LEADER 96838nas# 22109931i 450 001 UON00084944 005 20231205102443.911 011 $a0034-5210 100 $a20020107a1970 |0itac50 ba 101 $aeng$aFRE 102 $aUS 105 $a|||| ||||| 110 $aaQ||||||||| 200 1 $aResearch in African Literatures$fAfrican and Afro-American Research Institute, University of Texas$gEditor Bernth Lindfors 205 $aVol. 1$bno. 1 (1970)- 207 $a[Austin] : University of Texas, 1970- 210 $a v.$a23 cm 215 $aTrimestrale 311 $ap. 101$9UON00086271 311 $ap. 99$9UON00086311 311 $ap. 19$9UON00086396 311 $ap. 88$9UON00086474 311 $ap. 31$9UON00086440 311 $ap. 159$9UON00086325 311 $ap. 163$9UON00086448 311 $ap. 172$9UON00086449 311 $ap. 5$9UON00086280 311 $ap. 47$9UON00086385 311 $ap. 79$9UON00086258 311 $ap. 33$9UON00086328 311 $ap. 53$9UON00086409 311 $ap. 117$9UON00086321 311 $aP. 57-75$9UON00103299 311 $ap. 40$9UON00086408 311 $aP. 43-56$9UON00103296 311 $ap. 45$9UON00086315 311 $ap. 83$9UON00086318 311 $ap. 145$9UON00086323 311 $ap. 153$9UON00086324 311 $ap. 143$9UON00086459 311 $ap. 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$ap. 85$9UON00086285 311 $ap. 115$9UON00086279 311 $ap. 98$9UON00086486 316 $a2012$5IT-UONSI A PER Afr71/43 316 $a2013$5IT-UONSI A PER Afr71/44 316 $a2014$5IT-UONSI A PER Afr71/45 316 $a2015$5IT-UONSI A PER Afr71/46 316 $a*Prezzo appr.$5IT-UONSI A PER Afr71/08* 316 $a*Prezzo appr.$5IT-UONSI A PER Afr71/09* 316 $a*Prezzo appr.$5IT-UONSI A PER Afr71/10* 316 $a*Prezzo appr.$5IT-UONSI A PER Afr71/11* 316 $a*Prezzo appr.$5IT-UONSI A PER Afr71/12* 316 $a*Prezo appr.$5IT-UONSI A PER Afr71/13* 464 0$1001UON00086271$12001 $aBibliography$fJosaphat B. 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Appiah's theory of African cultures$fLekan Oyegoke$1210 $a27, 1$d1996$dp. 143$vp. 143 464 0$1001UON00086494$12001 $aMy mother/my selves: (Re)reading a tradition of West African women's autobiography$fMary-Kay F. Miller$1210 $a28, 2$d1997, p. 5$vp. 5 464 0$1001UON00086382$12001 $aNarratine proverbs in the African novel$fEmmanuel Obiechina$1210 $a24, 4$d1993$dp.123$vp. 123 464 0$1001UON00086374$12001 $aNegritude and history: Senghor's argument with Frobenius$fMichael J. C. Echeruo$1210 $a24, 4$d1993$vp. 1 464 0$1001UON00086405$12001 $aNew treds in modern African poetry$fTanure Ojaide$1210 $a26, 1$d1995. p. 4$vp. 4 464 0$1001UON00086260$12001 $a"Periodic embodiments": a ubiquitous trope in African men's writing$fFlorence Stratton$1210 $a21, 1$d1990$dp. 111$vp. 111 464 0$1001UON00140900$12001 $aPoetry, Performance, and Art: Udje Dance Songs of Nigeria's Urhobo People$fTanure Ojaide$1210 $aVol. 32, n. 2$d2001$dP. 44-75$va.2001:v.32:n.2 (2001) 464 0$1001UON00086268$12001 $aPolitical rhetoric in/and the African text$fEmmanuel Yewah$1210 $a21, 2$d1990$dp. 67$vp. 67 464 0$1001UON00086438$12001 $aPortuguese African cinema: historical and contemporary perspectives, 1969 to 1993$fClaire Andrade-Watkins$1210 $a26, 3$d1995$dp. 134$vp. 134 464 0$1001UON00086451$12001 $aˆThe ‰postcolonial condition: the archeology of African knowledge: from the feastof Ogun and Sango to the postcolonial creativity of Obatala$fNoureini Tidjani-Serpos$1210 $a27, 1$d1996, p. 3$vp. 3 464 0$1001UON00086314$12001 $aProblems in African literature$fMazisi Kunene$1210 $a23, 1$d1992$dp. 27$vp. 27 464 0$1001UON00086418$12001 $aˆThe ‰reinvention of woman through conversations and humor in Flora Nwapa's "One is enough"$fBrenda F. Berrian$1210 $a26, 2$d1995$dp. 53$vp. 53 464 0$1001UON00086316$12001 $aRelativism, universalism, and the language of African literature$fAlamin Mazrui$1210 $a23, 1$d1992$dp. 65$vp. 65 464 0$1001UON00086489$12001 $aResurrecting the devil: notes on ngugi's theory of the oral-aural African novel/ Christopher Wise$1210 $a28, 1$d1997$dp. 134$vp. 134 464 0$1001UON00086259$12001 $aRewriting history, motherhood, and rebellion: naming an African women's literary tradition$fSusan Z. Andrade$1210 $a21, 1$d1990$dp. 91$vp. 91 464 0$1001UON00086403$12001 $a"Sade's testimony": a new genre of autobiography in African folklore$fLekan Oyegoke$1210 $a25, 3$d1994$dp. 131$vp. 131 464 0$1001UON00086261$12001 $aShifting bases: the present practice of African criticism$fD. S. Izevbaye$1210 $a21, 1$d1990$dp. 132$vp. 132 464 0$1001UON00086350$12001 $aTheologizing "underneath the tree": an African topos in Ukawsaw Gronniosaw, William Blake, and William Cole$fMichael J. C. Echeruo$1210 $a23, 4$d1992$dp. 51$vp. 51 464 0$1001UON00086427$12001 $aˆThe ‰theorical construction of African cinema$fStephen A. Zacks$1210 $a26, 3$d1995,p. 6$vp. 6 464 0$1001UON00086428$12001 $aTowards a theory of orality in African cinema$fKeyan G. Tomaselli, Arnold Shepperson, and Maureen Eke$1210 $a26, 3$d1995$dp. 18$vp. 18 464 0$1001UON00086269$12001 $aˆThe ‰violated universe: neo-colonial sexual and political consciouness in Dambudzo Marechera$fHuma Ibrahim$1210 $a21, 2$d1990$dp. 101$vp. 91 464 0$1001UON00140894$12001 $aAfrican Music as text$fKofi Agawu$1210 $aVol. 32, n. 2$d2001, P. 8-16$va.2001:v.32:n.2 (2001) 464 0$1001UON00140910$12001 $aAfrican Music, Ideology, and Utopia$fNick Nesbitt$1210 $aVol. 32, n. 2$d2001$dP. 175-186$va.2001:v.32:n.2 (2001) 464 0$1001UON00140906$12001 $aAfrican Musical Rhythm and Poetic Imagination: A Phono Stylistic Interpretation of Clark-Bekederemo's "Return of the Fishermen"$fLuke Eyoh$va.2001:v.32:n.2 (2001) 464 0$1001UON00140909$12001 $aAfrican Pianism as an Intercultural Compositional Framework: A Study of the Piano Works of Akin Euba$fBode Omojola$1210 $aVol. 32, n. 2$d2001$dP. 153-174$va.2001:v.32:n.2 (2001) 464 0$1001UON00140913$12001 $aˆAn ‰African Understanding of African Music$fKofi Agawu$1210 $aVol. 32, n. 2$d2001$dP. 187-194$va.2001:v.32:n.2 (2001) 464 0$1001UON00140905$12001 $aBeyond Song Texts - The Lingual Fundamentals African Drum Music$fMeki Nzewi, Israel Anyahuru and Tom Ohiaraumunna$1210 $aVol. 32, n. 2$d2001$dP. 90-104$va.2001:v.32:n.2 (2001) 464 0$1001UON00140908$12001 $aCapturing the "Spirit of Africa" in the Jazz Singing of South African-Born Sathima Bea Benjamin$fCarol Muller$1210 $aVol. 32, n. 2$d2001$dP. 133-152$va.2001:v.32:n.2 (2001) 464 0$1001UON00140921$12001 $aClassicism in Shaaban Robert's Utopian Novel, Kusadikika$fSaid A. M. Khamis$1210 $aVol. 32, n. 1$d2001$dP. 47-65$va.2001:v.32:n.1 (2001) 464 0$1001UON00140903$12001 $aˆThe ‰Cosmopolitan Nativist: Fela Anikulapo-Kuti and the Antinomies of Postcolonial Modernity$fTejumola Olaniyan$1210 $aVol. 32, n. 2$d2001$dP. 76-89$va.2001:v.32:n.2 (2001) 464 0$1001UON00140925$12001 $aFictional Oungan: In the Long Shadow of the Fetish$fAnna Wexler$1210 $aVol. 32, n. 1$d2001$dP. 83-97$va.2001:v.32:n.1 (2001) 464 0$1001UON00140898$12001 $aˆ"‰It's a Great Song!" Halò Performance as Literary Production$fDaniel K. Avorgbedor$1210 $aVol. 32, n. 2$d2001$dP. 17-43$va.2001:v.32:n.2 (2001) 464 0$1001UON00140916$12001 $aKimondo, Satire, and Political Dialogue: Electioneering through Versification$fKimani Njogu$1210 $aVol. 32, n. 1$d2001, P. 1-13$va.2001:v.32:n.1 (2001) 464 0$1001UON00140919$12001 $aˆThe ‰Sunjata Epic - The Ultimate Version$fJan Jansen$1210 $aVol. 32, n. 1$d2001$dP. 14-46$va.2001:v.32:n.1 (2001) 464 0$1001UON00140907$12001 $aText Setting in African Composition$fAkin Euba$1210 $aVol. 32, n. 2$d2001$dP. 119-132$va.2001:v.32:n.2 (2001) 464 0$1001UON00140923$12001 $aˆThe ‰Way of the Spirit$fBill Hemminger$1210 $aVol. 32, n. 1$d2001$dP. 66-82$va.2001:v.32:n.1 (2001) 464 0$1001UON00102979$12001 $aAesthetics of Communication: Texts on Textiles (Leso) from the East African Coast (Swahili)$fRose Marie Beck$1210 $aVol. 31, n. 4$d2000$dP. 104-124$va.2000:v.31:n.4 (2000) 464 0$1001UON00102962$12001 $aAfricain Verbal Arts and the Study of the African Visual Aesthetics$fWilfried van Damme$1210 $aVol. 31, n. 4$d2000, P. 8-20$va.2000:v.31:n.4 (2000) 464 0$1001UON00103223$12001 $aAutofiction and Cheikh Hamidou Kane's L'aventure ambigue$fJ. P. Little$1210 $aVol. 31, n. 2$d2000$dP. 71-90$va.2000:v.31:n.2 (2000) 464 0$1001UON00103006$12001 $aBiblical Mythology in André Brink'a Anti-Apartheid Crusade$fIsidore Diala$1210 $aVol. 31, n. 1$d2000$dP. 80-94$va.2000:v.31:n.1 (2000) 464 0$1001UON00103192$12001 $aCarnival as an Embedded Narrative in Mbulelo Mzamane's Short Stories$fLokangaka Losambe$1210 $aVol. 31, n. 2$d2000$dP. 29-48$va.2000:v.31:n.2 (2000) 464 0$1001UON00103234$12001 $aCharlotte-Arrisoa Rafenomanjato Speaks to Carole Beckett$fCarole M. Beckett$1210 $aVol. 31, n. 2$d2000$dP. 174-178$va.2000:v.31:n.2 (2000) 464 0$1001UON00103001$12001 $aClaiming the Burden: Naipaul's Africa$fRanu Samantrai$1210 $aVol. 31, n. 1$d2000,P. 50-62$va.2000:v.31:n.1 (2000) 464 0$1001UON00103230$12001 $aˆThe ‰Co-Centrality of Racial Conciliation in Negritudine Literature$fKwaku Asante-Darko$1210 $aVol. 31, n. 2$d2000$dP. 151-162$va.2000:v.31:n.2 (2000) 464 0$1001UON00103261$12001 $aContesting the