LEADER 00840nam0 22002171i 450 001 UON00152702 005 20231205102929.93 100 $a20020107d1993 |0itac50 ba 101 $akor 102 $aKR 105 $a|||| 1|||| 200 1 $aPour l'acceleration de l'edification du Socialisme$fJong Il Kim 210 $aPyongyang en Langues Etrangères$d1993 215 $a205 p.$d18 cm 686 $aCOR V B$cCOREA - POLITICA - MOV. POLITICI E SINDACALI$2A 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00152702 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI COR V B 013 $eSI SA 101764 5 013 996 $aPour l'acceleration de l'edification du Socialisme$91274564 997 $aUNIOR LEADER 07605nam 22004935 450 001 996580165503316 005 20240207110643.0 010 $a1-4780-9371-4 024 7 $a10.1515/9781478093718 035 $a(CKB)29449306300041 035 $a(DE-B1597)678968 035 $a(DE-B1597)9781478093718 035 $a(EXLCZ)9929449306300041 100 $a20240207h20242024 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aFUTURE/PRESENT $eArts in a Changing America /$fed. by Roberta Uno, Daniela Alvarez, Elizabeth M. Webb 210 1$aDurham : $cDuke University Press, $d[2024] 210 4$d2024 215 $a1 online resource (568 p.) 327 $tFrontmatter -- $tCONTENTS -- $tINTRODUCTION -- $tThe Call -- $tvestibular mantra (or radical virtuosities for a brave new dance) -- $tPART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING -- $tIntroduction -- $tAqui Estoy -- $tBeauty, Justice, and the Ritual of Performance -- $tAn Accumulation of Things That Refuse to Be Discarded -- $tCounting Coup on the Compartmentalization of Indigenous-Made Rap Music -- $tCultural Resiliency in the Face of Crisis: Learning from New Orleans -- $tCollectively Directing the Current -- $tThe New Eagle Creek Saloon -- $tNotes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 -- $t"Building Temples for Tomorrow": Cultural Workers as Construction Crews -- $tInvasive Species -- $tSunny and 150 Years of Placekeeping in Little Tokyo -- $tLocal Fruit Still Life -- $tStage One: Establishing Community -- $tRed 40 -- $tMore Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next -- $tPART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS -- $tIntroduction -- $tMano Poderosa -- $tA Cosmos of Dis/Joints -- $tCross-Border Citizens -- $tIndian Alley, Where Art Is Healing -- $tVessels: A Conversation -- $tFence -- $tA Touch of Otherness -- $tHarmattan Haze -- $tWho Is the #EmergingUS? -- $tJustice and Equity: We're Coming for It All -- $tbuilding bricks for communal healing -- $tWe Never Needed Documents to Thrive -- $tprop·er -- $tAlongside: On Chinese Students in the United States and the Fight for Black Lives -- $tLove Spirals: Notes on Brown Feelings -- $tPART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE -- $tIntroduction -- $tTo Create in Prison -- $tA Measure of Joy -- $tThere Is No Abolition or Liberation without Disability Justice -- $tHOGAR -- $tI Remember -- $tComing Home -- $tSinging Our Way to Abolition -- $tStanding in the Gap: Music as First Responder -- $tLocked in a Dark Calm -- $tAs Crazy as the World Is, I Do Believe -- $tJumpsuit Project -- $tThe Bonds of Aloha: Connecting to Culture Can Free Us -- $tThe Nail That Sticks Out -- $tArt Is a Trojan Horse: Reclaiming Our Narratives -- $tTry/Step/Trip (Excerpt) -- $tThe Evanesced Series (2016 - ) -- $tPART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND -- $tIntroduction -- $tKiksuya -- $tAmerica Doesn't Exist -- $tBetween the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder -- $tSopa de Ostión -- $tIsland Earth: Water, Wayfinding, and the Currents That Connect Us -- $tACCESS DENIED: Creating New Spatial Understandings -- $tEssential Economy -- $tEarth Mama II -- $tWe Are Part of This Land -- $tMauka House -- $tWithholding an Image: Disciplinary Disobedience and Reciprocity in the Field -- $tThinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum -- $tSecrets That the Wind Carries Away -- $tOhi?niya? ded wati kte: This Place Will Always Be Home -- $tBallers -- $tPART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY -- $tIntroduction -- $tThese Roots Run Deep -- $tThe Future Is Ancient -- $tBeing in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi -- $t1619 -- $tEncircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson -- $tCulture and Tradition: A Monument to Our Resilience -- $tEspañol -- $tApsáalooke Feminist #4 -- $tMother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) -- $tThe AIM Song -- $tGullah/Geechee Sea Island Reflections of Futurity -- $tFor Paradise -- $tWhat Is the New Basket That We're Going to Weave? -- $tI ka w? ma mua, i ka w? ma hope: '?iwi Orientations toward a Radical Futurity -- $tThe Art of Peer Pressure: Black Fire UVA! -- $tPART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY -- $tIntroduction -- $tBang Bang -- $tThe Cultural New Deal for Cultural