LEADER 04295nam 2200697 a 450 001 9910453187503321 005 20211005082457.0 010 $a1-280-84550-3 010 $a9786610845507 010 $a0-19-802800-8 035 $a(CKB)1000000000550554 035 $a(StDuBDS)AH24085215 035 $a(SSID)ssj0000365866 035 $a(PQKBManifestationID)12151256 035 $a(PQKBTitleCode)TC0000365866 035 $a(PQKBWorkID)10414205 035 $a(PQKB)10859040 035 $a(SSID)ssj0000309541 035 $a(PQKBManifestationID)11214121 035 $a(PQKBTitleCode)TC0000309541 035 $a(PQKBWorkID)10283578 035 $a(PQKB)11744777 035 $a(MiAaPQ)EBC431124 035 $a(Au-PeEL)EBL431124 035 $a(CaPaEBR)ebr10317698 035 $a(CaONFJC)MIL84550 035 $a(OCoLC)609831947 035 $a(MiAaPQ)EBC2012776 035 $a(Au-PeEL)EBL2012776 035 $a(OCoLC)814481424 035 $a(EXLCZ)991000000000550554 100 $a20091012d2005 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSinging Schumann$b[electronic resource] $ean interpretive guide for performers /$fRichard Miller 210 $aOxford $cOxford University Press$d2005 215 $a1 online resource (272 p. ) $cill 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-19-511904-5 311 $a0-19-518197-2 320 $aIncludes bibliographical references (p. 237-238) and index. 327 $aWhy This Book Was Written; 1. Robert Schumann as Song Composer; 2. Performance Practices in the Schumann Lieder; 3. Liederkreis (Heine), Opus 24; 4. Myrten, Opus 25; 5. Kerner Lieder, Opus 35; 6. Reinick Lieder, Opus 36; 7. Ruckert Lieder (Zwolf Gedichte aus "Liebesfruhling"), Opus 37; 8. Liederkries (Eichendorff), Opus 39; 9. Funf Lieder (Andersen and Chamisso), Opus 40; 10. Frauenliebe and -leben, (Chamisso), Opus 42; 11. Dichterliebe (Heine), Opus 48; 12. Opus 45 and Opus 57; 13. Opus 53; 14. Some Other Early Lieder: Opuses 27, 30, 31, 49; 15. Opus 127 and Opus 142; 16. Opus 51; 17. Opus 64; 18. Opus 77; 19. Liederalbum fur die Jugend, Opus 79; 20. Opus 83 and Opus 87; 21. Sechs Gesange, Opus 89 (von der Neun), and Opus 90 (Lenau); 22. Drei Gesange (Byron), Opus 95, and Opus 96; 23. Lieder and Gesange aus Wilhelm Meister (Goethe), Opus 98a; 24. Sieben Lieder (Kulmann), Opus 104, Opus 107, and Vier Husarenlieder (Lenau), Opus 117; 25. Opus 119, Opus 125, and Maria Stuart Lieder, Opus 135; 26. Solos and Duets from the Ensemble Collections: Opuses 29, 34, 37, 43, 74, 78, 79, 101, 103, 112, 138; 27. Provenzalisches Lied, #4, Ballade, #7, Opus 139, and Der Contrabandiste, Opus 74, App 330 $aOffering practical suggestions for the interpretation of all Schumann's solo and duet songs, this text provides for singers and pianists perspectives which can be used to bring to life the work of the German composer. 330 $bTo restrict performance of the Schumann Lieder to the "familiar forty" is to deprive the singer and pianist of a major reservoir of superior song. Thus Singing Schumann not only takes an in-depth look at the widely performed middle and late Lieder, it also fully reconsiders the early songs. Offering the same readability and informed insights in this volume that distinguished his acclaimed On the Art of Singing (OUP 1996), Miller presents a practical manual to help singers and pianists bring Robert Schumann's Lieder to life in performance. 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