History of Benin Kingdom$fPeter P. Ekeh$1210 $aVol. 31, n. 3$d2000$dP. 147-170$va.2000:v.31:n.3 (2000) 464 0$1001UON00103004$12001 $aCulture, Cultivation and Colonialism in Out of Africa and Beyond$fSimon Lewis$1210 $aVol. 31, n. 1$d2000$dP. 63-79$va.2000:v.31:n.1 (2000) 464 0$1001UON00102971$12001 $aˆThe "‰Discovery" of a African Mask$fDennis Duerden$1210 $aVol. 31, n. 4$d2000$dP. 29-47$va.2000:v.31:n.4 (2000) 464 0$1001UON00103249$12001 $aDisruption of Orality in the Writings of Hampaté Ba$fMoradewun Adejunmobi$1210 $aVol. 31, n. 3$d2000$dP. 27-36$va.2000:v.31:n.3 (2000) 464 0$1001UON00102989$12001 $aEurophonism, Universities, and the Magic Fountain: The Future of African Literature and Scholarship$fNgugi wa Thiong'o$1210 $aVol. 31, n. 1$d2000, P. 1-11$va.2000:v.31:n.1 (2000) 464 0$1001UON00103226$12001 $aFact and Fiction in God's Bits of Wood$fJames A. Jones$1210 $aVol. 31, n. 2$d2000$dP. 117-131$va.2000:v.31:n.2 (2000) 464 0$1001UON00103246$12001 $aFrom a Colonial to a Postcolonial African Voice: Amkoullel l'enfant peul$fRalph A. Austen$1210 $aVol. 31, n, 3$d2000, P. 1-17$va.2000:v.31:n.3 (2000) 464 0$1001UON00102966$12001 $aFrom Bandiagara to Paris: Reflections on the Travels of a Dogon Sign$fSylvie Kandé$1210 $aVol. 31, n. 4$d2000$dP. 21-28$va.2000:v.31:n.4 (2000) 464 0$1001UON00103257$12001 $aFrom L'état sauvage to L'état honteux$fJànos Riesz$1210 $aVol. 31, n. 3$d2000$dP. 100-128$va.2000:v.31:n.3 (2000) 464 0$1001UON00103222$12001 $aGeography, Literature, and the African Territory: Some Observations on the Western Map and the Rapresentation of Territory in the South African Literary Imagination$fItala Vivan$1210 $aVol. 31, n. 2$d2000$dP. 49-70$va.2000:v.31:n.2 (2000) 464 0$1001UON00103188$12001 $aHiddes Stories and the Light of a New day: A Zulu Manuscript and Its Place in South African Writing Now$fLiz Gunner$1210 $aVol. 31, n. 2$d2000, P. 1-16$va.2000:v.31:n.2 (2000) 464 0$1001UON00103259$12001 $aLife Is Not a Book. Creuse: Literature and Representation in Sony Labou Tansi's Work$fJustin Kalulu Bisanswa$1210 $aVol. 31, n. 3$d2000$dP. 129-146$va.2000:v.31:n.3 (2000) 464 0$1001UON00103228$12001 $aMariama Ba's Une si longue letter and Subverting a Mythology of Sex-Based Oppression$fBarbara Klaw$1210 $aVol. 31, n. 2$d2000$dP. 132-150$va.2000:v.31:n.2 (2000) 464 0$1001UON00103225$12001 $aˆThe ‰Myth of Ruben$fAndré Djiffack$1210 $aVol. 31, n. 2$d2000$dP. 91-116$va.2000:v.31:n.2 (2000) 464 0$1001UON00103190$12001 $aMythology, Magic Realism, and the White Writing after the Apartheid$fSandra Chait$1210 $aVol. 31, n. 2$d2000$dP. 17-28$va.2000:v.31:n.2 (2000) 464 0$1001UON00102977$12001 $aOral Traditions and Materia Culture: An East Africa Experience$fSultan H. Somjee$1210 $aVol. 31, n. 4$d2000$dP. 97-103$va.2000:v.31:n.4 (2000) 464 0$1001UON00102975$12001 $aˆ"‰Paintings Like Prayers": The Hidden Side of Senegalese Reverse-Glass "Image/Texts"$fAllen F. Roberts amd Mary Nooter Roberts$1210 $aVol. 31, n. 4$d2000$dP. 76-96$va.2000:v.31:n.4 (2000) 464 0$1001UON00103252$12001 $aPassionate Engagements: A Reading of Sony Labou Tansi's Private Ancestral Shrine$fPhyllis Clark$1210 $aVol. 31, n. 3$d2000$dP. 39-68$va.2000:v.31:n.3 (2000) 464 0$1001UON00102982$12001 $aPortaying a Story: The Narrative Function of the Human Form in Contemporary Art of South Africa$fAnneleen de Jong$1210 $aVol. 31, n. 4$d2000$dP. 125-138$va.2000:v.31:n.4 (2000) 464 0$1001UON00103236$12001 $aˆThe ‰Postcolony as Trope: Searching for a Lost Continent in a Borderless Worl$fAdebayo Williams$1210 $aVol. 31, n. 2$d2000$dP. 179-193$va.2000:v.31:n.2 (2000) 464 0$1001UON00103255$12001 $aˆLe ‰quatrième coté du triangle, or Squaring the Sex: A Genetic Approach to the "Black Continent" in Sony Labou Tansi's Work$fNicolas Martin-Granel$1210 $aVol. 31, n. 3$d2000$dP. 69-99$va.2000:v.31:n.3 (2000) 464 0$1001UON00102997$12001 $aRedefining Mimicry: Quoting Techniques and the Role of Readers in Locally Published Ghanaian Fiction$fStephanie Newell$1210 $aVol. 31, n. 4$d2000$dP. 32-49$va.2000:v.31:n.1 (2000) 464 0$1001UON00103250$12001 $aSony Labou Tansi: From Archive to Corpus$fPhyllis Clark and Alain Ricard$1210 $aVol. 31, n. 3$d2000$dP. 37-38$va.2000:v.31:n.3 (2000) 464 0$1001UON00103231$12001 $aTheoretical Construction and Constructive Theorizing in Execution of Ikemefuna in Achebe's Things Fall Apart: A Study in Critical Dualism$fEmeka Nwabueze$1210 $aVol. 31, n. 2$d2000$dP. 163-172$va.2000:v.31:n.2 (2000) 464 0$1001UON00102986$12001 $aˆThe ‰Thread of the Story: Two South African Women Artists Talk about Their Work$fPauline Burmann$1210 $aVol. 31, n. 4$d2000$dP. 155-165$va.2000:v.31:n.4 (2000) 464 0$1001UON00102993$12001 $aTo Paris and Back: Seeking a Balance$fPatricia D. Duffy$1210 $aVol. 31, n. 1$d2000$dP. 12-31$va.2000:v.31:n.1 (2000) 464 0$1001UON00103238$12001 $aTraveling Theory: Ngugi's Return to English$fSimon Gikandi$1210 $aVol. 31, n. 2$d2000$dP. 194-209$va.2000:v.31:n.2 (2000) 464 0$1001UON00103247$12001 $aUnder the Cover of the Way: A Feminist Reading of Hampaté Ba's Kaidara$fKenneth W. Harrow$1210 $aVol. 31, n. 3$d2000$dP. 18-26$va.2000:v.31:n.3 (2000) 464 0$1001UON00102985$12001 $aˆThe ‰Verbal and the Visual in a Globalizing Context: African and European Connections as an Ongoing Process$fMinike Schipper$1210 $aVol. 31, n. 4$d2000$dP. 139-154$va.2000:v.31:n.4 (2000) 464 0$1001UON00103010$12001 $aˆ"‰Where the Banalities Are Enacted": The Everyday in Gordimer's Novels$fSusan Pearsall$1210 $aVol. 31, n. 1$d2000$dP. 95-118$va.2000:v.31:n.1 (2000) 464 0$1001UON00102973$12001 $aWild Animals and Heroic Men: Visual and Verbal Arts in the Sogo bo Masquerades of Mali$fMary Jo Arnoldi$1210 $aVol. 31, n. 4$d2000$dP. 63-75$va.2000:v.31:n.4 (2000) 464 0$1001UON00103093$12001 $aAmos Tutuola and the Colonial Carnival$fSteven M. Tobias$1210 $aVol. 30, n. 2$d1999$dP. 66-74$va.1999:v.30:n.2 (1999) 464 0$1001UON00103149$12001 $aAngst and Rebellion in the Fiction of Amin Zaoui$fFarida Adu-Haidar$1210 $aVol. 30, n. 3$d1999$dP. 164-175$va.1999:v.30:n.3 (1999) 464 0$1001UON00103100$12001 $aBeyond Unicentricity: Transcultural Black Presences$fCarole Boyce Davies$1210 $aVol. 30, n. 2$d1999$dP. 96-109$va.1999:v.30:n.2 (1999) 464 0$1001UON00103177$12001 $aBin Kadi-So and Dramatic Innovation$fSibide' Valy$1210 $aVol. 30, n. 4$d1999$dP. 127-134$va.1999:v.30:n.4 (1999) 464 0$1001UON00103124$12001 $aBlood Does Not Dry on the Tongue$fAssia Djebar$1210 $aVol. 30, n. 3$d1999$dP. 18-22$va.1999:v.30:n.3 (1999) 464 0$1001UON00103152$12001 $aBuilding the Colonial Archive: Tha Case of Camus's Le premier homme$fEdward J. Hughes$1210 $aVol. 30, n. 3$d1999$dP. 176-193$va.1999:v.30:n.3 (1999) 464 0$1001UON00103111$12001 $aChinua Achebe Writing Culture: Representations of Gender and Tradition in Things Fall Apart$fKwadwo Osei-Nyame$1210 $aVol. 30, n. 2$d1999$dP. 148-164$va.1999:v.30:n.2 (1999) 464 0$1001UON00103144$12001 $aComing Home: Exile and Memory in Sebbar's Le silence des rives$fMildred Mortimer$1210 $aVol. 30, n. 3$d1999$dP. 125-134$va.1999:v.30:n.3 (1999) 464 0$1001UON00103078$12001 $aˆA ‰Conversation with Ngugi wa Thiong'o$fD. Venkat Rao$1210 $aVol. 30, n. 1$d1999$dP. 162-168$va.1999:v.30:n.1 (1999) 464 0$1001UON00103079$12001 $aˆThe ‰Development of Lusophone Africa's Literary Magazines$fGeorge Alao$1210 $aVol. 30, n. 1$d1999$dP. 169-183$va.1999:v.30:n.1 (1999) 464 0$1001UON00103187$12001 $aDimensions of Theatricality in Africa$fJoachim Fiebach$1210 $aVol. 30, n. 4$d1999$dP. 186-201$va.1999:v.30:n.4 (1999) 464 0$1001UON00103123$12001 $aDissident Algeria$fJean Daniel$1210 $aVol. 30, n. 3$d1999$dP. 15-17$va.1999:v.30:n.3 (1999) 464 0$1001UON00103080$12001 $aEngendering Racism: History and History Teachers in English Schools$fMarika Sherwood$1210 $aVol. 30, n. 1$d1999$dP. 184-203$va.1999:v.30:n.1 (1999) 464 0$1001UON00103101$12001 $aEpistolary Frienship: La prise de parole in Mariama Ba's$eUne si longue lettre$fAnn McElaney-Johnson$1210 $aVol. 30, n. 1$d1999$dP. 110-121$va.1999:v.30:n.2 (1999) 464 0$1001UON00103165$12001 $aFemi Osofisan: The Form of Uncommon Sense$fTejumola Olaniyan$1210 $aVol. 30, n. 4$d1999$dP. 74-91$va.1999:v.30:n.4 (1999) 464 0$1001UON00103156$12001 $aFrom Ghetto to Garrison: A Chronic Case of Orisunitis$fWole Soyinka$1210 $aVol. 30, n. 4$d1999, P. 6-23$va.1999:v.30:n.4 (1999) 464 0$1001UON00103019$12001 $aFrom Shaka's Court to the Trade Union Rally: Praises in a Usable Past$fMichael Chapman$1210 $aVol. 30, n. 1$d1999$dP. 34-43$va.1999:v.30:n.1 (1999) 464 0$1001UON00103034$12001 $aGender-Role Perceptions in the Akan Folktale$fNaana Opoku-Agyemang$1210 $aVol. 30, n. 1$d1999$dP. 116-139$va.1999:v.30:n.1 (1999) 464 0$1001UON00103179$12001 $aGestural Interpretation of the Occult in the Bin Kadi-So Adaptation of Macbeth$fMarie-Jose' Hourantier$1210 $aVol. 