LEADER 04767nam 2200757 a 450 001 9910790492603321 005 20230801223631.0 010 $a1-283-85779-0 010 $a3-11-027223-7 010 $a3-11-027224-5 024 7 $a10.1515/9783110272239 035 $a(CKB)2670000000211075 035 $a(EBL)893143 035 $a(OCoLC)796384234 035 $a(SSID)ssj0000676584 035 $a(PQKBManifestationID)12294312 035 $a(PQKBTitleCode)TC0000676584 035 $a(PQKBWorkID)10683705 035 $a(PQKB)10297643 035 $a(SSID)ssj0000810356 035 $a(PQKBManifestationID)12365525 035 $a(PQKBTitleCode)TC0000810356 035 $a(PQKBWorkID)10833387 035 $a(PQKB)20889916 035 $a(MiAaPQ)EBC893143 035 $a(DE-B1597)174198 035 $a(OCoLC)819123213 035 $a(OCoLC)830968605 035 $a(DE-B1597)9783110272239 035 $a(Au-PeEL)EBL893143 035 $a(CaPaEBR)ebr10582170 035 $a(CaONFJC)MIL417029 035 $a(EXLCZ)992670000000211075 100 $a20120305d2012 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 00$aAdaptation and cultural appropriation$b[electronic resource] $eliterature, film, and the arts /$fedited by Pascal Nicklas and Oliver Lindner 210 $aBerlin ;$aBoston $cDe Gruyter$dc2012 215 $a1 online resource (288 p.) 225 1 $aSpectrum literaturwissenschaft/spectrum literature,$x1860-210X ;$v27 300 $aDescription based upon print version of record. 311 0 $a3-11-027205-9 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tPreface --$tTable of Contents --$tAdaptation and Cultural Appropriation /$rNicklas, Pascal / Lindner, Oliver --$tAdaptation in Theory /$rEmig, Rainer --$tFamiliarity versus Contempt: Becoming Jane and the Adaptation Genre /$rCartmell, Deborah --$tPride and Promiscuity and Zombies, or: Miss Austen Mashed Up in the Affinity Spaces of Participatory Culture /$rVoigts-Virchow, Eckart --$tWhere Did Your Adaptation Begin?: Book Fairs, Screen Festivals and Writers' Weeks as Engine-rooms of Adaptation /$rMurray, Simone --$tConversing with Ghosts: Or, the Ethics of Adaptation /$rPietrzak-Franger, Monika --$tCultural Heritage / Heritage Culture: Adapting the Contemporary British Historical Novel /$rChilds, Peter --$tRevisiting Shakespeare: Elizabeth Rex as Filmic Metatext /$rSchaffeld, Norbert --$t"An Entirely Different and New Story": A Case Study of Tim Burton's Planet of the Apes (2001) /$rLindner, Oliver --$tGrisly Skeletons and Happy Endings: The Adaptations and Appropriations of Joseph Conrad's Fiction /$rHand, Richard J. --$tThe Adaptation of Adaptation: A Dialogue between the Arts and Sciences /$rElliott, Kamilla --$tFidelity, Simultaneity and the 'Remaking' of Adaptation Studies /$rDovey, Lindiwe --$tBrontë Meets Bollywood: The Ambivalences of Appropriation and Adaptation in Tamasha's Wuthering Heights /$rKrämer, Lucia --$tOdysseus, Crusoe and the Making of the Caribbean Hero. Derek Walcott's Variations of Great Traditions /$rBreitinger, Eckhard --$tAppropriating Achebe: Chimamanda Ngozi Adichie's Purple Hibiscus and "The Headstrong Historian" /$rTunca, Daria --$tRevisiting Bolton: Transcultural Adaptation and Regional Identity in Ayub Khan-Din's Rafta, Rafta /$rSchlote, Christiane --$tList of Contributors --$tIndex 330 $a"Hamlet" by Olivier, Kaurisma?ki or Shepard and "Pride and Prejudice" in its many adaptations show the virulence of these texts and the importance of aesthetic recycling for the formation of cultural identity and diversity. Adaptation has always been a standard literary and cultural strategy, and can be regarded as the dominant means of production in the cultural industries today. Focusing on a variety of aspects such as artistic strategies and genre, but also marketing and cultural politics, this volume takes a critical look at ways of adapting and appropriating cultural texts across epochs an 410 0$aSpectrum Literaturwissenschaft ;$v27. 606 $aLiterature$xAdaptations$xHistory and criticism 606 $aFilm adaptations$xHistory and criticism 610 $aAdaptation. 610 $aappropriation. 615 0$aLiterature$xAdaptations$xHistory and criticism. 615 0$aFilm adaptations$xHistory and criticism. 676 $a809 686 $aEC 2410$2rvk 701 $aNicklas$b Pascal$0622290 701 $aLindner$b Oliver$01471643 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790492603321 996 $aAdaptation and cultural appropriation$93720643 997 $aUNINA LEADER 02134nam0 22003731i 450 001 UON00050662 005 20231205102224.572 100 $a20020107d1964 |0itac50 ba 101 $aeng 102 $aDE 105 $a|||| 1|||| 200 1 $aˆAn ‰introduction to the comparative grammar of the Semitic languages$ePhonology and morphology$fby Sabatino Moscati, Anton Spitaler, Edward Ullendorff, Wolfram von Soden 210 $aWiesbaden$cOtto Harrassowitz$d1964 215 $a185 p.$d22 cm 316 $a*Data inesatta - Escluso dal Prestito - Prof. Tosco LOCAL. SALA LETTURA$5IT-UONSI ETIIC b/001* 316 $aesemplare in fotocopia$5IT-UONSI VOAII/054 N BIS 316 $aEsemplare in fotocopia$5IT-UONSI VOAII/054 N 410 1$1001UON00065789$12001 $aPorta linguarum orientalium. Neue Serie$fHerausgegeben von Bertold Spuler und Hans Wehr$v6 606 $aLINGUE SEMITICHE$xGrammatica comparativa$3UONC020878$2FI 620 $aDE$dWiesbaden$3UONL003153 676 $a492$cLingue camito semitiche / Lingue semitiche$v21 686 $aVOA II$cVICINO ORIENTE ANTICO - LINGUISTICA$2A 702 1$aMoscati$bSabatino$3UONV000388 702 1$aSODEN$bWolfram : von$3UONV000592 702 1$aSPITALER$bAnton$3UONV027732 702 1$aULLENDORFF$bEdward$3UONV025297 712 $aHarrassowitz$3UONV245869$4650 801 $aIT$bSOL$c20250829$gRICA 912 $aUON00050662 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI II C b 001* $eSI MR 79213 7 001* *Data inesatta - Escluso dal Prestito - Prof. Tosco LOCAL. SALA LETTURA 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI VOA II 054 N BIS $eSI SA 48393 7 054 N BIS esemplare in fotocopia 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI VOA II 054 N $eSI SA 48394 5 054 N Esemplare in fotocopia$sTesto d'esame 996 $aIntroduction to the comparative grammar of the Semitic languages$91144390 997 $aUNIOR