LEADER 04310nam 22007811 450 001 9910785606603321 005 20131029121409.0 010 $a1-4411-3802-1 010 $a1-4725-4305-X 010 $a1-283-73584-9 010 $a1-4411-2781-X 024 7 $a10.5040/9781472543059 035 $a(CKB)2670000000238829 035 $a(EBL)1014738 035 $a(OCoLC)810082568 035 $a(SSID)ssj0000705091 035 $a(PQKBManifestationID)12285891 035 $a(PQKBTitleCode)TC0000705091 035 $a(PQKBWorkID)10620130 035 $a(PQKB)10207843 035 $a(MiAaPQ)EBC1014738 035 $a(Au-PeEL)EBL1014738 035 $a(CaPaEBR)ebr10595482 035 $a(CaONFJC)MIL404834 035 $a(OCoLC)811491902 035 $a(OCoLC)944225571 035 $a(UtOrBLW)bpp09256728 035 $a(MiAaPQ)EBC6161997 035 $a(EXLCZ)992670000000238829 100 $a20140929d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGreat War modernisms and The new age magazine $ehistoricizing modernism /$fPaul Jackson 210 1$aLondon ;$aNew York, NY :$cContinuum International Pub. Group,$d2012. 215 $a1 online resource (193 p.) 225 0$aHistoricizing modernism 300 $aDescription based upon print version of record. 311 $a1-4725-2754-2 311 $a1-4411-8008-7 320 $aIncludes bibliographical references and index. 327 $aChapter 1: Great War Modernisms -- Chapter 2: A. R. Orage and Modernist Publicism in the era of the First World War -- Chapter 3: War, The New Age and Guild Socialism's Political Modernism -- Chapter 4: The New Age's Radical Intelligentsia and Modernism -- Chapter 5: Wyndham Lewis's Modernist Aesthetics -- Chapter 6: H. G. Wells and the First World War -- Conclusion -- Bibliography -- Index. 330 $a"The literary magazine The New Age brought together a diverse set of intellectuals. Against the backdrop of the First World War, they chose to write about more than modernist art and aesthetics. By closely reading and contextualizing their contributions, Paul Jackson's study engages with the political and philosophical responses of literary artists to modernity. Jackson demonstrates the need to interpret modernism not merely as an aesthetic phenomenon,but inherently linked to politics and philosophy. By placing the writing of a canonical modernist, Wyndham Lewis, against a figure usually excluded from the modernist canon, H.G. Wells, Jackson examines further a wartime modernism that embraced socialist and political views. This reinterpretation of modernism provides a historicised understanding of the politicised hopes of artists promoting revolutionary forms of cultural renewal. Considering modernist writers' relationship between politics,philosophy and aesthetics in the context of total war Jackson encourages new cultural-historical definitions of modernism. In addition this study provides the first close analysis of cultural contributions from a leading wartime Little Magazine, tracing the radical modernist debates that developed in its pages."--Bloomsbury Publishing. 410 0$aHistoricizing Modernism 606 $aLiterature publishing$vGreat Britain$xHistory$y20th century 606 $aLittle magazines$zGreat Britain$xHistory$y20th century 606 $aModernism (Literature)$zGreat Britain 606 $aPeriodicals$xPublishing$zGreat Britain$xHistory$y20th century 606 $aPress and politics$zGreat Britain$xHistory$y20th century 606 $aWorld War, 1914-1918$xLiterature and the war 606 $2Literary studies: from c 1900 - 607 $aGreat Britain$xIntellectual life$y20th century 615 0$aLiterature publishing$xHistory 615 0$aLittle magazines$xHistory 615 0$aModernism (Literature) 615 0$aPeriodicals$xPublishing$xHistory 615 0$aPress and politics$xHistory 615 0$aWorld War, 1914-1918$xLiterature and the war. 676 $a050.941 700 $aJackson$b Paul$f1978-$01125960 801 0$bUtOrBLW 801 1$bUtOrBLW 906 $aBOOK 912 $a9910785606603321 996 $aGreat War modernisms and The new age magazine$93785017 997 $aUNINA LEADER 05337nam 2200673Ia 450 001 9910786275303321 005 20230803025301.0 010 $a1-136-08581-5 010 $a0-240-82152-1 010 $a1-299-13707-5 010 $a1-136-08582-3 035 $a(CKB)2670000000331330 035 $a(EBL)1125227 035 $a(OCoLC)828298601 035 $a(SSID)ssj0000821824 035 $a(PQKBManifestationID)12363515 035 $a(PQKBTitleCode)TC0000821824 035 $a(PQKBWorkID)10879652 035 $a(PQKB)10371031 035 $a(OCoLC)827944780 035 $a(MiAaPQ)EBC1125227 035 $a(OCoLC)860542384 035 $a(OCoLC-P)860542384 035 $a(FlBoTFG)9780240821528 035 $a(UkLoBP)BP9781136085819BFC 035 $a(EXLCZ)992670000000331330 100 $a20231004e20132023 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDraping period costumes $eclassical Greek to Victorian /$fSharon Sobel 205 $a1st ed. 210 1$aNew York :$cTaylor & Francis Group,$d2013. 210 2$aNew York :$cBloomsbury Publishing (US),$d2023. 215 $a1 online resource (224 p.) 225 0 $aFocal Press costume topics series 300 $aIncludes index. 