30, n. 4$d1999$dP. 135-143$va.1999:v.30:n.4 (1999) 464 0$1001UON00103037$12001 $aˆThe ‰Idea of Democracy in Africa Tales$fJoseph Dong'Aroga$1210 $aVol. 30, n. 1$d1999$dP. 140-153$va.1999:v.30:n.1 (1999) 464 0$1001UON00103127$12001 $aIdentity as a Cause$fFethi Benslama$1210 $aVol. 30, n. 3$d1999$dP. 36-50$va.1999:v.30:n.3 (1999) 464 0$1001UON00103125$12001 $aIs a Genealogy of Violence Possible$fTassadit Yacine$1210 $aVol. 30, n. 3$d1999$dP. 23-35$va.1999:v.30:n.3 (1999) 464 0$1001UON00103154$12001 $aLetter to the Silenced Voices$fHe'di Bouraoui$1210 $aVol. 30, n. 3$d1999$dP. 207-212$va.1999:v.30:n.3 (1999) 464 0$1001UON00103183$12001 $aModernity's Trickster: "Dipping" and "Throwing" in Congolese Popular Dance Music$fBob W. White$1210 $aVol. 30, n. 4$d1999$dP. 156-175$va.1999:v.30:n.4 (1999) 464 0$1001UON00103021$12001 $aNali Alionja Nini? Who Had a Taste of What? A Sociopolitical Interpretation of Farouk Topan's Play$eAliyeonja Pepo ("A Taste of Heaven")$fKlazien Kruisheer$1210 $aVol. 30, n. 1$d1999$dP. 44-57$va.1999:v.30:n.1 (1999) 464 0$1001UON00103146$12001 $aNarrating the Tribe: Rachid Mimouni and Dystopia$fBernard Aresu$1210 $aVol. 30, n. 3$d1999$dP. 135-150$va.1999:v.30:n.3 (1999) 464 0$1001UON00103091$12001 $aOn the Theoretical Foundations of Orality and Literacy$fEmevwo Biakolo$1210 $aVol. 30, n. 2$d1999$dP. 42-65$va.1999:v.30:n.2 (1999) 464 0$1001UON00103082$12001 $aOpening Southern African Studies Post-Apartheid$fStephen Gray$1210 $aVol. 30, n. 1$d1999$dP. 207-215$va.1999:v.30:n.1 (1999) 464 0$1001UON00103085$12001 $aOruku Tindi Tindi: Museums and Pseudo-Aesthetics of Primitivism$fMoyo Okediji$1210 $aVol. 30, n. 1$d1999$dP. 216-232$va.1999:v.30:n.1 (1999) 464 0$1001UON00103087$12001 $aˆThe ‰Path Is Open: The Legacy of Melville and Frances Herskovits in Africa Oral Narrative Analysis$fOlabiyi Babalola Yai$1210 $aVol. 30, n. 2$d1999, P. 1-16$va.1999:v.30:n.2 (1999) 464 0$1001UON00103032$12001 $aˆA ‰Poetic Structure in Hausa Proverbs$fJang Tae-Sang$1210 $aVol. 30, n. 1$d1999$dP. 83-115$va.1999:v.30:n.1 (1999) 464 0$1001UON00103148$12001 $aPostcolonial Nations: Political or Poetic Allegories?$fReda Bensmaia$1210 $aVol. 30, n. 3$d1999$dP. 151-163$va.1999:v.30:n.3 (1999) 464 0$1001UON00103030$12001 $aPostproverbials in Yoruba Culture: A Playful Blasphemy$fAderemi Raji-Oyelade$1210 $aVol. 30, n. 1$d1999$dP. 74-82$va.1999:v.30:n.1 (1999) 464 0$1001UON00103129$12001 $aPower, Censorship, and the Press: The Case of Post-Colonial Algeria$fHafid Gafaiti$1210 $aVol. 30, n. 3$d1999$dP. 51-61$va.1999:v.30:n.3 (1999) 464 0$1001UON00103014$12001 $aProse-Poem-Drama: "Proemdra"-"Black Aesthetics" versus "White Aesthetics" in South Africa$fHorst Zander$1210 $aVol. 30,n. 1$d1999$dP. 12-33$va.1999:v.30:n.1 (1999) 464 0$1001UON00103090$12001 $aQuotation in the Constitution of Yoru'ba' Oral Texts$fKarin Barber$1210 $aVol. 30, n. 2$d1999$dP. 17-41$va.1999:v.30:n.2 (1999) 464 0$1001UON00103121$12001 $aRais, Bentalha... A Year Later$fAssia Djebar$1210 $aVol. 30, n. 3$d1999, P. 7-14$va.1999:v.30:n.3 (1999) 464 0$1001UON00103027$12001 $aˆA ‰Rethorical Study of Kiswahili Classical Poetry: An Investigation into the Nature and the Role of Repetition$fKyallo Wadi Wamitila$1210 $aVol. 30, n. 1$d2000$dP. 58-73$va.1999:v.30:n.1 (1999) 464 0$1001UON00103164$12001 $aRevolution and Recidivism: The Problem of Kenyan History in the Plays of Ngugi wa Thiong'o$fNicholas Brown$1210 $aVol. 30, n. 4$d1999$dP. 56-73$va.1999:v.30:n.4 (1999) 464 0$1001UON00103153$12001 $aˆThe ‰Sands of Rhyme: Thackeray and Abd al Qadir$fHe'di Abdel-Jaouad$1210 $aVol. 30, n. 3$d1999$dP. 194-206$va.1999:v.30:n.3 (1999) 464 0$1001UON00103114$12001 $aShould Women Love "Wisdom"? Evaluating the Ethiopian Wisdom Tradition$fGail M. Presbey$1210 $aVol. 30, n. 2$d1999$dP. 165-181$va.1999:v.30:n.2 (1999) 464 0$1001UON00103141$12001 $aSounding Off the Absent Body: Intertextual Resonances in "La femme qui pleure" and "La femme en morceaux"$fClarisse Zimra$1210 $aVol. 30, n. 3$d1999$dP. 108-124$va.1999:v.30:n.3 (1999) 464 0$1001UON00103160$12001 $aSoyinka, Euripides, and the Axiety of Empire$fIsidore Okpewho$1210 $aVol. 30, n. 4$d1999$dP. 32-55$va.1999:v.30:n.4 (1999) 464 0$1001UON00103083$12001 $aStephen Arnold Declared "Friend of Africa "$fGeorge Long$1210 $aVol. 30, n. 1$d1999$dP. 204-206$va.1999:v.30:n.1 (1999) 464 0$1001UON00103097$12001 $aTempering Race and Nation: Recent Debates in Diaspora Identity$fThomas J. Kitson$1210 $aVol. 30, n. 2$d1999$dP. 88-95$va.1999:v.30:n.2 (1999) 464 0$1001UON00103158$12001 $aTheater and Anthropology, Theatricality and Culture$fJohannes Fabian$1210 $aVol. 30, n. 4$d1999$dP. 24-31$va.1999:v.30:n.4 (1999) 464 0$1001UON00103011$12001 $aTheater and the Rites of "Post-Negritude" Remembering$fFemi Osofisan$1210 $aVol. 30, n. 1$d1999, P. 1-11$va.1999:v.30:n.1 (1999) 464 0$1001UON00103173$12001 $aTheater for Development and TV Nation: Notes on an Educational Soap Opera in Sputh Africa$fLoren Kruger$1210 $aVol. 30, n. 4$d1999$dP. 106-126$va.1999:v.30:n.4 (1999) 464 0$1001UON00103186$12001 $aTheatricality and Social Mimodrama$fPius Ngandu Nkashama$1210 $aVol. 30, n. 4$d1999$dP. 176-185$va.1999:v.30:n.4 (1999) 464 0$1001UON00103108$12001 $aˆ"‰To Be an African Working Woman": Levels of Feminist Consciousness in Ama Ata Aidoo's Changes$fNada Elia$1210 $aVol. 30, n. 2$d1999$dP. 136-147$va.1999:v.30:n.2 (1999) 464 0$1001UON00103116$12001 $aTradition and Modernity Are Here to Stay$eAn Analysis of Francophone African Women's Writings Published in 1997-98$fJean-Marie Volet$1210 $aVol. 30, n. 2$d1999$dP. 182-193$va.1999:v.30:n.2 (1999) 464 0$1001UON00103140$12001 $aTranslating the Untranslated: Djebar's le blanc de l'Alge'rie$fJohn Erickson$1210 $aVol. 30, n. 3$d1999$dP. 95-107$va.1999:v.30:n.3 (1999) 464 0$1001UON00103182$12001 $aˆThe ‰Turner-Schechner Model of Performance as Social Drama: A Re-Examination in the Light of the Anlo-Ewe Halo'$fDaniel Avorgbedor$1210 $aVol. 30, n. 4$d1999$dP. 144-155$va.1999:v.30:n.4 (1999) 464 0$1001UON00103040$12001 $aVersion and Inversions: Mau Mau in Kahiga's$eDedan kimathi: The Real History$fPeter Sematei$1210 $aVol. 30, n. 1$d1999$dP. 154-161$va.1999:v.30:n.1 (1999) 464 0$1001UON00103131$12001 $aWomen and Politics in Algeria from the War of Independence to Our Day$fDanie'le Djamila Amrane-Minne$1210 $aVol. 30, n. 3$d1999$dP. 62-77$va.1999:v.30:n.3 (1999) 464 0$1001UON00103134$12001 $aWomen's Writings between Two Algerian Wars$fBenjamin Stora$1210 $aVol. 30, n. 3$d1999$dP. 78-94$va.1999:v.30:n.3 (1999) 464 0$1001UON00103095$12001 $aWriting as Translation: African Literature and the Challenges of Traslation$fKwaku A. Gyasi$1210 $aVol. 30, n. 2$d1999$dP. 75-86$va.1999:v.30:n.2 (1999) 464 0$1001UON00103104$12001 $aWriting Community: Bessie Head and the Politics of Narrative$fJames M. Garrett$1210 $aVol. 30, n. 2$d1999$dP. 122-135$va.1999:v.30:n.2 (1999) 464 0$1001UON00103169$12001 $aYoruba Gods on the American Stage: August Wilson's Joe Turners's Come and Gone$fSandra L. Richards$1210 $aVol. 30, n. 4$d1999$dP. 92-105$va.1999:v.30:n.4 (1999) 464 0$1001UON00103332$12001 $aAfrican Absence: A Literature without a Voice$fAmbroise Kom$1210 $aVol. 29, n. 3$d1998$dP. 149-161$va.1998:v.29:n.3 (1998) 464 0$1001UON00103341$12001 $aˆThe ‰African Diaspora and Its Origins$fPolly T. Rewt$1210 $aVol. 29, n. 4$d1998, P. 3-13$va.1998:v.29:n.4 (1998) 464 0$1001UON00103303$12001 $aAfrican Feminism: Mythical and Social Power in the Orature and the Literature of Women of African Descent$fDeidre Bàdéjo$va.1998:v.29:n.2 (1998) 464 0$1001UON00103262$12001 $aAfrican Mythology and Africa's Political Impasse$fIsidore Okpewho$1210 $aVol. 29, N. 1$d1998, P. 1-15$va.1998:v.29:n.1 (1998) 464 0$1001UON00103327$12001 $aBernard Didie': Literary Imagination and the New Historiography$fElisabeth Mudimbe-Boyi$1210 $aVol. 29, n. 3$d1998$dP. 98-105$va.1998:v.29:n.3 (1998) 464 0$1001UON00103350$12001 $aˆ"A ‰Chorus of Common Memory": Slavery and Redemption in Caryl Phillips's Cambridge and Crossing the River$fGail Low$1210 $aVol. 29, n. 4$d1998$dP. 122-141$va.1998:v.29:n.4 (1998) 464 0$1001UON00103266$12001 $aˆThe "‰Couple Domino" in the Writings of Olympe Bhely-Quenum$fRoger Little$1210 $aVol. 29, n. 1$d1998$dP. 66-86$va.1998:v.29:n.1 (1998) 464 0$1001UON00103285$12001 $aˆThe ‰Dog in Breeches: Conrad and the African Pedagogy$fS. Ekema Agbaw$1210 $aVol. 29, n. 1$d1998$dP. 185-196$va.1998:v.29:n.1 (1998) 464 0$1001UON00103322$12001 $aDramatic Esthetics in the Work of Sénouvo Agbota Zinsou$fSélom Komlan Gbanou$1210 $aVol. 29, n. 3$d1998$dP. 34-57$va.1998:v.29:n.3 (1998) 464 0$1001UON00103280$12001 $aDreams and Identity in the Novels of Nuruddin Farah$fJacqueline Bardolph$1210 $aVol. 29, n. 1$d1998$dP. 163-173$va.1998:v.29:n.1 (1998) 464 0$1001UON00103351$12001 $aEnduring Fortresses-A Review of The Black Atlantic by Paul Gilroy$fAlasdair Pettinger$1210 $aVol. 29, n. 4$d1998$dP. 142-148$va.1998:v.29:n.4 (1998) 464 0$1001UON00103352$12001 $aEurope's African Heritage in the Creative Work of Maud Sulter$fJim Mabon$1210 $aVol. 29, n. 4$d1998$dP. 149-155$va.1998:v.29:n.4 (1998) 464 0$1001UON00103328$12001 $aEvolving Popular Media: Nigerian Video Films$fJonathan Haynes and Onookome Okome$1210 $aVol. 29, n. 3$d1998$dP. 106-128$va.1998:v.29:n.3 (1998) 464 0$1001UON00103326$12001 $aFolklore and African-Caribbean Narrative Imagination: The Example of Roy Heath$fChiji Akoma$1210 $aVol. 29, n. 3$d1998$dP. 82-97$va.1998:v.29:n.3 (1998) 464 0$1001UON00103272$12001 $aˆThe ‰Gost of Idi Amin in Ugandan Literature$fAbasi Kiyimba$1210 $aVol. 29, n. 1$d1998$dP. 124-138$va.1998:v.29:n.1 (1998) 464 0$1001UON00103267$12001 $aHausa Creative Writing in the 1930: An Exploration in Postcolonial Theory$fGraham Furniss$va.1998:v.29:n.1 (1998) 464 0$1001UON00103265$12001 $aHeroes at the Borderline: Bamana and Fulbe Traditions in West Africa$fStephen Belcher$1210 $aVol. 29, n. 1$d1998$dP. 43-65$va.1998:v.29:n.1 (1998) 464 0$1001UON00103337$12001 $aˆ"‰I'm not a Western feminist but..."