LEADER 00867nam a2200253 i 4500 001 991001850149707536 005 20020503154235.0 008 970611s1966 it ||| | ita 035 $ab1028154x-39ule_inst 035 $aEXGIL92542$9ExL 040 $aBiblioteca Interfacoltà$bita 100 1 $aHunter, Evan$0465647 245 10$aAria chiusa :$bromanzo /$cdi Evan Hunter 260 $aMilano :$bLonganesi,$c[1966] 300 $a313 p. ;$c18 cm. 440 2$aI libri pocket ;$v63 500 $aTrad. di Carla Verga. 740 0 $aSecond ending [Trad.] 907 $a.b1028154x$b02-04-14$c27-06-02 912 $a991001850149707536 945 $aLE002 Fondo Miglietta 294$g1$iLE002-22758N$lle002$o-$pE0.00$q-$rn$so $t0$u0$v0$w0$x0$y.i10333885$z27-06-02 996 $aAria chiusa$9209493 997 $aUNISALENTO 998 $ale002$b01-01-97$cm$da $e-$fita$git $h0$i1 LEADER 00939nam a2200265 i 4500 001 991002863899707536 005 20020509104253.0 008 970419s1936 uk ||| | eng 035 $ab1107291x-39ule_inst 035 $aPARLA170611$9ExL 040 $aDip.to Filol. Class. e Med.$bita 082 0 $a880 100 1 $aMurray, Gilbert$071421 245 10$aEssays in honour of Gilbert Murray /$c[Edited by J.A.K.Thomson and A.J.Toynbee] 260 $aLondon :$bGeorge Allen & Unwin,$c1936 300 $a308 p. ;$c23 cm. 650 4$aScritti in onore 700 1 $aThomson, J.A.K. 700 1 $aToynbee, Arnold J. 907 $a.b1107291x$b21-09-06$c28-06-02 912 $a991002863899707536 945 $aLE007 M 5038$g1$i2007000012949$lle007$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11201861$z28-06-02 996 $aEssays in honour of Gilbert Murray$9860361 997 $aUNISALENTO 998 $ale007$b01-01-97$cm$da $e-$feng$guk $h0$i1 LEADER 03761nam 2200757 a 450 001 9910787514703321 005 20230126210821.0 010 $a1-60917-375-9 035 $a(CKB)2670000000421504 035 $a(EBL)1672306 035 $a(SSID)ssj0001052972 035 $a(PQKBManifestationID)11950343 035 $a(PQKBTitleCode)TC0001052972 035 $a(PQKBWorkID)11083825 035 $a(PQKB)10310735 035 $a(MiAaPQ)EBC3338329 035 $a(OCoLC)862780219 035 $a(MdBmJHUP)muse31168 035 $a(MiAaPQ)EBC1672306 035 $a(Au-PeEL)EBL3338329 035 $a(CaPaEBR)ebr10753840 035 $a(Au-PeEL)EBL1672306 035 $a(OCoLC)876514268 035 $a(EXLCZ)992670000000421504 100 $a20121128d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Chican@ hip hop nation$b[electronic resource] $epolitics of a new millennial mestizaje /$fPancho McFarland 210 $aEast Lansing $cMichigan State University Press$d2013 215 $a1 online resource (315 p.) 225 1 $aLatinos in the United States 225 0$aLatinos in the United States series 300 $aDescription based upon print version of record. 311 $a1-61186-086-5 320 $aIncludes bibliographical references and index. 327 $aSetting the theoretical context -- Quie?n es ma?s macho? quie?n es ma?s mexicano?: Chican@ and Mexican@ identities in rap -- Barrio logos: the sacred and profane word of Chicano emcees -- Identities old and new -- Sonido indi?gena: Mexica hip-hop and masculine identity -- Pai?sas, compas, inmigrantes -- Barrio locos: street hop and Amerikan identity -- Mexicanidad, africanidad -- Multiracial macho: Kemo the Blaxican's hip-hop masculinity -- The rap on Chicano/Mexicano and Black masculinity -- "Soy la kalle": radio, reggaeto?n, and latin@ identity -- Hip-hop and justice -- A hip-hop pedagogy for social justice -- Afterword. Hip-hop and freedom-dreaming in the Mexican diaspora. 330 $a The population of Mexican-origin peoples in the United States is a diverse one, as reflected by age, class, gender, sexuality, and religion. Far from antiquated concepts of mestizaje, recent scholarship has shown that Mexican@/Chican@ culture is a mixture of indigenous, African, and Spanish and other European peoples and cultures. No one reflects this rich blend of cultures better than Chican@ rappers, whose lyrics and iconography can help to deepen our understanding of what it means to be Chican@ or Mexican@ today. 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