   $a20081023d2008      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aMind the screen $emedia concepts according to Thomas Elsaesser /$fedited by Jaap Kooijman, Patricia Pisters and Wanda Stauven
205   $a1st ed.
210   $aAmsterdam $cAmsterdam University Press$dc2008
215   $a1 online resource (375 p.)
300   $aDescription based upon print version of record.
311 08$a9789089640253 
311 08$a9089640258 
320   $aIncludes bibliographical references.
327   $aTable of Contents; A Looking Glass for Old and New Screens; ACT I: Melodrama, Memory, Mind Game; Cinephilia in Transition; Theorizing Melodrama; Of Surfaces and Depths; Failed Tragedy and Traumatic Love in IngmarBergman's Shame; Mediated Memories; Running on Failure; Into the Mind and Out to the World; A Critical Mind; Intermezzo: Scholars, Dreams, and Memory Tapes; ACT II: Europe-Hollywood-Europe; The Cheetah of Cinema; Bear Life; Constitutive Contingencies; Lili and Rachel; Amsterdamned Global Village; Soundtracks of Double Occupancy; Hollywood Face to Face with the World
327   $aTo Be or Not to Be Post-ClassicalBumper Stories; Intermezzo "Where Were You When ...?" or "I Phone,Therefore I Am"; ACT III: Archaeology, Avant-Garde, Archive; Reflections in a Laserdisc; S/M; Consumer Technology after Surveillance Theory; Migratory Terrorism; The Echo Chamber of History; Displacing the Colonial Archive; Found Footage, Performance, Reenactment; Digital Convergence Ten Years Later; Notes on Contributors; Key Publications by Thomas Elsaesser
330   $aMind the Screen pays tribute to Thomas Elsaesser, pioneering and leading scholars in the field of film and media studies. The contributions present a close-up of media concepts developed by Elsaesser, providing a looking glass for all types of audio-visual screens, from archaeological pre-cinematic screens to the silver screen, from the TV-set to the video installation and the digital e-screen, and from the city screen to the mobile phone display. The book is divided in three 'Acts': Melodrama, Memory, Mind Game; Europe-Hollywood-Europe; Archaeology, Avant-Garde, Archive. Between the Acts Inte
606   $aFilm criticism
606   $aMass media criticism
615  0$aFilm criticism.
615  0$aMass media criticism.
676   $a302.2343
701   $aPisters$b Patricia$0942501
701   $aStrauven$b Wanda$0776062
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996   $aMind the screen$92126914
997   $aUNINA