LEADER 00810nam0-22002891i-450 001 990000792080403321 005 20220408115503.0 035 $a000079208 035 $aFED01000079208 035 $a(Aleph)000079208FED01 035 $a000079208 100 $a20001010d1996----km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $aEsercizio professionale per architetti$fLuciano Fabbri ... [et al.] 210 $aFirenze$cEdizioni Medicea$d1996 215 $a408 p.$d21 cm 610 0 $aArchitetti$aprofessione 702 1$aFabbri,$bLuciano 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000792080403321 952 $aARCH B 1574$b9071$fFARBC 959 $aFARBC 996 $aESERCIZIO professionale per architetti$9351876 997 $aUNINA DB $aING01 LEADER 02090nam0 22003371i 450 001 UON00027129 005 20231205102044.447 100 $a20020107d1988 |0itac50 ba 101 $aita$aJPN 102 $aIT 105 $a|||| 1|||| 200 1 $aGuida alla lettura del testo giapponese$eLa prosa letteraria moderna e contemporanea$fPaolo Calvetti 210 $aNapoli$cIUO, Opera universitaria$d1988 215 $a2 v.$d26 cm 410 1$1001UON00000410$12001 $aSerie Didattica 2 606 $aLINGUA GIAPPONESE$xSUSSIDI E MANUALI DIDATTICI$xCOMPOSIZIONE$3UONC007648$2FI 620 $aIT$dNapoli$3UONL000012 686 $aGIA II E$cGIAPPONE - LINGUISTICA - MANUALI DIDATTICI$2A 700 1$aCALVETTI$bPaolo$3UONV003569$0479500 712 $aIstituto Universitario Orientale. Opera Universitaria$3UONV250439$4650 712 $aIstituto Universitario Orientale. Seminario di Studi Asiatici$3UONV246611$4650 801 $aIT$bSOL$c20240220$gRICA 912 $aUON00027129 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI GIA II E 102 (1) $eSI SA 64045 7 102 (1) 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI GIA II E 102 (2) $eSI SA 64046 5 102 (2) 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI GIA II E 102 (1) BIS $eSI SA 84822 5 102 (1) BIS 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI GIA II E 102 (2) BIS $eSI SA 84823 5 102 (2) BIS 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI GIA II E 102 (1) TER $eSI SA 102351 5 102 (1) TER 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI GIA II E 102 (2) TER $eSI SA 102352 5 102 (2) TER 996 $aGuida alla lettura del testo giapponese$91200342 997 $aUNIOR LEADER 04579nam 2200997 450 001 9910819551803321 005 20230803220531.0 010 $a0-520-27974-3 010 $a0-520-95794-6 024 7 $a10.1525/9780520957947 035 $a(CKB)2550000001165548 035 $a(EBL)1568699 035 $a(SSID)ssj0001059900 035 $a(PQKBManifestationID)11985587 035 $a(PQKBTitleCode)TC0001059900 035 $a(PQKBWorkID)11086022 035 $a(PQKB)11283228 035 $a(MiAaPQ)EBC1568699 035 $a(OCoLC)867631069 035 $a(MdBmJHUP)muse32353 035 $a(DE-B1597)519850 035 $a(DE-B1597)9780520957947 035 $a(Au-PeEL)EBL1568699 035 $a(CaPaEBR)ebr10811127 035 $a(CaONFJC)MIL546816 035 $a(EXLCZ)992550000001165548 100 $a20130904h20142014 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 13$aAn invention without a future $eessays on cinema /$fJames Naremore 210 1$aBerkeley :$cUniversity of California Press,$d[2014] 210 4$d©2014 215 $a1 online resource (369 p.) 300 $aDescription based upon print version of record. 311 $a0-520-27973-5 311 $a1-306-15565-7 320 $aIncludes bibliographical references and index. 327 $aIntroduction: An invention without a future -- Part 1. Issues -- Authorship, auteurism, and cultural politics -- The reign of adaptation -- Notes on acting in cinema -- Imitation, eccentricity, and impersonation in movie acting -- The death and rebirth of rhetoric -- Part 2. Authors, actors, adaptations -- Hawks, Chandler, Bogart, Bacall: The big sleep -- Uptown folk: blackness and entertainment in Cabin in the sky -- Hitchcock and humor -- Hitchcock at the margins of noir -- Spies and lovers: North by Northwest -- Welles, Hollywood, and Heart of darkness -- Orson Welles and movie acting -- Welles and Kubrick: two forms of exile -- The treasure of the Sierra Madre -- The return of the dead -- Part 3. In defense of criticism -- James Agee -- Manny Farber -- Andrew Sarris -- Jonathan Rosenbaum -- Years as a critic: 2007-2010. 330 $aIn 1895, Louis Lumičre supposedly said that cinema is "an invention without a future." James Naremore uses this legendary remark as a starting point for a meditation on the so-called death of cinema in the digital age, and as a way of introducing a wide-ranging series of his essays on movies past and present. These essays include discussions of authorship, adaptation, and acting; commentaries on Howard Hawks, Alfred Hitchcock, Orson Welles, Vincente Minnelli, John Huston, and Stanley Kubrick; and reviews of more recent work by non-Hollywood directors Pedro Costa, Abbas Kiarostami, Raśl Ruiz, and Apichatpong Weerasethakul. Important themes recur: the relations between modernity, modernism, and postmodernism; the changing mediascape and death of older technologies; and the need for robust critical writing in an era when print journalism is waning and the humanities are devalued. The book concludes with essays on four major American film critics: James Agee, Manny Farber, Andrew Sarris, and Jonathan Rosenbaum. 606 $aMotion pictures 610 $aacting. 610 $aadaptation. 610 $aalfred hitchcock. 610 $aamerican cinema. 610 $aandrew sarris. 610 $aauthorship. 610 $acinema in the digital age. 610 $acinema. 610 $adeath of cinema. 610 $adigital age. 610 $afilm and television. 610 $afilm criticism. 610 $afilm. 610 $afilmmaking. 610 $ahistory of cinema. 610 $ahoward hawks. 610 $ahumanities. 610 $ajames agee. 610 $ajohn huston. 610 $ajonathan rosenbaum. 610 $aliterary studies. 610 $amanny farber. 610 $amediascape. 610 $amodernism. 610 $amodernity and film. 610 $amovies. 610 $aorson welles. 610 $apostmodernism and film. 610 $apostmodernity. 610 $aprint journalism. 610 $astanley kubrick. 610 $atechnology. 610 $avincente minnelli. 615 0$aMotion pictures. 676 $a791.43 700 $aNaremore$b James$0456838 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819551803321 996 $aAn invention without a future$94061619 997 $aUNINA