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Età aurea, 1516-1699$v21 700 1$aBELAMRI$bRabah$3UONV042562$0657350 712 $aCastor Poche Flammarion$3UONV257861$4650 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00073942 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI ARA Afr VI D 003 $eSI AA 16642 5 003 996 $aOiseau du grenadier$91165572 997 $aUNIOR LEADER 03236nam 22005775 450 001 9910162715603321 005 20210111161430.0 010 $a9780226428017 010 $a022642801X 024 7 $a10.7208/9780226428017 035 $a(CKB)3710000001022021 035 $a(StDuBDS)EDZ0001651962 035 $a(DE-B1597)524772 035 $a(OCoLC)969638477 035 $a(DE-B1597)9780226428017 035 $a(MiAaPQ)EBC4785185 035 $a(Perlego)1853385 035 $a(EXLCZ)993710000001022021 100 $a20191022d2017 fg 101 0 $aeng 135 $aur||||||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aHistory as a Kind of Writing $eTextual Strategies in Contemporary French Historiography /$fPhilippe Carrard 210 1$aChicago : $cUniversity of Chicago Press, $d[2017] 210 4$d©2017 215 $a1 online resource 300 $aTranslated from the French. 300 $aPreviously issued in print: 2017. 311 08$a9780226427966 311 08$a022642796X 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tA Note about Translations and Documentation -- $tAcknowledgments -- $tPreface -- $tIntroduction: French History and Its Manuals -- $tChapter 1. Dispositions -- $tChapter 2. Situations -- $tChapter 3. Figures -- $tConclusion -- $tNotes -- $tReferences -- $tIndex 330 $aIn academia, the traditional role of the humanities is being questioned by the "posts"-postmodernism, poststructuralism, and postfeminism-which means that the project of writing history only grows more complex. In History as a Kind of Writing, scholar of French literature and culture Philippe Carrard speaks to this complexity by focusing the lens on the current state of French historiography. Carrard's work here is expansive-examining the conventions historians draw on to produce their texts and casting light on views put forward by literary theorists, theorists of history, and historians themselves. Ranging from discussions of lengthy dissertations on 1960s social and economic history to a more contemporary focus on events, actors, memory, and culture, the book digs deep into the how of history. How do historians arrange their data into narratives? What strategies do they employ to justify the validity of their descriptions? Are actors given their own voice? Along the way, Carrard also readdresses questions fundamental to the field, including its necessary membership in the narrative genre, the presumed objectivity of historiographic writing, and the place of history as a science, distinct from the natural and theoretical sciences. 606 $aHistoriography$zFrance 606 $aHistory$xMethodology 606 $aLiterature and history$zFrance 606 $aHistory$xPhilosophy 615 0$aHistoriography 615 0$aHistory$xMethodology. 615 0$aLiterature and history 615 0$aHistory$xPhilosophy. 676 $a907.2/044 700 $aCarrard$b Philippe, $0457774 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910162715603321 996 $aHistory as a Kind of Writing$92264958 997 $aUNINA