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100   $a20180331d1998      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
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200 00$aJulia Kristeva, 1966-96 $eaesthetics, politics, ethics /$fguest editor, Griselda Pollock
210  1$aLondon :$cTaylor & Francis,$d1998.
215   $a1 online resource (178 p.)
225 0 $aparallax ;$v8
300   $aDescription based upon print version of record.
311   $a0-7484-0851-7 
320   $aIncludes bibliographical references.
327   $aBook Cover; Half-Title; Copyright; Contents; Introduction; Dialogue with Julia Kristeva; Introduction; De L'e?trangete? du Phallus ou le Fe?minin Entre Illusion et De?sillusion; Experiencing the Phallus as Extraneous, or Women's Twofold Oedipus Complex; Strangers in Analysis: Nationalism and the Talking Cure; Three Images for Kristeva: From Bellini to Proust; To Inscribe in the Feminine: A Kristevan Impossibility? or Femininity, Melancholy and Sublimation; Transcendence, Fixation and Belief in the Vicissitudes of the Imaginary; Julia Kristeva and her histories; Book Reviews; Conference Report
330   $aIn June 1996, the Centre for Cultural Studies hosted a conference entitled Aesthetics. Politics. Ethics: JuliaKristeva 1966-96. It was held at the Leeds City Art Gallery whose monumental neighbour is the equallynineteenth century structure of Cuthbert Broderick's Town Hall: the proximities of, and the tensionsbetween the state and culture are often the very topics of Cultural Studies. This conference could have beenhosted by one of several subgroups within the University of Leeds and the Department of Fine Art inparticular. As an art historian, I could have planned this event to consider the c
606   $aLiterature, Modern$xHistory and criticism
615  0$aLiterature, Modern$xHistory and criticism.
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996   $aJulia Kristeva, 1966-96$93816555
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