LEADER 00866nam0 22002171i 450 001 UON00178699 005 20231205103122.938 100 $a20030730d1983 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| 1|||| 200 1 $aˆI ‰delitti in materia di religione$ebeni giuridici e limiti dell'intervento pena le$fPlacido Siracusano 210 $aMilano$cGiuffré$d1983 - 296 p. ; 25 cm 606 $aRELIGIONE GIUSTIZIA$3UONC035194$2FI 700 1$aSIRACUSANO$bPlacido$3UONV100610$00 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00178699 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI VI DIR PEN B 0203 $eSI SC 14163 5 0203 996 $aDelitti in materia di religione$9584522 997 $aUNIOR LEADER 03223nam 22005055 450 001 9910299996103321 005 20251030102229.0 010 $a9781137518798 010 $a1137518790 024 7 $a10.1057/978-1-137-51879-8 035 $a(CKB)4100000007181107 035 $a(MiAaPQ)EBC5606635 035 $a(DE-He213)978-1-137-51879-8 035 $a(Perlego)3487602 035 $a(EXLCZ)994100000007181107 100 $a20181127d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBlockbuster Performances $eHow Actors Contribute to Cinema?s Biggest Hits /$fby Daniel Smith-Rowsey 205 $a1st ed. 2018. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2018. 215 $a1 online resource (219 pages) 225 1 $aPalgrave Studies in Screen Industries and Performance,$x2946-2509 311 08$a9781137518781 311 08$a1137518782 327 $a1. Introduction: Why Do Critics and Scholars Dismiss Blockbuster Performances? -- 2. Historical Epic Blockbusters: Are You Not Entertained?By Actors? -- 3. Magic Fantasy Blockbusters: One Whimsy to Rule Them All -- 4. Superhero Blockbusters: Actors Ahead of the Curve -- 5. Crime Action Blockbusters: Performing Shaken, Not Stirred -- 6. Male-Led Science Fiction Blockbusters: Performing ?Faster, More Intense? -- 7. Female-Led Science Fiction Blockbusters: Performing ?Stop Taking My Hand!? -- 8. Conclusion: Once More Around the Blockbuster. 330 $aThis book examines performances in the American film industry?s highest-earning and most influential films. Countering decades of discourse and the conventional notion that special effects are the real stars of Hollywood blockbusters, this book finds that the acting performances in these big-budget action movies are actually better, and more genre-appropriate, than reputed. It argues that while blockbusters are often edited for speed, thrills, and simplicity, and performances are sometimes tailored to this style, most major productions feature more scenes of stage-like acting than hyper-kinetic action. Knowing this, producers of the world?s highest-budgeted motion pictures usually cast strong or generically appropriate actors. With chapters offering unique readings of some of cinema?s biggest hits, such as The Dark Knight, Pirates of the Caribbean, Star Wars, Iron Man and The Hunger Games, this unprecedented study sheds new light on the importance of performance in the Hollywood blockbuster. . 410 0$aPalgrave Studies in Screen Industries and Performance,$x2946-2509 606 $aMotion picture acting 606 $aMotion pictures, American 606 $aScreen Performance 606 $aAmerican Film and TV 615 0$aMotion picture acting. 615 0$aMotion pictures, American. 615 14$aScreen Performance. 615 24$aAmerican Film and TV. 676 $a791.43028 700 $aSmith-Rowsey$b Daniel$4aut$4http://id.loc.gov/vocabulary/relators/aut$0963775 906 $aBOOK 912 $a9910299996103321 996 $aBlockbuster Performances$92185686 997 $aUNINA