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181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 10$aMolie?re on stage $ewhat's so funny? /$fRobert W. Goldsby$b[electronic resource]
210  1$aLondon :$cAnthem Press,$d2012.
215   $a1 online resource (xx, 202 pages) $cdigital, PDF file(s)
225 1 $aAnthem Studies in Theatre and Performance
300   $aTitle from publisher's bibliographic system (viewed on 02 Oct 2015).
311   $a0-85728-444-4 
311   $a0-85728-442-8 
320   $aIncludes bibliographical references and index.
327   $aChronology of plays discussed -- Act 1. The back story. "'Allo, Molie?re" ; The first stages ; Finding his light ; The actor unmasked -- Act 2. The agon. Into the mouth of the wolf ; "Go saddle you braying ass!" ; Entrances ; ... And exits ; She loves me, she love me ; ... Not! -- Act 3. The comic relief. Blesse?d laughter ; Classic routines ; Musical comedy ; The bones of farce -- Act 4. And leave 'em laughin'. The dancing skeleton ; The imaginary invalid ; Full circle.
330   $a‘Molie?re on Stage’ takes the reader onstage, backstage and into the audience of Molie?re’s plays, analyzing the performance of his works in both his own time and in ours. Written by a professional stage director with over fifty years’ experience directing and translating Molie?re, this text explores how the playwright strove to create a communal experience of shared laughter, and investigates four key topics relating to this achievement: Molie?re’s early experiences that lead to his later theater experiences; his central great plays of love and lust; his comedic genius and his passion for the stage; and the final words and performances of his life.
410  0$aAnthem Studies in Theatre and Performance
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801  1$bUkCbUP
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