LEADER 01087nam0 22002891i 450 001 UON00165663 005 20231205103029.13 010 $a18-596-4124-5 100 $a20030108d1998 |0itac50 ba 101 $aeng 102 $aGB 105 $a|||| ||||| 200 1 $aDay it rained bricks and bats, and other tales from the Gulf$fMaruf Khawaja 205 $a1 ed 210 $aReading$cGarnet$d1998 215 $avii, 371 p.$cill.$d21 cm 606 $aPAESI DEL GOLFO PERSICO$xStudi$3UONC021331$2FI 620 $dReading$3UONL000401 676 $a953.6$cSTORIA DEI PAESI DEL GOLFO PERSICO$v21 700 1$aKHAWAJA$bMaruf$3UONV148094$0674718 712 $aGarnet$3UONV256815$4650 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00165663 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI VO Afr IV 347 $eSI AA 26301 7 347 996 $aDay it rained bricks and bats, and other tales from the Gulf$91283132 997 $aUNIOR LEADER 03035oam 2200481I 450 001 9910162709603321 005 20230810001919.0 010 $a1-315-51783-3 010 $a1-315-51785-X 010 $a1-315-51784-1 024 7 $a10.4324/9781315517858 035 $a(CKB)3710000001042715 035 $a(MiAaPQ)EBC4793255 035 $a(OCoLC)970693798 035 $a(BIP)63354778 035 $a(BIP)62878538 035 $a(EXLCZ)993710000001042715 100 $a20180706d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aPierre Boulez and the piano $ea study in style and technique /$fPeter O'Hagan 205 $aFirst edition. 210 1$aLondon ;$aNew York :$cRoutledge,$d2017. 215 $a1 online resource (365 pages) $cillustrations 311 08$a1-138-61028-3 311 08$a0-7546-5319-6 320 $aIncludes bibliographical references and index. 327 $a1. A Parisian apprenticeship -- 2. Towards twelve-note technique -- 3. First Sonata. a Rene Leibowitz. -- 4. Second Sonata -- 5. Chance and inspiration in Structures premier livre -- 6. The expansion of serialism -- 7. Alea -- 8. At the limits of serialism -- 9. Sonate, "que me veux-tu" -- 10. A competition piece and its consequences -- 11. A codetta. 330 $aPierre Boulez's first piano pieces date from his youth, prior to his studies in Paris with Messiaen, and his subsequent meteoric rise to international acclaim as the leader of the musical avant-garde during the 1950s. His most recent published work is a solo piano piece, Une page d'e?phe?me?ride, written some sixty years after his first attempts at composition. The piano has remained central to Boulez's creative work throughout his career, and although his renown as a conductor has to some extent overshadowed his other achievements, it was as a performer of his own piano music that his practical gifts first found expression. Peter O'Hagan has given performances of various unpublished piano works by Boulez, including Antiphonie from the Third Sonata and Trois Psalmodies. In this study, he considers Boulez's writing for the piano in the context of the composer's stylistic evolution throughout the course of his development. Each of the principal works is considered in detail, not only on its own terms, but also as a stage in Boulez's ongoing quest to invent radical solutions to the renewal of musical language and to reinvigorate tradition. The volume includes reference to hitherto unpublished source material, which sheds light on his working methods and on the interrelationship between works. 606 $aPiano music$xAnalysis, appreciation 615 0$aPiano music$xAnalysis, appreciation. 676 $a786.2092 700 $aO'Hagan$b Peter.$0993249 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910162709603321 996 $aPierre Boulez and the piano$92274319 997 $aUNINA