311 $a0-240-82133-5 327 $aFront Cover; Draping Period Costumes: Classical Greek to Victorian; Copyright Page; Contents; Acknowledgments; Introduction; Chapter 1. Getting Started; Setting Up; The Proper Dress Form; Measurements; *Adapting the Dress Form; Proper Care of Your Dress Form; Draping Basics; Tools and Equipment; Fabric; Straight of Grain; Listen to What the Fabric is Telling You; Start with a Fitted Sloper; Transferring Your Pattern to Paper; Chapter 2. Early, Unstructured Garments; Ancient Greek Costume; The Greek Doric Chiton (kee-ton); The Greek Himation (hih-mah-tee-on); The Greek Doric Peplos 327 $aThe Greek Ionic ChitonThe Greek Diplas (or Diplax); Roman Costume; The Roman Tunic; The Roman Toga; Byzantine Costume; The Byzantine Tunic; The Byzantine Paludamentum; Early Gothic Costume; Early Gothic Tunics; Early Gothic Overgarments; Chapter 3. Cut and Shaped to Fit: The Gothic Period; The Man's Padded Doublet; The Man's Fitted Cotehardie; The Man's Pleated Jerkin; The Standing Collar; The Woman's Fitted Gown (Cote or Kirtle); The Unisex Houppelande (A-Line Gown); Woman's High-Waisted Gown (Houppelande) with Fitted Bodice; Chapter 4. The Height of Artificial Silhouette 327 $aA Woman's Elizabethan BodiceA Man's Elizabethan Doublet with a Padded Peascod Belly; The Man's Elizabethan Jerkin; Chapter 5. The Men Return to Softness...; Draping an Early-Seventeenth-Century (Cavalier); Slashed Doublet with a Waist Seam; Draping an Early-Seventeenth-Century (Cavalier); Doublet without a Waist Seam; The Birth of the Coat and Vest; Draping a Late-Seventeenth-Century Coat; Chapter 6. . . . While the Women Remain Tightly Corseted; Draping the Basque Bodice; Draping the Mid-Seventeenth-Century Bodice; Skirts; Draping the Late-Seventeenth-Century (Restoration) Mantua 327 $aChapter 7. Introduction of Tailoring to the Man's CostumeDraping an Early-Eighteenth-Century Coat; Draping a Mid-Eighteenth-Century Coat; Draping an Eighteenth-Century Vest (Waistcoat); Chapter 8. Variety of Silhouette in Eighteenth-Century Women's Costumes; Draping the Robe a l'Anglaise; Draping the Robe a la Francaise or Watteau-Backed Gown; Draping the Sack (Sacque) Gown; Chapter 9. Neoclassical Elegance; Draping a Chemise Gown; Draping an Open Robe or Over Gown; Draping a Double-Breasted Spencer Jacket; Chapter 10. Revolutionary Menswear; Draping a Late-Eighteenth-Century Coat 327 $aDraping an Early-Nineteenth-Century CoatDraping an Early-Nineteenth-Century Waistcoat; Single-Breasted Waistcoat with Collar Cut-in-One with Body; Double-Breasted Waistcoat with Shawl Collar; Chapter 11. Romantic Womenswear; Draping an 1820s Gown; Draping an 1830s Bodice; Draping an 1840s Bodice; Draping a Mid-Nineteenth-Century Bodice; Chapter 12. The Victorian Gentleman; Draping the Mid-Nineteenth-Century Frock Coat; Draping the Mid-Nineteenth-Century Morning Coat; Draping the Mid-Nineteenth-Century Tail Coat; Draping the Sack Coat and the Norfolk Jacket; Chapter 13. The Victorian Lady 327 $aDraping an 1860s Jacket Bodice 330 $aOne way of creating a theatrical costume is called flat patterning. This is when a costume designer uses a pattern made to the wearer's measurements to cut out and sew together a costume. In many cases flat patterning is the more appropriate method for creating a period costume - skirts, pants, and sleeves, for example. However, working in two-dimensions often does not translate correctly onto a three-dimensional dress form or person. Often a designer will need to tweak style lines on a garment once they see it worn, or a costume will need a quick adjustment right before going on stage. In 606 $aCostume design 615 0$aCostume design. 676 $a646.30902 676 $a646/.30902 676 $a792.026 700 $aSobel$b Sharon$01541034 801 0$bUkLoBP 801 1$bUkLoBP 906 $aBOOK 912 $a9910786275303321 996 $aDraping period costumes$93792971 997 $aUNINA LEADER 01612nam0 22003131i 450 001 UON00011938 005 20231205101937.476 100 $a20020107g19091968 |0itac50 ba 101 $ager 102 $aDE 105 $a|||| 1|||| 200 1 $aˆDie ‰Sprache der Amarnabriefe mit besonderer berucksichtigung der Kanaanismen$fFranz M. Th. Bohl 210 $aLeipzig$cZentralantiquariat der DDR$d1968 215 $aIV, 96 p.$d21 c 300 $aReprint dell'edizione di Leipzig : Hinrich's, 1909 410 1$1001UON00066437$12001 $aLeipziger semitische Studien$fHerausgegeben von A. Fischer und H. Zimmern$v5,2 606 $aFILOLOGIA MESOPOTAMICA$xTESTI$xAMARNA$3UONC004315$2FI 620 $aDE$dLeipzig$3UONL003218 686 $aMES III B$cMesopotamia - Filologia - Elaborazioni di testi - Studi monografici.$2A 700 1$aBOHL$bFranz M. Th.$3UONV009124$0639801 712 $aZentralantiquariat der DDR$3UONV247385$4650 790 1$aDE_LIAGRE BOHL, Francis M. Th.$zBOHL, Franz M. Th.$3UONV017425 790 1$aBOHL, Franz M. Theodor : de Liagre$zBOHL, Franz M. Th.$3UONV027010 801 $aIT$bSOL$c20250613$gRICA 912 $aUON00011938 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI MES III B 046 $eSI SEM930 5 046 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI MES III B 046 BIS $eSI SA 29776 5 046 BIS 996 $aSprache der Amarnabriefe mit besonderer berucksichtigung der Kanaanismen$91179214 997 $aUNIOR