and Racial Justice -- $tWe Begin by Listening -- $tEMERGENYC: An Artistic Home for Emerging Artists -- $tListening through Dance -- $tScenes & Takes -- $tFeminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid -- $tWhat Would Upski Think? -- $tall organizing is science fiction -- $tRebirth Garments -- $tA Call to Action -- $tHuliau -- $tSOVEREIGN -- $tFlexing Hope Is a Practice -- $tAzadi -- $tAFTERWORD -- $temergence (after adrienne maree brown) -- $tAcknowledgments 330 $aFUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity.Selected contributors. Dahlak Brathwaite, adrienne maree brown, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu 606 $aAnti-racism$zUnited States$xHistory$y21st century 606 $aArts and society$zUnited States$xHistory$y21st century 606 $aArts$xPolitical aspects$zUnited States$xHistory$y21st century 606 $aART / American / General$2bisacsh 615 0$aAnti-racism$xHistory 615 0$aArts and society$xHistory 615 0$aArts$xPolitical aspects$xHistory 615 7$aART / American / General. 676 $a700.1/03 702 $aAlvarez$b Daniela, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aUno$b Roberta, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aWebb$b Elizabeth M., $4edt$4http://id.loc.gov/vocabulary/relators/edt 712 02$aArtChangeUS$4fnd$4http://id.loc.gov/vocabulary/relators/fnd 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996580165503316 996 $aFUTURE$93907355 997 $aUNISA LEADER 03888nam 22006375 450 001 9910483293203321 005 20200920041820.0 010 $a3-319-09000-3 024 7 $a10.1007/978-3-319-09000-9 035 $a(CKB)3710000000239370 035 $a(EBL)1967024 035 $a(OCoLC)908086591 035 $a(SSID)ssj0001354305 035 $a(PQKBManifestationID)11777058 035 $a(PQKBTitleCode)TC0001354305 035 $a(PQKBWorkID)11342272 035 $a(PQKB)11638667 035 $a(DE-He213)978-3-319-09000-9 035 $a(MiAaPQ)EBC1967024 035 $a(PPN)181349841 035 $a(EXLCZ)993710000000239370 100 $a20140911d2015 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aStrategies for Sustainable Tourism at the Mogao Grottoes of Dunhuang, China /$fby Martha Demas, Neville Agnew, Jinshi Fan 205 $a1st ed. 2015. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2015. 215 $a1 online resource (127 p.) 225 1 $aSpringerBriefs in Archaeological Heritage Management,$x2192-5313 300 $aDescription based upon print version of record. 311 $a3-319-08999-4 320 $aIncludes bibliographical references and index. 327 $aChapter 1: Introduction -- Chapter 2: Conceptual frameworks for managing visitor impact -- Chapter 3: The Mogao Grottoes of Dunhuang -- Chapter 4: The Mogao Visitor Study -- Chapter 5: Strategies for sustainable tourism -- Conclusions. . 330 $aAt the Mogao Grottoes, a World Heritage site near Dunhuang city in Gansu Province, visitor numbers have increased inexorably since 1979 when the site opened. A national policy that identifies tourism as a pillar industry, along with pressure from local authorities and businesses to encourage more tourism, threatens to lead to an unsustainable situation for management, an unsafe and uncomfortable experience for visitors and irreparable damage to the fragile art of the cave temples for which the site is famous. In the context of the comprehensive visitor management plan developed for the Mogao Grottoes, a multi-year study began in 2001 as a joint undertaking of the Dunhuang Academy and the Getty Conservation Institute to determine the impact of visitation on the painted caves and develop strategies for sustainable visitation such that, once implemented, these threats would be resolved. The methodological framework featured a major research and assessment component that integrates visitor studies; laboratory investigations; environmental monitoring; field testing and condition assessment to address the issues affecting the grottoes and visitors. Results from this component led to defining limiting conditions, which were the basis for establishing a visitor capacity policy for the grottoes and developing long-term monitoring and management tools. 410 0$aSpringerBriefs in Archaeological Heritage Management,$x2192-5313 606 $aManagement 606 $aArchaeology 606 $aCultural Management$3https://scigraph.springernature.com/ontologies/product-market-codes/X22050 606 $aArchaeology$3https://scigraph.springernature.com/ontologies/product-market-codes/X13000 615 0$aManagement. 615 0$aArchaeology. 615 14$aCultural Management. 615 24$aArchaeology. 676 $a300 676 $a306 676 $a930.1 700 $aDemas$b Martha$4aut$4http://id.loc.gov/vocabulary/relators/aut$01227595 702 $aAgnew$b Neville$4aut$4http://id.loc.gov/vocabulary/relators/aut 702 $aFan$b Jinshi$4aut$4http://id.loc.gov/vocabulary/relators/aut 906 $aBOOK 912 $a9910483293203321 996 $aStrategies for Sustainable Tourism at the Mogao Grottoes of Dunhuang, China$92850238 997 $aUNINA