-A Review of Recent Critical Writings on African Women's Literature$fKenneth W. Harrow$1210 $aVol. 29, n. 3$d1998$dP. 171-190$va.1998:v.29:n.3 (1998) 464 0$1001UON00103347$12001 $aIgnatius Sancho and Laurence Sterne$fS. S. Sandhu$1210 $aVol. 29, n. 4$d1998$dP. 88-106$va.1998:v.29:n.4 (1998) 464 0$1001UON00103311$12001 $aIn Search of Yambo Ouologuem$fChristopher Wise$1210 $aVol. 29, n. 2$d1998$dP. 159-182$va.1998:v.29:n.2 (1998) 464 0$1001UON00103288$12001 $aˆThe ‰Interface of Orality and Literacy in the Zimbabwean Novel$fEmmanuel Mudhiwa Chiwome$1210 $aVol. 29, n. 2$d1998, P. 1-22$va.1998:v.29:n.2 (1998) 464 0$1001UON00103315$12001 $aInterview with Edouard Maunick$fStephen Gray$1210 $aVol. 29, n. 2$d1998$dP. 193-197$va.1998:v.29:n.2 (1998) 464 0$1001UON00103264$12001 $aˆThe ‰Labors of Muigwithania: Jomo Kenyatta as Author, 1928-45$fBruce Berman and John M. Lonsdale$1210 $aVol. 29, n. 1$d1998$dP. 16-42$va.1998:v.29:n.1 (1998) 464 0$1001UON00103321$12001 $aLabou Tansi's La vie et demie, or The Tortuous Path of the Flabe$fLydie Moudileno$1210 $aVol. 29, n. 3$d1998$dP. 21-33$va.1998:v.29:n.3 (1998) 464 0$1001UON00103306$12001 $aLook Homeward, Angel: Maroons amd Mulattos in Haile Gerima's Sankofa$fSylvie Kandé$1210 $aVol. 29, n. 2$d1998$dP. 128-146$va.1998:v.29:n.2 (1998) 464 0$1001UON00103300$12001 $aMariama Ba's Une si longue lettre: The Vocation of Memory and the Space of Writing$fShaun Irlam$1210 $aVol. 29, n. 2$d1998$dP. 76-93$va.1998:v.29:n.2 (1998) 464 0$1001UON00103324$12001 $aˆThe ‰Narratee of Two of Ayi Kwei Armah's Novels: A Use of Narratology$fLeif Lorentzon$1210 $aVol. 29, n. 3$d1998$dP. 58-69$va.1998:v.29:n.3 (1998) 464 0$1001UON00103270$12001 $aNarrating Ethnic Conflict in Zairian Literature$fJanice Spleth$1210 $aVol. 29, N. 1$d1998$dP. 103-123$va.1998:v.29:n.1 (1998) 464 0$1001UON00103344$12001 $aNegros horros and the Cimarrones on the Legal Frontiers of the Caribbean: Accessing the African Voice in Colonial Spanish American Texts$fMargaret M. Olsen$1210 $aVol. 29, n. 4$d1998$dP. 52-72$va.1998:v.29:n.4 (1998) 464 0$1001UON00103273$12001 $aNeocolonialism and the Betrayal Plot in A Grain of Wheat$fByron Caminero-Santangel$1210 $aVol. 29, n. 1$d1998$dP. 139-152$va.1998:v.29:n.1 (1998) 464 0$1001UON00103353$12001 $aˆA ‰New Kind of Freedom: Some Notes on the Transformative Thought of C. L. R. James$fDemetrius L. Eudell$1210 $aVol. 29, n. 4$d1998$dP. 156-173$va.1998:v.29:n.4 (1998) 464 0$1001UON00103318$12001 $aO Brave New World$fMaryse Condé$1210 $aVol. 29, n. 3$d1998, P. 1-7$va.1998:v.29:n.3 (1998) 464 0$1001UON00103343$12001 $aˆAn ‰Overview of Sources on the Life and the Work of Juan Latino, the "Ethiopian Humanist"$fHenry Louis Gates, Jr., and Maria Wolff$1210 $aVol. 29, n. 4$d1998$dP. 14-51$va.1998:v.29:n.4 (1998) 464 0$1001UON00103319$12001 $aPostcolonial Postmodernity in Henri Lope's Le pleurer-rire$fKoffi Anyinefa$1210 $aVol. 29, n. 3$d1998, P. 8-20$va.1998:v.29:n.3 (1998) 464 0$1001UON00103325$12001 $aProtest and Commitment in Bessie Head's Utopia$fSophia Obiajulu Ogwude$1210 $aVol. 29, n. 3$d1998$dP. 70-81$va.1998:v.29:n.3 (1998) 464 0$1001UON00103329$12001 $aRevolutionizing the Literature Curriculum at the University of East Africa: Literature and the Soul of the Nation$fCarol Sicherman$1210 $aVol. 29, n. 3$d1998$dP. 129-148$va.1998:v.29:n.3 (1998) 464 0$1001UON00103283$12001 $aˆThe ‰Role of Music in the Emergence of Afro-Cuban Culture$fAntonio Benìtez-Rojo$1210 $aVol. 29, n. 1$d1998$dP. 179-184$va.1998:v.29:n.1 (1998) 464 0$1001UON00103304$12001 $aSocial Realist Cinema and the Representations of Power in African Nationalist Discourse$fDickson Eyoh$1210 $aVol. 29, n. 2$d1998$dP. 112-127$va.1998:v.29:n.2 (1998) 464 0$1001UON00103276$12001 $aSologa, Eneka, and the Supreme Commander: The Theater of Ken Saro-Wiwa$fChris Dunton$1210 $aVol. 29, n. 1$d1998$dP. 153-162$va.1998:v.29:n.1 (1998) 464 0$1001UON00103313$12001 $aSony Labou Tansi and Congolese Politics: An Interview with Jean Clotaire Hymboud$fPhyllis Clark$1210 $aVol. 29, n. 2$d1998$dP. 183-192$va.1998:v.29:n.2 (1998) 464 0$1001UON00103290$12001 $aThinking about Nativism in Chenjerai Hove's Work$fMatthew Engelke$1210 $aVol. 29, n. 2$d1998$dP. 23-42$va.1998:v.29:n.2 (1998) 464 0$1001UON00103345$12001 $aThree West Indian Writers of the 1780 Revisited and Revised$fVincent Carretta$1210 $aVol. 29, n. 4$d1998$dP. 73-87$va.1998:v.29:n.4 (1998) 464 0$1001UON00103334$12001 $aTracing a Theoretical Gesture: Patrick Taylor and Ato Sekyi-Otu Reading Fanon$fK. Martial Friende'thie'$1210 $aVol. 29, n. 3$d1998$dP. 162-170$va.1998:v.29:n.3 (1998) 464 0$1001UON00103309$12001 $aˆThe ‰Two Incarnations of Ousmane Sembenè's Xala and Their Audiences$fJoseph Gugler and Oumar Cherif Diop$1210 $aVol. 29, n. 2$d1998$dP. 147-158$va.1998:v.29:n.2 (1998) 464 0$1001UON00103339$12001 $aWhen the Detour Leads Home: The Urgency of Memory and the Liberation Imperative from Aime' Ce'saire to Frantz Fanon$fCilas Kemedjio$1210 $aVol. 29, n. 3$d1998$dP. 191-202$va.1998:v.29:n.3 (1998) 464 0$1001UON00103348$12001 $aˆ"‰Who's Eating Whom": The Discourse of Cannibalism in the Literature of the Black Atlantic from Equiano's Travels to Toni Morrison's Beloved$fAlan Rice$1210 $aVol. 29, n. 4$d1998$dP. 107-121$va.1998:v.29:n.4 (1998) 464 0$1001UON00103282$12001 $aWriting in a Continent under Siege$fSanya Osha$1210 $aVol. 29, n. 1$d1998$dP. 174-178$va.1998:v.29:n.1 (1998) 464 0$1001UON00086515$12001 $aA'jami literature in Senegal$ethe example of Serin Muusaa Ka, poet and biographer$fSana Camara$1210 $a28, 3$d1997$dp. 163$vp. 163 464 0$1001UON00086501$12001 $aAfrican doppelganger: hybridity and identity in the work of Dambudzo Marechera$fDavid Buuck$va.1997:v.28:n.2 (1997) 464 0$1001UON00086495$12001 $aAfrican "herstory: the feminist reader and the african autobiographical voice$fNicki Hitchcott$va.1997:v.28:n.2 (1997) 464 0$1001UON00086517$12001 $aˆThe ‰Arabic literary tradition of Nigeria$fJohn Hunwick$va.1997:v.28:n.3 (1997) 464 0$1001UON00086516$12001 $aArabic writing between global and local culture: scholars and poets in Yorubaland (southwestern Nigeria)$fRazaq D. Abubakre, Stefan Reichmuth$va.1997:v.28:n.3 (1997) 464 0$1001UON00086524$12001 $aAre racial categories racist?$fAlbert Mosley$va.1997:v.28:n.4 (1997) 464 0$1001UON00086500$12001 $aAssia Djebar's Algerian quartet: a study in fragmented autobiography$fMildred Mortimer$va.1997:v.28:n.2 (1997) 464 0$1001UON00086497$12001 $aAt an intersection of humanism and postmodernism: a feminist reading of Ellen Kuzwayo's Call me woman$fCarmela J. Garritano$va.1997:v.28:n.2 (1997) 464 0$1001UON00086499$12001 $aAutobiographical subjects$fLisa McNee$va.1997:v.28:n.2 (1997) 464 0$1001UON00086523$12001 $aˆThe ‰blank spaces of interculturality$fDominique D. Fisher$1210 $a28, 4$d1997$dp. 85$vp. 85 464 0$1001UON00086485$12001 $aCompound of spells: the predicament of D. O. Fagunwa (1903-63)$fOlakunle George$1210 $a28, 1$d1997$dp. 78$vp. 78 464 0$1001UON00086512$12001 $aCultural hybridity and contamination in Tayeb Salih's Mawsim al-hijra ila al-shamal (Season of migration to the north)$fPatricia Geesey$1210 $a28, 3$d1997$dp. 128$vp. 128 464 0$1001UON00086514$12001 $aˆThe ‰development of contemporary literature in Sudan$fEiman El-Nour$1210 $a28, 3$d1997$dp. 150$vp. 150 464 0$1001UON00086508$12001 $aDhakirat al-jasad (The body's memory): a new outlook on old themes$fAida A. Bamia$1210 $a28, 3$d1997$dp. 85$vp. 85 464 0$1001UON00086483$12001 $aˆThe ‰dynamics of oral and written transmission processes in siswati oral poetry$fZodwa Sithebe$1210 $a28, 1$d1997$dp. 