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Juni 2016 606 $aBericht$3(DE-588)4128022-2$3https://d-nb.info/gnd/4128022-2$3(DE-101)041280229$2gnd 606 $aPflanzlicher Rohstoff$3(DE-588)4174078-6$3https://d-nb.info/gnd/4174078-6$3(DE-101)041740785$2gnd 606 $aChemische Industrie$3(DE-588)4009848-5$3https://d-nb.info/gnd/4009848-5$3(DE-101)040098486$2gnd 606 $aForschungsförderung$3(DE-588)4125049-7$3https://d-nb.info/gnd/4125049-7$3(DE-101)041250494$2gnd 606 $aProjekt$3(DE-588)4115645-6$3https://d-nb.info/gnd/4115645-6$3(DE-101)041156455$2gnd 607 $aDeutschland$2gnd 608 $aZeitschrift$2gnd-content 615 7$aBericht. 615 7$aPflanzlicher Rohstoff. 615 7$aChemische Industrie. 615 7$aForschungsförderung. 615 7$aProjekt. 676 $a630 676 $a640 686 $a39$a630$qDE-101$2sdnb 801 0$b4019 801 1$bDE-101 801 2$b9999 906 $aJOURNAL 912 $a9910894990103321 996 $aJahresbericht$9415024 997 $aUNINA LEADER 04986oam 2200757I 450 001 9910970550203321 005 20251117092823.0 010 $a1-136-33066-6 010 $a0-415-68894-9 010 $a0-203-12198-8 010 $a1-283-86229-8 010 $a1-136-33067-4 024 7 $a10.4324/9780203121986 035 $a(CKB)2670000000299359 035 $a(SSID)ssj0000813058 035 $a(PQKBManifestationID)12408624 035 $a(PQKBTitleCode)TC0000813058 035 $a(PQKBWorkID)10768165 035 $a(PQKB)10238931 035 $a(SSID)ssj0000811789 035 $a(PQKBManifestationID)12352392 035 $a(PQKBTitleCode)TC0000811789 035 $a(PQKBWorkID)10851407 035 $a(PQKB)11560848 035 $a(MiAaPQ)EBC1092799 035 $a(Au-PeEL)EBL1092799 035 $a(CaPaEBR)ebr10632469 035 $a(CaONFJC)MIL417479 035 $a(OCoLC)823387075 035 $a(OCoLC)895748520 035 $a(FINmELB)ELB135663 035 $a(EXLCZ)992670000000299359 100 $a20180706d2013 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe scene of the mass crime $ehistory, film, and international tribunals /$fedited by Christian Delage and Peter Goodrich 205 $a1st ed. 210 1$aAbingdon, Oxon ;$aNew York, N.Y. :$cRoutledge,$d2013. 215 $axiii, 227 p. $cill 225 1 $aDiscourses of law 225 0$aDiscourses of law 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a0-415-68895-7 320 $aIncludes bibliographical references and index. 327 $aIntroduction / Christian Delage and Peter Goodrich -- Getting the past right, or the future? / Pieter Lagrou -- Building the official narrative / William A. Schabas -- Competitive narratives: an incident at the Papon trial / Henry Rousso -- Gacaca courts in Rwanda: a local justice for a local genocide history / He?le?ne Dumas -- The Raion trials in the USSR (1937-1938) / Nicolas Werth -- The trial of the "gang of the four" / Anne Kerlan: -- The Nazi People's Court (1944) or the failure of "total justice" / Johann Chapoutot -- The Majdanek trial : the holocaust on trial on film, Kazimierz Czynski's Swastyka i Szubienica (1945) / Stuart Liebman -- The psychological evaluation of Duch : a criminal against humanity in Cambodia / Franc?oise Sironi -- Pleading guilty : the case of Duch in the Khmer Rouge trial : defending Duch / Franc?ois Roux -- The place and participation of the victims in Duch's trial / Brice Poirier -- Hollywood : previsualization and post 9-11 style / Vincent Dozol -- The "other" 9-11 : the Chilean coup and its visual memory / Constance Ortuzar -- Visualizing 9-11 / Christian Delage -- Portfolio / Peter Goodrich and Linda Mills, Edward Hillel, Richard Sherwin. 330 $aThe Scene of the Mass Crime takes up the unwritten history of the peculiar yet highly visible form of war crimes trials. These trials are the first and continuing site of the interface of law, history and film. From Nuremberg to the contemporary trials in Cambodia, film, in particular, has been crucial both as evidence of atrocity and as the means of publicizing the proceedings. But what does film bring to justice? Can law successfully address war crimes, atrocities, genocide? What do the trials actually show? What form of justice is done, and how does it relate to ordinary courts and proceedings? What lessons can be drawn from this history for the very topical political issue of filming civil and criminal trials? This book takes up the diversity and complexity of these idiosyncratic and, in strict terms, generally extra-legal medial situations. Drawing on a fascinating diversity of public trials and filmic responses, from the Trial of the Gang of Four to the Gacaca local courts of Rwanda to the filmic symbolism of 9-11, from Soviet era show trials to Nazi People's Courts leading international scholars address the theatrical, political, filmic and symbolic importance of show trials in making history, legitimating regimes and, most surprising of all, in attempting to heal trauma through law and through film. These essays will be of considerable interest to those working on international criminal law, transitional justice, genocide studies, and the relationship between law and film. 410 0$aDiscourses of law. 606 $aWar crime trials 606 $aTrials (Political crimes and offenses) 606 $aTrials in motion pictures 615 0$aWar crime trials. 615 0$aTrials (Political crimes and offenses) 615 0$aTrials in motion pictures. 676 $a341.6/9/0268 701 $aDelage$b Christian$01191514 701 $aGoodrich$b Peter$f1954-$0254874 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910970550203321 996 $aThe scene of the mass crime$94487740 997 $aUNINA