LEADER 02950nam 2200673Ia 450 001 9910454557503321 005 20200520144314.0 010 $a1-282-85393-7 010 $a9786612853937 010 $a0-7735-6601-5 035 $a(CKB)1000000000712766 035 $a(EBL)3331140 035 $a(SSID)ssj0000277859 035 $a(PQKBManifestationID)11213025 035 $a(PQKBTitleCode)TC0000277859 035 $a(PQKBWorkID)10240885 035 $a(PQKB)11116161 035 $a(MiAaPQ)EBC3331140 035 $a(CaPaEBR)400843 035 $a(CaBNvSL)slc00200921 035 $a(MiAaPQ)EBC3245449 035 $a(Au-PeEL)EBL3331140 035 $a(CaPaEBR)ebr10141812 035 $a(CaONFJC)MIL285393 035 $a(OCoLC)929121391 035 $a(EXLCZ)991000000000712766 100 $a19970220d1996 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aChora$b[electronic resource] $eintervals in the philosophy of architecture$hVolume 2 /$fedited by Alberto Pe?rez-Go?mez and Stephen Parcell 210 $aMontreal $cPublished for the History and Theory of Architecture Graduate Program, McGill University by McGill-Queen's University Press$dc1996 215 $a1 online resource (336 p.) 225 1 $aChora ;$vv. 2 300 $aDescription based upon print version of record. 311 $a0-7735-1407-4 311 $a0-7735-1406-6 320 $aIncludes bibliographical references. 327 $a""Contents""; ""Preface""; ""1 Socrates in the Agora""; ""2 On the Use of Architecture: The Destination of Buildings Revisited""; ""3 Hermes' Laugh: Philibert de l'Orme's Imagery as a Case of Analogical Edification""; ""4 The Angel and the Mirror: Reflections on the Architecture of the Amalgam""; ""5 Lessons of a Dream""; ""6 Architecture as a Site of Reception. Part II: Sea-Food and Vampires""; ""7 Concrete Blonde: A Probe into Negative Space where Mysteries are Created""; ""8 Surrealist Paris: The Non-Perspectival Space of the Lived City""; ""9 The Metaphoric Architecture of the Diorama"" 327 $a""10 The Legend of the Golem""""11 Paradoxical Spaces in Literature, Film and Architecture: A Dialogue with Alain Robbe-Grillet""; ""12 When the Old Mirror is not yet Polished, What Would You Say of it?""; ""About the Authors"" 410 0$aChora (Montre?al, Que?bec) ;$vv. 2. 606 $aArchitecture$xPhilosophy 606 $aBuildings 608 $aElectronic books. 615 0$aArchitecture$xPhilosophy. 615 0$aBuildings. 676 $a720 701 $aPe?rez Go?mez$b Alberto$f1949-$0498188 701 $aParcell$b Stephen$0917193 712 02$aMcGill University.$bHistory and Theory of Architecture Graduate Program. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910454557503321 996 $aChora$92200238 997 $aUNINA LEADER 03089nam 22004931 450 001 9910794612803321 005 20200124110340.0 010 $a0-7556-0799-6 010 $a0-85772-599-8 010 $a0-85773-943-3 024 7 $a10.5040/9780755607990 035 $a(CKB)4330000000002183 035 $a(MiAaPQ)EBC4444054 035 $a(OCoLC)944309883 035 $a(UtOrBLW)bpp09264756 035 $a(EXLCZ)994330000000002183 100 $a20200131d2015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aEncounters with the Ottoman miniature $econtemporary readings of an imperial art /$fBegu?m O?zden Firat 205 $aFirst edition. 210 1$aLondon ;$aNew York :$cI.B. Tauris,$d2015. 215 $a1 online resource (211 pages) $cillustrations 311 $a1-78076-391-3 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Chapter 1: Reading in Detail: Adam and Eve in Close-up -- Chapter 2: The Intimate Look: Seeing, Touching, and Gazing at the Female Body -- Chapter 3: Double Encounters: The Circumcision Parade in Intervals Visualizing an Imperial Festival -- Chapter 4: Portrait of a Sultan: Ornamentation at Work Sultan Ahmed III Enthroned -- Chapter 5: The Miniature, The Horizontal, and The Symptom -- Chapter 6: Looking through Metaphors: From the Window toward the Threshold -- Conclusion. 330 $a"The dominant form of Ottoman pictorial art until the eighteenth century, miniatures have traditionally been studied as reflecting the socio-historical contexts, aesthetic concerns and artistic tastes of the era within which they were produced. Begum Ozden Fyrat proposes instead a radical re-reading of seventeenth- and eighteenth-century miniatures in the light of contemporary critical theory, highlighting the viewer's encounter with the image. Encounters with the Ottoman Miniature employs contemporary concepts such as the gaze, frame/framing, reading and re-reading, drawing on thinkers such as Walter Benjamin, Roland Barthes and Gilles Deleuze to establish the vibrant cultural agency of miniature paintings. With analysis that illuminates both the social and political situations in which these miniatures were painted as well as emphasising the miniature's contemporary relevance, Firat presents an important new re-imagining of this art form--Bloomsbury Publishing." 606 $aIslamic illumination of books and manuscripts$zTurkey$xHistory 606 $aIslamic miniature painting$zTurkey$xHistory 606 $aHistory of art / art & design styles$2BIC 615 0$aIslamic illumination of books and manuscripts$xHistory. 615 0$aIslamic miniature painting$xHistory. 615 7$aHistory of art / art & design styles. 676 $a745.670943 700 $aFirat$b Begu?m O?zden$01476518 801 0$bUtOrBLW 801 1$bUtOrBLW 906 $aBOOK 912 $a9910794612803321 996 $aEncounters with the Ottoman miniature$93852285 997 $aUNINA LEADER 01110nam0 22002771i 450 001 UON00044427 005 20231205102200.21 100 $a20020107d1943 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| 1|||| 200 1 $aˆL'‰espansione europea ed i movimenti nazionalistici nel mondo musulmano$fEmanuele Ghersi 210 $aFirenze$cC. 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