35$vp. 35 464 0$1001UON00086519$12001 $aEbrahim Hussein's dramaturgy: a swahili multiculturalist's journey in drama and theater$fJoachim Fiebach$1210 $a28, 4$d1997$dp. 19$vp. 19 464 0$1001UON00086487$12001 $aˆAn ‰exploration of J.J. Moiloa's Thesele, ngwana mmamokgatjhane, the epic tradition, and the oral-written interface$fC. F. Swanepoel$1210 $a28, 1$d1997$dp. 112$vp. 112 464 0$1001UON00086492$12001 $aExploring the oral-written interface with particular reference to xhosa oral poetry$fRussell H. Kaschula$1210 $a28, 1$d1997$dp. 173$vp. 173 464 0$1001UON00086493$12001 $aFrom oral to written literature$fAlain Ricard$1210 $a28, 1$d1997$dp. 192$vp. 192 464 0$1001UON00086525$12001 $aFrom the ethnosciences to ethnophilosophy: kwame Nkrumah's project$fPaulin Hountondji$1210 $a28, 4$d1997$dp. 121$vp. 112 464 0$1001UON00086511$12001 $aˆAn ‰interview with the sudanese author Tarek Eltayeb$fRenata Malina$1210 $a28, 3$d1997$dp. 122$vp. 122 464 0$1001UON00086498$12001 $aKesso Barry's Kesso, or autobiography as a subverted tale$fIrene Assiba d'Almeida$1210 $a28, 2$d1997$dp. 66$vp. 66 464 0$1001UON00086526$12001 $aKnowledge is like an ocean: insiders, outsiders and the academy$fMineke Schipper$1210 $a28, 4$d1997$dp. 121$vp. 121 464 0$1001UON00086491$12001 $aˆThe ‰last of the bards: the story of Halibu Selemani of Tanzania (c. 1929-93)$fM. M. Mulokozi$1210 $a28, 1$d1997$dp. 159$vp. 159 464 0$1001UON00086521$12001 $aMaryse Conde's Mangroves$fRuthmarie H. Mitsch$1210 $a28, 4$d1997$dp. 54$vp. 54 464 0$1001UON00086490$12001 $aˆThe ‰Mbiimbi, a panegyric dynastic poem of the yaka, and its principal characteristics$fJoseph N'Soko Swa-Kabamba$1210 $a28, 1$d1997$dp. 141$vp. 141 464 0$1001UON00086482$12001 $aMimetic traditions in Beja poetry from Sudan$fDidier Morin$1210 $a28, 1$d1997$dp. 15$vp. 15 464 0$1001UON00086522$12001 $aMulticulturalism, caribbean space, and identity at the margins: two cases$fBen A. Heller$1210 $a28, 4$d1997$dp. 71$vp. 71 464 0$1001UON00086518$12001 $aˆThe ‰nation$ean enlightened or fog-shrouded concept?$fSamir Amin$1210 $a28, 4$d1997, p. 8$vp. 8 464 0$1001UON00086509$12001 $aˆThe ‰novels of Tahar Wattar: command or critique?$fDebbie Cox$1210 $a28, 3$d1997$dp. 94$vp. 94 464 0$1001UON00086502$12001 $aˆThe ‰power to name the real: the politics of the worker testimony in South Africa$fJudith Lutge Coullie$1210 $a28, 2$d1997$dp. 132$vp. 132 464 0$1001UON00086510$12001 $aProlegomena to the study of the study of the "other" moroccan literature$fIsmail El-Outmani$1210 $a28, 3$d1997$dp. 110$vp. 110 464 0$1001UON00086503$12001 $aRe-reading women in/to Naguid Mahfouz's al-Liss wa'l kilab (The thief and the dogs)$fMichelle Hartman$1210 $a28, 3$d1997, p. 5$vp. 5 464 0$1001UON00086504$12001 $aSex and patriarchy: gender relations in Mawt al-rajul al-wahid `ala al-ard (God dies by the Nile)$fAlamin M. Mazrui, Judith I. Abala$1210 $a28, 3$d1997$dp. 17$vp. 17 464 0$1001UON00086484$12001 $aThomas Mopoku Mofolo's "inverted epic hero": a reading of Mofolo's Chaka as an african epic folktale$fKwame Ayivor$1210 $a28, 1$d1997$dp. 49$vp. 49 464 0$1001UON00086488$12001 $aTradition and innovation in the igbo novels of Tony Ubesie$fJ.O.J. Nwachukwu-Agbada$1210 $a28, 1$d1997$dp. 124$vP. 124 464 0$1001UON00086507$12001 $aˆThe ‰tunisian literary scene$fJean Fontaine$1210 $a28, 3$d1997$dp. 73$vp. 73 464 0$1001UON00086520$12001 $aUnfinished business: dictatorial literature of post-independence latin America and Africa$fJosaphat Kubayanda$1210 $a28, 4$d1997$dp. 38$vp. 38 464 0$1001UON00086496$12001 $aUnruly bodies: autoethnography and authorization in Nfissatou Diallo's De Tilene au Plateau$bA Dakar childhood]$fJulia Watson$1210 $a28, 2$d1997$dp. 34$vp. 34 464 0$1001UON00086513$12001 $aˆThe ‰visionary art of Ibrahim al-Kawni$fEwa Machut-Mendecka$1210 $a28, 3$d1997$dp. 141$vp. 141 464 0$1001UON00086506$12001 $aVoices of the marginalized in Tunisian narrative$fSonia S'hiri$1210 $a28, 3$d1997$dp. 56$vp. 56 464 0$1001UON00086505$12001 $aˆThe ‰western encounter in the works of Yusuf Idris$fRasheed El-Enany$1210 $a28, 3$d1997$dp. 33$vp. 33 464 0$1001UON00086481$12001 $a"Written" into the book of life: nazarite women's performance inscribed as spiritual text in Ibandla lamaNazaretha$fCarol Muller$1210 $a28, 1$d1997, p. 3$vp. 3 464 0$1001UON00086455$12001 $aAfricanizing Macbeth: "Down-fall'n birthdom"$fS. Ekema Agbaw$va.1996:v.27:n.1 (spring '96) 464 0$1001UON00086457$12001 $aAgents and actors in African antifoundational aesthetics: theory and narrative in Appiah and Mudimbe$fWilliam Slaymaker$va.1996:v.27:n.1 (spring '96) 464 0$1001UON00086462$12001 $aAntillanite and the art of resistance$fPeter Hitchcok$va.1996:v.27:n.2 (sum. 1996) 464 0$1001UON00086461$12001 $aAuthority and invention in the fiction of Bessie Head$fEleni Coundouriotis$va.1996:v.27:n.2 (sum. 1996) 464 0$1001UON00086476$12001 $aBlack Atlantic - black America$fNatasha Barnes$1210 $a27, 4$d1996$dp. 106$vp. 106 464 0$1001UON00086478$12001 $aˆThe ‰course of writing: genealogical strata of a disillusion: orality, islam-writing, and identities in the state of becoming in Maryse Conde's Segou$fCilas Kemedjio$1210 $a27, 4$d1996$dp. 124$vp. 124 464 0$1001UON00086479$12001 $aDimensions of gift giving in Nuruddin Farah's Gifts$fFrancis Ngaboh-Smart$1210 $a27, 4$d1996$dp. 144$vp. 144 464 0$1001UON00086454$12001 $aDr. Hastings Kamuzu Banda and the Malawi writers group: the (un) making of a cultural traditon$fLupenga Mphande$1210 $a27, 1$d1996$dp. 80$vp. 80 464 0$1001UON00086450$12001 $aEditor's comments: Skakespeare and company$fF. Abiola Irele$1210 $a27, 1$d1996, p. 1$vp. 1 464 0$1001UON00086473$12001 $aExpressive countercultures and postmodern utopia: a caribbean context$fSupriya Nair$1210 $a27, 4$d1996$dp. 71$vp. 71 464 0$1001UON00086477$12001 $aFeminism and identity politics: Mariama Ba's "Un chant ecarlate"$fJeanette Treiber$1210 $a27, 4$d1996$dp. 109$vp. 109 464 0$1001UON00086468$12001 $aFrom the brink of oblivion: the anxious masculinism of nigerian market literatures$fStephanie Newell$1210 $a27, 3$d1996$dp. 50$vp. 50 464 0$1001UON00086463$12001 $aHello and goodbye to negritude: Senghor, Dadie, Dongala, and America$fKoffy Anynefa$1210 $a27, 2$d1996$dp. 51$vp. 51 464 0$1001UON00086460$12001 $aHistory, nation, and form in Peter Abrahams's "Wild conquest"$fMichael Green$1210 $a27, 2$d1996, p. 1$vp. 1 464 0$1001UON00086467$12001 $aIdeology and the dialectics of action: Achebe and Iyayi$fOnyemaechi Udumukwu$1210 $a27, 3$d1996$dp. 34$vp. 34 464 0$1001UON00086472$12001 $aLocal color, global "color": Langston Hughes, the black atlantic, and soviet central Asia, 1932$fDavid Chioni Moore$1210 $a27, 4$d1996$dp. 49$vp. 49 464 0$1001UON00086465$12001 $aMother-word and french-language moroccan writing$fZohra Mezgueldi$1210 $a27, 3$d1996, p. 1$vp. 1 464 0$1001UON00086458$12001 $aOutside our parents' house: race, culture, and identity$fKatya Gibel Azoulay$1210 $a27, 1$d1996$dp. 129$vp. 129 464 0$1001UON00086469$12001 $aPaul Gilroy's slaves, ships, and routes: the middle passage as metaphor$fJoan Dayan$1210 $a27, 4$d1996, p. 7$vp. 7 464 0$1001UON00086475$12001 $aRace and the cultural politics of self-representation: a view from the University of the West Indies$fCarolyn Cooper$1210 $a27, 4$d1996$dp. 97$vp. 97 464 0$1001UON00086456$12001 $aReflections on "In my father's house"$fTsenay Serequeberhan$1210 $a27, 1$d1996$dp. 110$vp. 110 464 0$1001UON00086453$12001 $aShakespeare in Africa: between english and swahili literature$fAlamin M. Mazrui$1210 $a27, 1$d1996$dp. 64$vp. 64 464 0$1001UON00086452$12001 $aSkakespearean imports: whatever happened to Caliban's mother? Or, the problem with Othello's$fLemuel Johnson$1210 $a27, 1$d1996$vp. 19 464 0$1001UON00086464$12001 $aSurvival strategies and the new life of orality in nigerian and ghanaian poetry: Osundare's "Waiting laughters" and anydoho's "Earthchild"$fEzenwa-Ohaeto$1210 $a27, 2$d1996$dp. 70$vp. 70 464 0$1001UON00086480$12001 $aˆThe ‰Tirailleur Senegalais who did not want tobe a "grand elefant": Bakary Diallo's Force Bonte (1926)$fJanos Riesz$1210 $a27, 4$d1996$dp. 157$vp. 157 464 0$1001UON00086466$12001 $a"Too much in the sun": sons, mothers, and impossible alliances in francophone maghrebian literature$fHedi Abdel-Jaouad$1210 $a27, 3$d1996$dp. 15$vp. 15 464 0$1001UON00086470$12001 $aWhere the atlantic meets the caribbean: Kamau Brathwaite's "The arrivants" and T. S. Eliot's "The waste land"$fNeil ten Kortenaar$1210 $a27, 4$d1996$dp. 15$vp. 15 464 0$1001UON00086471$12001 $aYou can go home again, you just can't stay: stuart hall and the caribbean diaspora$fGrant Farred$1210 $a27, 4$d1996$dp. 28$vp. 28 464 0$1001UON00086435$12001 $aAfrican cinematic reality: the documentary tradition as an emerging trend$f Ukadike Nwachukwu Frank$va.1995:v.26:n.3 (fall '95) 464 0$1001UON00086439$12001 $aAfrican-language literature and postcolonial citicism$fKarin Barber$va.1995:v.26:n.4 (winter '95) 464 0$1001UON00086442$12001 $aAfrican literature and the world system: dystopian fiction, collective experience, and the postcolonial condition$fM. Keith Booker$va.1995:v.26:n.4 (winter '95) 464 0$1001UON00086412$12001 $aˆThe ‰audacious young poets of Angola and Mozambique$fRussell G. Hamilton$va.1995:v.26:n.1 (spri. '95) 464 0$1001UON00086407$12001 $aBen Okri's spirit-child: abiku migration and postmodernity$fJohn C. Hawley$1210 $a26, 1$d1995$dp. 30$vp. 30 464 0$1001UON00086422$12001 $aBibliography: Flora Nwapa (1931-1993)$fBrenda F. Berrian$1210 $a26, 2$d1995$dp. 124$vp. 124 464 0$1001UON00086424$12001 $aCaughtat at the confluence of history: Ama Ata Aidoo's necessary nationalism$fRanu Samantrai$1210 $a26, 2$d1995$dp. 140$vp. 140 464 0$1001UON00086419$12001 $aˆThe ‰ child figures and childhood symbolism in Flora Nwapa's children's fiction$fEzenwa-Ohaeto$1210 $a26, 2$d1995$dp. 68$vp. 68 464 0$1001UON00086416$12001 $aˆThe ‰concept of mammywater in Flora Nwapa's novels$fSabine Jell-Bahlsen$1210 $a26, 2$d1995$dp. 30$vp. 30 464 0$1001UON00086411$12001 $aDebunking patriarchy: the liberational quality of voicing in Tsitsi Dangarembga's "Nervous conditions"$fPauline Ada Uwakweh$1210 $a26, 1$d1995$dp. 75$vp. 75 464 0$1001UON00086446$12001 $aˆThe ‰development of Niyi Osundare's poetry: a survey of themes and technique$fAderemi Baminkunle$1210 $a26, 4$d1995$dp. 121$vp. 121 464 0$1001UON00086406$12001 $aˆThe ‰eagle's vision: the poetry of Tanure Ojaide$fTijan M. Sallah$1210 $a26, 1$d1995$dp. 20$vp. 20 464 0$1001UON00086425$12001 $aEn famille or the problematic of alterity$fK. Ambroise Teko-Agbo$1210 $a26, 2$d1995$dp. 158$vp. 158 464 0$1001UON00086420$12001 $aFeminism, rebellious women and cultural boundaries: rereading Flora Nwapa and her compatriots$fObioma Nnaemeka$1210 $a26, 2$d1995$dp. 80$vp. 80 464 0$1001UON00086421$12001 $aFinale: signifyin' the griottes: Flora Nwapa's legacy of (re)vision and voice$fMarie Umeh$1210 $a26, 2$d1995$dp. 114$vp. 114 464 0$1001UON00086441$12001 $aGordimer's "None to accompany me" revisionism and interregnum$fDominic Head$1210 $a26, 4$d1995$dp. 46$vp. 46 464 0$1001UON00086433$12001 $aHyenas: the message and the messenger$fJ. R. Rayfield$1210 $a26, 3$d1995$dp. 78$vp. 78 464 0$1001UON00086417$12001 $aˆThe ‰Igbo world in Flora Nwapa's craft$fChimalum Nwankwo$1210 $a26, 2$d1995$dp. 42$vp. 42 464 0$1001UON00086447$12001 $aIndigenous criticisms of Yoruba performances$fAyo Opefeyitimi$1210 $a26, 4$d1995$dp. 151$vp. 151 464 0$1001UON00086413$12001 $aIntroduction: the invalid, dea(r)th, and the author: the case of Flora Nwapa, aka professor (mrs.) Flora Nwanzuruahu Nwakuche$fChikwenye Okonjo Ogunyemi$1210 $a26, 2$d1995, p. 1$vp. 1 464 0$1001UON00086423$12001 $aMelancholic women: the intellectual hysteric(s) in Nervous conditions$fSupriya Nair$1210 $a26, 2$d1995$dp. 130$vp. 130 464 0$1001UON00086444$12001 $aMirrors and centers: a rortyan reading of Ngugi's liberation aesthetics$fWilliam Slaymaker$1210 $a26, 4$d1995$dp. 94$vp. 94 464 0$1001UON00086430$12001 $aˆThe ‰missing narrative in "Wend Kuuni"$fMarie-Magdeleine Chirol$1210 $a26, 3$d1995. p. 49$vp. 49 464 0$1001UON00086429$12001 $aNadine Gordimer meets Ngugi wa Thiong'o: text into film in oral history$fRobert Cancel$1210 $a26, 3$d1995$dp. 36$vp. 36 464 0$1001UON00086443$12001 $aNgugi wa Thiong'o's visions of Africa$fChristine Loflin$1210 $a26, 4$d1995$dp. 76$vp. 76 464 0$1001UON00086436$12001 $aNigerian cinema: structural adjustments$fJonathan Haynes$1210 $a26, 3$d1995$dp. 97$vp. 97 464 0$1001UON00086445$12001 $aPhantasy and repression in "The beautyful ones are not yet born" /Stewart Crehan$1210 $a26, 4$d1995$dp. 104$vp. 104 464 0$1001UON00086253$12001 $aPoetic serialization: kiswahili metapoetry on prosodic knots$fKimani Njogu$1210 $a26, 4$d1995$dp. 138$vp. 138 464 0$1001UON00086415$12001 $aˆThe ‰poetics of economic independence for female empowerment: an interview with Flora Nwapa$fMarie Umeh$1210 $a26, 2$d1995$dp. 22$vp. 22 464 0$1001UON00086434$12001 $aRepresentation of female circumcision in "Finzan, a dance for the heroes"$fLaura DeLuca and Shadrack Kamenya$1210 $a26, 3$d1995$dp. 83$vp. 83 464 0$1001UON00086426$12001 $aShooting forward$fkenneth W. Harrow$1210 $a26, 3$d1995, p. 1$vp. 1 464 0$1001UON00086414$12001 $aTHESE DAYS$bIII] - A letter to Flora Nwapa$fAma Ata Aidoo$1210 $a26, 2$d1995$dp. 17$vp. 17 464 0$1001UON00086432$12001 $aVichy Dakar and the other story of french colonial stewardship in Africa: a critical reading of Ousmane Sembene and Thierno Faty Sow's "Camp de thiaroye"$fFemi Okiremuete Shaka$1210 $a26, 3$d1995$dp. 67$vp. 67 464 0$1001UON00086410$12001 $aVoyaging toward freedom: new voices from South Africa$fJulie Phelps Dietche$1210 $a26, 1$d1995$dp. 61$vp. 61 464 0$1001UON00086437$12001 $aˆA ‰window on whose reality? the emerging industry of senegalese cinema$fElizabeth Mermin$1210 $a26, 3$d1995$dp. 120$vp. 120 464 0$1001UON00086431$12001 $aYeelen: a political fable of the Komo Blacksmith$fSuzanne H. MacRae$1210 $a26, 3$d1995$dp. 57$vp. 57 464 0$1001UON00086400$12001 $aAfrican women and cinema: a conversation with Anne Mungai$fMbye Cham$va.1994:v.25:n.3 (fall '94) 464 0$1001UON00086384$12001 $aConfession and solidarity in the prison writing of Breyten Breytenbach and Jeremy Cronin$1210 $aSchalkwyk David$1215 $a25, 1, 1994, p. 23$vp. 23 464 0$1001UON00086387$12001 $aConstructing a Hero: Samba Gueladio Djegui$fStephen Belcher$1210 $a25, 1$d1994$dp. 75$vp.75 464 0$1001UON00086401$12001 $aCounters to male domination: images of pain in Igede women's songs$fOde S. Ogede$1210 $a25, 3$d1994$dp. 105$vp. 105 464 0$1001UON00086402$12001 $aDefinitions of the self in luo women's orature$fAwuor Ayodo$1210 $a25, 3$d1994$dp. 121$vp. 121 464 0$1001UON00086391$12001 $a(Dis) placing marginality: cultural identity and creole resistance in Glissant and Maximin$fH. Adlai Murdoch$1210 $a25, 2$d1994$dp. 81$vp. 81 464 0$1001UON00086386$12001 $aEchoes from Elsewhere: Gordimer's short fiction a social critique$fGraham Huggan$1210 $a25, 1$d1994$dp. 61$vp. 61 464 0$1001UON00086388$12001 $aErzulie: a women's history of Haiti$fJoan Dayan$1210 $a25, 2$d1994, p. 5$vp. 5 464 0$1001UON00086395$12001 $aFrom the heart of masculinity: Ogbodo-Uke's women's masking$fChinyere Grace Okafor$1210 $a25, 3$d1994, p. 7$vp. 7 464 0$1001UON00086399$12001 $aGriottes: female voices from west Africa$fThomas A. Hale$1210 $a25, 3$d1994$dp. 71$vp. 71 464 0$1001UON00086398$12001 $aIntersections: gender, orality, text, and female space in contemporary kiganda radio songs$fHalen Nabasuta Mugambi$1210 $a25, 3$d1994$dp. 47$vp. 47 464 0$1001UON00086383$12001 $aJ.P. Clark-Bekederemo and the Ijo literary tradition$fDan S. Izevbaye$1210 $a25, 1$d1994, p. 1$vp. 1 464 0$1001UON00086392$12001 $aMimeticism, reactionary nativism, and the possibility of postcolonial idntity in Derek Walcott's Dreams on Monkey Mountain$fPatrick Colm Hogan$1210 $a25, 2$d1994$dp. 103$vp. 103 464 0$1001UON00086393$12001 $aOutside the eyes of the other: George Lamming and definition in Of Age and Innocence$fChristopher J. Odhiambo$1210 $a25, 2$d1994$dp. 121$vp. 121 464 0$1001UON00086390$12001 $aRape of bodies, rape of souls: from the surgeon to the psychiatrist, from slave trade to the slavery of comfort in the work of Edouard Glissant$fCilas Kemedjio$1210 $a25, 2$d1994$dp. 51$vp. 51 464 0$1001UON00086389$12001 $aRenunciation and victory in Black shack alley$fSylvie Kande$1210 $a25, 2$d1994$dp. 33$vp. 33 464 0$1001UON00086404$12001 $aTradition and innovation in Nnwonkoro, an akan female verbal genre$fAkosua Anyidoho$1210 $a25, 3$d1994$dp. 141$vp. 141 464 0$1001UON00086394$12001 $aWest Indian mythology and its literary illustrations$fJack Corzani$1210 $a25, 2$d1994$dp. 131$vp. 131 464 0$1001UON00086397$12001 $aYoruba market dynamics and the aesthetics of negotiation in female precolonial narrative tradition$fRopo Sekoni$1210 $a25, 3$d1994$dp. 33$vp. 33 464 0$1001UON00086359$12001 $aAncestors from the east in Sahelo-sudanese myth: Dinga Soninke, Zabarkane Zarma and others$fFatimata Mounkaila$va.1993:v.24:n.2 (summer '3) 464 0$1001UON00086369$12001 $aˆThe ‰"beur nation": toward a theory of "departenance"$fMireille Rosello$1210 $a24, 3$d1993$dp. 13$vp. 13 464 0$1001UON00086377$12001 $aCulture, identity, and interdiscursivity$fMineke Schipper$1210 $a24, 4$d1993$dp. 39$vp. 39 464 0$1001UON00086368$12001 $a"Dances with bones": hove's romanticized Africa$fFlora Veit-Wild$1210 $a24, 3$d1993, p. 5$vp. 5 464 0$1001UON00086380$12001 $aDisavowing decolonization: Fanon, nationalism, and the problematic of representation in current theories of colonial discourse$fNeil Lazarus$1210 $a24$d4 1993$dp. 69$vp. 69 464 0$1001UON00086366$12001 $aErotic poetry of the Grasslands$fLouis-Marie Ongoum$1210 $a24, 2$d1993$dp. 101$vp. 101 464 0$1001UON00086363$12001 $aFulani poetic genres$fAbdoul Aziz Sow$1210 $a24, 2$d1993$dp. 61$vp. 61 464 0$1001UON00086356$12001 $aGoing all the way: eros and polis in the novels of Nadine Gordimer$fThomas Knipp$1210 $a24, 1$d1993$dp. 37$vp. 37 464 0$1001UON00086375$12001 $aˆThe ‰impossible ecstasy: an analysis of V. Y. Mudimbe's Dechirures /Bernadette Cailler$1210 $a24, 4$d1993$vp. 15 464 0$1001UON00086376$12001 $aIn praise of metonymy: the concepts of "tradition" and "creativity" in the transmission of Yoruba artistry over time and space$fOlabiyi Babalola Yai$1210 $a24, 4$d1993$dp. 29$vp. 29 464 0$1001UON00086354$12001 $aIntertextuality in Dongala's un fusil dans la main, un poeme dans la proche$fKoffi Anyinefa$1210 $a24, 1$d1993, p. 5$vp. 5 464 0$1001UON00086371$12001 $aNarrating mande heroism in the malian novel: negotiating postcolonial identity in Diabate's Le boucher de kouta$fJames R. McGuire$1210 $a24, 3$d1993$dp. 35$vp. 35 464 0$1001UON00086362$12001 $aˆThe ‰narrative genre among the Bamana of Mali$fPascal Couloubaly$1210 $a24, 2$d1993 p. 47$vp. 47 464 0$1001UON00086361$12001 $aNarrative genres and intertextual phenomena in the sudanese region: myths, epics, and novels$fBassirou Dieng$1210 $a24, 2$d1993$dp. 33$vp. 33 464 0$1001UON00086378$12001 $aˆThe ‰nation as contested referent$fUzo Esonwanne$1210 $a24, 4$d1993$dp. 49$vp. 49 464 0$1001UON00086381$12001 $aNgoni praise poetry and the Nguni diaspora$fLupenga Mphande$1210 $a24, 4$d1993$dp. 99$vp. 99 464 0$1001UON00086372$12001 $a"Only connect": Anthills of the Savannah and Achebe's trouble with Nigeria$fNeil ten Kortenaar$1210 $a24, 3$d1993$dp. 59$vp. 59 464 0$1001UON00086370$12001 $aˆThe ‰passion of Perpetua: a generic approach to Beti's perpetue$fEvelyn Ellerman$1210 $a24, 3$d1993$dp. 25$vp. 25 464 0$1001UON00086367$12001 $aPoetic idiom among the Akye of Cote d'Ivoire: The Agnanda-nou$fAgnes Monnet$1210 $a24, 2$d1993$dp. 109$vp. 109 464 0$1001UON00086379$12001 $aResponse to Esonwanne: alien nation?$fChristopher L. Miller$1210 $a24, 4$d1993$d1993$dp. 63$vp. 63 464 0$1001UON00086358$12001 $aRitual and the political unconsciousness: the case of death and the king's horseman$fAdebayo Williams$1210 $a24, 1$d1993$dp. 67$vp. 67 464 0$1001UON00086360$12001 $aSarraounia, an epic?$fOusmane Tandina$1210 $a24, 2$d1993$dp. 23$vp. 23 464 0$1001UON00086355$12001 $aSearch sweet country and the language of authentic being$fM. E. Kropp Dakubu$1210 $a24, 1$d1993$dp. 19$vp. 19 464 0$1001UON00086373$12001 $aSites of paranoia and taboo: lessing's The grass is singing and Gordimer's July's people$fSheila Roberts$1210 $a24, 3$d1993$dp. 73$vp. 73 464 0$1001UON00086357$12001 $aˆThe ‰stereography of class, race, and nation in God's bits of wood$fCraig V. Smith$1210 $a24, 1$d1993$dp. 51$vp. 51 464 0$1001UON00086364$12001 $aˆThe ‰Tebra's of Moorish women from Mauritania: the limits (or essence) of the poetic act$fGeorges M. Voisset$1210 $a24, 2$d1993$dp. 79$vp. 79 464 0$1001UON00086365$12001 $aWoyi Ceet: traditional marriage songs of the Lebu$fCh. Ah. Tidiane Ndione$1210 $a24, 2$d1993$dp. 89$vp. 89 464 0$1001UON00086339$12001 $aAbdelkebir Khatibi$ewriting a dynamic identity$fAbdellah Mdarhri-Alaoui$va.1992:v.23:n.2 (1992) 464 0$1001UON00086338$12001 $aAbdellatif Laabi$ea writing of dissidence$fJacques Alessandra$va.1992:v.23:n.2 (1992) 464 0$1001UON00086312$12001 $aAfrican-language literature: tragedy and hope$fDaniel P. Kunene$1210 $a23, 1$d1992 p. 7$va.1992:v.23:n.1 (1992) 464 0$1001UON00086317$12001 $aˆThe ‰African-language policy of development: african national languages$fGabriel Ruhumbika$va.1992:v.23:n.1 (1992) 464 0$1001UON00086313$12001 $aˆThe ‰African writer's tongue$fAkinwumi Isola$va.1992:v.23:n.1 (1992) 464 0$1001UON00086351$12001 $aˆThe ‰Albie Sachs debate$fS. V. Menager-Everson$va.1992:v.23:n.4 (1992) 464 0$1001UON00086334$12001 $aArabic-language algerian literature$fMarcel Bois$1210 $a23, 2$d1992$dp. 103$vp. 103 464 0$1001UON00086341$12001 $aArabic-language tunisian literature (1956-1990)$fJean Fontaine$va.1992:v.23:n.2 (1992) 464 0$1001UON00086347$12001 $aBalzac in Zanzibar: the swahili novel as disseminator of bourgeois individualism$fRobert Philipson$va.1992:v.23:n.3 (1992) 464 0$1001UON00086346$12001 $aCondemned to choose, but what? Existentialism in selected works by Fugard, Brink, and Gordimer$fRichard Peck$1210 $a23, 2$d1992$dp. 67$vp. 67 464 0$1001UON00086352$12001 $aConservationism and liberalism in swahili poetry: the linguistic dimension$fAlamin Mazrui$1210 $a23, 4$d1992$dp. 67$vp. 67 464 0$1001UON00086335$12001 $aContemporary french-language maroccan poetry$fNoureddine Bousfiha$1210 $a23, 2$d1992$dp. 113$vp. 113 464 0$1001UON00086320$12001 $aForked tongues, marginal bodies: writing as translation in khatibi$fJames McGuire$1210 $a23, 1$d1992$dp. 107$vp. 107 464 0$1001UON00086345$12001 $aˆThe ‰form of Okot p'Bitek's poetry: literary borrowing from Acoli oral traditions$fCharles Okumu$1210 $a23, 3$d1992$dp. 53$vp. 53 464 0$1001UON00086326$12001 $aFrancophone literature in the Maghreb: the problem and the possibility$fJean Dejeux$1210 $a23, 2$d1992, p. 5$vp. 5 464 0$1001UON00086330$12001 $aˆThe ‰French-language algerian novel$fWadi Bouzar$1210 $a23, 2$d1992$dp. 51$vp. 51 464 0$1001UON00086331$12001 $aKateb Yacine$fCharles Bonn$1210 $a23, 2$d1992$dp. 61$vp. 61 464 0$1001UON00086336$12001 $aˆA ‰literature of departure$ethe cross-cultural writing of Driss Chraibi$fDanielle Marx-Scouras$1210 $a23$d2 1992$dp. 131$vp. 131 464 0$1001UON00086332$12001 $aˆThe ‰long, luminous wake of Mohammed Dib$fFrancois Desplanques$1210 $a23, 2$d1992$dp. 71$vp. 71 464 0$1001UON00086337$12001 $aMohammed Khair-Eddine: the poet as iconoclast$fHedi Abdel-Jaouad$1210 $a23, 2$d1992$dp. 145$vp. 145 464 0$1001UON00086348$12001 $aˆThe ‰moroccan novel in french$fM'hamed Alaoui Abdaloui$1210 $a23, 4$d1992, p. 9$vp. 9 464 0$1001UON00086322$12001 $aNgugi's conversion: writing and the politics of language$fSimon Gikandi$1210 $a23, 1$d1992$dp. 131$vp. 131 464 0$1001UON00086340$12001 $aOn french-language tunisian literature$fTahar Bekri$1210 $a23, 2$d1992$dp. 177$vp. 177 464 0$1001UON00086333$12001 $aRachid Boudjedra: the bard of modernity$fHafid Gafaiti$1210 $a23, 2$d1992$dp. 89$vp. 89 464 0$1001UON00086349$12001 $aˆThe ‰spirit of agony: war poetry from Biafra$fAfam Ebeogu$1210 $a23, 4$d1992$dp. 35$vp. 35 464 0$1001UON00086353$12001 $aˆThe ‰"Tagtigers"?: the (un)politics of language in the "new" afrikaans fictions$fIan Barnard$1210 $a23, 4$d1992$dp. 77$vp. 77 464 0$1001UON00086319$12001 $a"They stooped to conquer": vernacular translation and the socio-cultural factor$fLamin Sanneh$1210 $a23, 1$d1992$dp. 95$vp. 95 464 0$1001UON00086343$12001 $aTravel, representation, and difference, or how can one be a parisian?$fElisabeth Mudimbe-Boyi$1210 $a23, 3$d1992$dp. 25$vp. 25 464 0$1001UON00086327$12001 $aˆAn ‰unknown maghrebian genre: judeo-maghrebian literature of french expression$fGuy Dugas$1210 $a23, 2$d1992$dp. 21$v21 464 0$1001UON00086344$12001 $aˆThe ‰verse of Soyinka's plays: a dance of the forests$fAlain Severac$1210 $a23, 2$d1992$dp. 41$vp. 41 464 0$1001UON00086342$12001 $aWinding through nationalism, patriarchy, privilege, and concern: a selected overview of afrikaans women writers$fChristel Stander, Hein Willemse$1210 $a23, 3$d1992, p. 5$vp. 5 464 0$1001UON00086329$12001 $aWomen novelists and women in the struggle for Algeria's national liberation (1957-1980)$fMarie-Blanche Tahon$1210 $a23, 2$d1992$dp. 39$vp. 39 464 0$1001UON00086295$12001 $aAfrican literatures take the offensive$fFrancoise Cevaer$va.1991:v.22:n.1 (1991) 464 0$1001UON00086309$12001 $aˆAn ‰alternative east African voice: the wa-nduuta stories of Gakaara wa Wanjau$fAnn Biersteker$va.1991:v.22:n.4 (1991) 464 0$1001UON00086307$12001 $aBehind the inscrutable wonder: the dramaturgy of the mask performances in traditional african society$fChinyere Grace Okafor$va.1991:v.22:n.4 (1991) 464 0$1001UON00086302$12001 $aBibliography$fGaurav Desai$1210 $a22, 3$d1991$dp. 91$vp. 91 464 0$1001UON00086291$12001 $aCommitment an language in Joseph Kumbirai's Poetry$fEmmanuel Chiwome$1210 $a22, 1$d1991$dp. 55$vp. 55 464 0$1001UON00086308$12001 $aDecolonizing the world: language, culture, and self in the works of Ngugi wa Thiong'o and Gabriel Okara$fKatherine Williams$1210 $a22, 4$d1991$dp. 53$vp. 53 464 0$1001UON00086305$12001 $aDreams of home: colonialism and postmodernism$fIan Baucom$1210 $a22, 4$d1991, p. 5$vp. 5 464 0$1001UON00086290$12001 $aFestus Iyayi's heroes: two novels in one?$fFirinne NiChreachain$1210 $a22, 1$d1991 p. 43$vp. 43 464 0$1001UON00086298$12001 $aForum theater in west Africa: an alternative medium of information exchange$fJoy Morrison$1210 $a22, 3$d1991$dp. 29$vp. 29 464 0$1001UON00086304$12001 $aImagery in the praise poetry of the igede adiyah poet micha ichigbeh$fOde S. Ogede$1210 $a22, 3$d1991$dp. 149$vp. 149 464 0$1001UON00086296$12001 $aIntroduction: on theater for development in Africa$fGaurav Desai$1210 $a22, 3$d1991, p. 7$vp. 7 464 0$1001UON00086292$12001 $aLinguistic parallelism in traditional akan appellation poetry$fAkosua Anyidoho $1210 $a22, 1$d1991$dp. 67$vp. 67 464 0$1001UON00086306$12001 $aLiterature and history: the case of cheikh Hamidou Kane's$fSamba Gadjigo$1210 $a22 4$d1991$dp. 29$vp. 29 464 0$1001UON00086289$12001 $aMariama Ba's une si longue lettre$fJanos Riesz$1210 $a22, 1$d1991$dp. 27$vp. 27 464 0$1001UON00086294$12001 $aModern literature and the flourishing of culture in black Africa$fGuy Ossito Midiohouan$1210 $a22, 1$d1991$dp. 93$vp. 93 464 0$1001UON00086303$12001 $aMy year reached we heard ourselves singing$fJudith Gleason$1210 $a22, 3$d1991$dp. 135$vp. 135 464 0$1001UON00086287$12001 $aOrality, orature, and Ngugi wa Thiong'o$fThomas H. Jackson$1210 $a22, 1$d1991, p. 5$vp. 5 464 0$1001UON00086310$12001 $a"Ovals, spheres, ellipses, and sundry bulges": Alex La Guma imagines the human body$fWilliam Carpenter$1210 $a22, 4$d1991$dp. 79$vp. 79 464 0$1001UON00086300$12001 $aPartecipatory popular theater: the highest stage of cultural underdevelopment?$fDavid Kerr$1210 $a22, 3$d1991$dp. 55$vp. 55 464 0$1001UON00086288$12001 $aPower and its portrayals in royal mande narratives$fLilyan Kesteloot$1210 $a22, 1$d1991$dp. 17$vp. 17 464 0$1001UON00086297$12001 $aRevolution, freedom, and theater of liberation$fEugene van Erven$1210 $a22, 3$d1991 p. 11$vp. 11 464 0$1001UON00086301$12001 $aTheater beyond apartheid$fIan Steadman$1210 $a22, 3$d1991$dp. 77$vp. 77 464 0$1001UON00086299$12001 $aWomen's partecipation in "communication for development": the popular theater alternative in Africa$fPenina Muhando Mlama$1210 $a22, 3$d1991$dp. 41$vp. 41 464 0$1001UON00086293$12001 $aWriting under a monocracy$fKom Ambroise$1210 $a22, 1$d1991$dp. 83$vp. 83 464 0$1001UON00086256$12001 $aˆThe ‰African imagination$fAbiola Irele$va.1990:v.21:n.1 (1990) 464 0$1001UON00086257$12001 $aAfrican literature by the writing subject$fBernard Mouralis$va.1990:v.21:n.1 (1990) 464 0$1001UON00086275$12001 $aAndre Brink and the censor$fJ. M. Coetzee$va.1990:v.21:n.3 (1990) 464 0$1001UON00086284$12001 $aBreaking up/down/out of the boundaries: Tahar Ben Jelloun$fMustapha Marrouchi. - 21, 4, 1990, p. 71$vp. 71 464 0$1001UON00086262$12001 $aCensorship and justice: on Rushdie and Soyinka$fHenry Louis Gates, Jr$1210 $a21$d1 1990$dp. 137$vp. 137 464 0$1001UON00086270$12001 $aˆThe ‰decostruction of victory: Gordimer's A sport of nature$fLinda Weinhouse$1210 $a21, 2$d1990$dp. 91$vp. 91 464 0$1001UON00086263$12001 $aDictatorship, oppression, and new realism$fJosaphat B. Kubayanda$1210 $a21, 2$d1990, p. 5$vp. 5 464 0$1001UON00086278$12001 $aFedenya an artistic creation in Mali$eKele Monson and Massa Makan Diabate$fCheick Mahamadou Cherif Keita$1210 $a21, 3$d1990$dp. 103$vp. 103 464 0$1001UON00086267$12001 $aFrom Tamango to Thiaroye - the revolution back on course?$fFredric Michelman$1210 $a21, 2$d1990$dp. 59$vp. 59 464 0$1001UON00086276$12001 $aGabriel Okara's the voice; the non-ijo reader and the pragmatics of translingualism$fPatrick Scott$1210 $a21, 3$d1990$dp. 75$vp. 75 464 0$1001UON00086266$12001 $aIndipendence acquired - hope or disillusionment?$fMildred Mortimer$1210 $a21, 2$d1990$dp. 35$vp. 35 464 0$1001UON00086283$12001 $aIs this guerilla warfare? The nature an strategies of the political subject in wole Soyinka's ake$fRuth H. Lindeborg$1210 $a21, 4$d1990$dp. 55$vp. 55 464 0$1001UON00086286$12001 $aMopeli-Paulus and Blanket boy's moon$fChris Dunton$1210 $a21, 4$d1990$dp. 105$vp. 105 464 0$1001UON00086255$12001 $aˆThe ‰nature of things: arrested decolonization an critical theory$fBiodun Jeyifo$1210 $a21, 1$d1990$dp. 33$vp. 33 464 0$1001UON00086264$12001 $aOn poet-presidents and philosopher-kings$fAli A. Mazrui$1210 $a21, 2$d1990$dp. 13$vp. 13 464 0$1001UON00086273$12001 $aˆThe ‰performances of Kaalu Igirigiri, An Ohafia Igbo singer of tales$fChukwuma Azuonye$1210 $a21, 3$d1990$dp. 17$vp. 17 464 0$1001UON00086254$12001 $aˆThe ‰presence of theory$fTheorizing the present$fJames Comas$1210 $a21, 1$d1990, p. 5$vp. 5 464 0$1001UON00086272$12001 $aScientific dependence in Africa today$fPaulin Hountondji$1210 $a21, 3$d1990, p. 5$vp. 5 464 0$1001UON00086274$12001 $aSenghor, negritude and francophonie on the threshold of the twenty-first century$fLilyan Kesteloot$1210 $a21, 3$d1990$dp. 51$vp. 51 464 0$1001UON00086265$12001 $aSomali powerscapes: mapping farah's fiction$fDerek Wright$1210 $a21, 2$d1990$dp. 21$vp. 21 464 0$1001UON00086277$12001 $aSong of the city and mine boys: the "marxist" novels of Peter Abrahams$fJean-Philippe Wade$1210 $a21, 3$d1990$dp. 89$vp. 89 464 0$1001UON00086282$12001 $aSoyinka's ritual drama: unity, postmodernism, and the mistake of the intellect$fWilliam S. Haney II$1210 $a21, 4$d1990$dp. 33$vp. 33 464 0$1001UON00086281$12001 $aˆThe ‰spirit of negation in the works of Soyinka$fStewart Crehan$1210 $a21, 4$d1990$dp. 15$vp. 15 464 0$1001UON00086285$12001 $aˆThe ‰untruths of the nation: petals of blood and Fuentes's the death of Artemio Cruz$fEdna Eizenberg$1210 $a21, 4$d1990$dp. 85$vp. 85 464 0$1001UON00086279$12001 $a"We bear the world and we make it": Bessie Head and Olive Schreiner$fRobin Visel$1210 $a21, 3$d1990$dp. 115$vp. 115 464 0$1001UON00086486$12001 $aˆThe ‰aesthetics of transcribing orality in the works of Alexis Kagame, writer of Rwanda$fAnthere Nzabatsinda$va.1997:v.28:n.1 (1997) 606 $aLETTERATURE AFRICANE$3UONC018283$2RI 620 $aUS$dBloomington (IN)$3UONL000188 676 $a809$cStoria, descrizione, studio critico di più di due letterature$v21 702 1$aLINDFORS$bBernth$3UONV045707 712 02$aUNIVERSITY$cTexas$bAmerican and Afro-american Research Institute$3UONV045708 712 $aIndiana University Press$3UONV246015$4650 801 $aIT$bSOL$c20240220$gRICA 856 4 $uweb.a.ebscohost.com/ehost/command/detail?sid=5fe1a2a2-8b03-4db3-840a-1ced2571480a%40sessionmgr4008&vid=0&hid=4204&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#jid=RAL&db=aph$zFull text online dal 1993- 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI$41(1970)-46(2015)- poi solo online ; lac.: 22(1991)$cA PER Afr 71 ; 912 $aUON00084944 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$bSI 1(1970)-46(2015)- poi solo online ; lac.: 22(1991)$dSI A PER Afr 71 43 $eSI 11168 7 43 2012$dSI A PER Afr 71 44 $eSI 13097 7 44 2013$dSI A PER Afr 71 45 $eSI 18750 7 45 2014$dSI A PER Afr 71 46 $eSI 18759 7 46 2015$dSI A PER Afr 71 01 $eSI AA 2819 7 01 $dSI A PER Afr 71 02 $eSI AA 2820 7 02 $dSI A PER Afr 71 03 $eSI AA 2821 7 03 $dSI A PER Afr 71 04 $eSI AA 2822 7 04 $dSI A PER Afr 71 05 $eSI AA 2823 7 05 $dSI A PER Afr 71 06 $eSI AA 2824 7 06 $dSI A PER Afr 71 07 $eSI AA 2825 7 07 $dSI A PER Afr 71 14 $eSI AA 6400 7 14 $dSI A PER Afr 71 08* $eSI AA 6525 7 08* *Prezzo appr.$dSI A PER Afr 71 09* $eSI AA 6526 7 09* *Prezzo appr.$dSI A PER Afr 71 10* $eSI AA 6527 7 10* *Prezzo appr.$dSI A PER Afr 71 11* $eSI AA 6528 7 11* *Prezzo appr.$dSI A PER Afr 71 12* $eSI AA 6529 7 12* *Prezzo appr.$dSI A PER Afr 71 13* $eSI AA 6530 7 13* *Prezo appr.$dSI A PER Afr 71 15 $eSI AA 6610 7 15 $dSI A PER Afr 71 16 $eSI AA 7136 7 16 $dSI A PER Afr 71 17 $eSI AA 7869 7 17 $dSI A PER Afr 71 18 $eSI AA 8836 7 18 $dSI A PER Afr 71 19 $eSI AA 10305 7 19 $dSI A PER Afr 71 20 $eSI AA 11318 7 20 $dSI A PER Afr 71 23 $eSI AA 12272 7 23 $dSI A PER Afr 71 21 $eSI AA 14276 7 21 $dSI A PER Afr 71 22 $eSI AA 14277 7 22 $dSI A PER Afr 71 24 $eSI AA 15903 7 24 $dSI A PER Afr 71 25 $eSI AA 16872 7 25 $dSI A PER Afr 71 26 $eSI AA 17644 7 26 $dSI A PER Afr 71 27 $eSI AA 18459 7 27 $dSI A PER Afr 71 28 $eSI AA 19669 7 28 $dSI A PER Afr 71 29 $eSI AA 20600 7 29 $dSI A PER Afr 71 30 $eSI AA 21656 7 30 $dSI A PER Afr 71 31 $eSI AA 22899 7 31 $dSI A PER Afr * $eSI AA 23995 7 $dSI A PER Afr 71 33 $eSI AA 24941 7 33 $eSI AA 27947 7 36 $eSI AA 29268 7 39 $eSI AA 29639 7 40 $dSI A PER Afr 71 34 $eSI AA 25885 7 34 $dSI A PER Afr 71 35 $eSI AA 26627 7 35 $dSI A PER Afr 71 41 $eSI AA 30120 7 41 $dSI A PER Afr 71 42 $eSI AA 30680 7 42 951 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$bSI2012660 1J 20121213 951 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$bSI2013788 1J 20130917 951 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$bSI2015225 1J 20150112 951 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$bSI20151481 1J 20151209Ebsco corrente tagliare 2016? Richiesta la sostituzione del n. 1 in quanto de 996 $aResearch in African literatures$9893743 997 $aUNIOR