LEADER 01063nam0 22002651i 450 001 UON00004639 005 20231205101905.443 010 $a03-00-04633-2 100 $a20020107d1990 |0itac50 ba 101 $aeng 102 $aUS 105 $a|||| 1|||| 200 1 $aˆA ‰World elsewhere$eEurope's Encounters with Japan in the Sixteenth and Seventeenth Centuries$fDerek Massarella 210 $aNew Haven$cYale University Press$d1990 215 $ax iii, 442 p.$d24 cm 606 $aRELAZIONI INTERNAZIONALI$xGiappone/Europa$3UONC000187$2FI 606 $aGIAPPONE$xSTORIA$xSEC. XVII-XVIII$3UONC001320$2FI 686 $aGIA XII$cGIAPPONE - ECONOMIA$2A 700 1$aMASSARELLA$bDerek$3UONV003914$0637738 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00004639 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI GIA XII 164 N $eSI SA 71815 5 164 N 996 $aWorld elsewhere$91174966 997 $aUNIOR LEADER 01204nam0 22002771i 450 001 UON00006207 005 20231205101912.431 010 $a34-470-2749-5 100 $a20020107d1987 |0itac50 ba 101 $amul 102 $aDE 105 $a|||| 1|||| 200 1 $aˆDie ‰Formensprache der uigurischen Malerei$fvon Annemarie v. Gabain 210 $aWiesbaden$cOtto Harrassaowitz$d1987 215 $a87 p.$cill.$d24 cm. 410 1$1001UON00041006$12001 $aVeroffentlichungen der Societas Uralo-Altaica$1210 $aWiesbaden$cHarrassowitz.$v22 606 $aLINGUE CENTROASIATICHE$xLINGUE ESTINTE$3UONC001743$2FI 606 $aBUDDHISMO$xASIA CENTRALE$3UONC004549$2FI 686 $aAC II C$cASIA CENTRALE - LINGUISTICA - ANTICO TURCO E LINGUE TURCHE IN GENERALE$2A 700 1$aGABAIN$bAnnemarie : von$3UONV003706$0401840 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00006207 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI AC II C 070 N $eSI SA 72929 5 070 N 996 $aFormensprache der uigurischen Malerei$91175821 997 $aUNIOR LEADER 03891nam 22008054a 450 001 9910455260803321 005 20200520144314.0 010 $a9786612437311 010 $a9781282437319 010 $a1282437313 010 $a9781439900338 010 $a1439900337 035 $a(CKB)1000000000811366 035 $a(EBL)449818 035 $a(OCoLC)607553985 035 $a(SSID)ssj0000366057 035 $a(PQKBManifestationID)11923615 035 $a(PQKBTitleCode)TC0000366057 035 $a(PQKBWorkID)10414086 035 $a(PQKB)11664590 035 $a(MiAaPQ)EBC449818 035 $a(OCoLC)535893995 035 $a(MdBmJHUP)muse15521 035 $a(Au-PeEL)EBL449818 035 $a(CaPaEBR)ebr10351571 035 $a(CaONFJC)MIL243731 035 $a(Perlego)2040019 035 $a(EXLCZ)991000000000811366 100 $a20090407d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSounding off $erhythm, music, and identity in West African and Caribbean francophone novels /$fJulie Huntington 205 $a1st ed. 210 $aPhiladelphia $cTemple University Press$d2009 215 $a1 online resource (257 p.) 225 1 $aAfrican Soundscapes 300 $aDescription based upon print version of record. 311 08$a9781439900321 311 08$a1439900329 311 08$a9781439900314 311 08$a1439900310 320 $aIncludes bibliographical references (p. [223]-233) and index. 327 $aContents; Acknowledgments; Introduction; 1. Rhythm and Transcultural Poetics; Rhythm and Transculture; Method; 2. Rhythm and Reappropriation in God's Bits of Wood and The Suns of Independence; Language and the Language of Music; Rhythm and Reappropriation in the Novel; Instrumentaliture at Work; Rhythm and Transformation; Ordinary and Extraordinary Rhythms; 3. Rhythm, Music, and Identity in L'appel des are?nes and Ti Jean L'horizon; Rhythm, Music, Subjectivity, and the Novel; Rhythm and Identity in L'appel des are?nes; Rhythm and Identity in Ti Jean L'horizon; Rethinking Rootedness 327 $a4. Music and Mourning in Crossing the Mangrove and Solibo MagnificentMemory, Mourning, and Mosaic Identities; Rhythm, Music, and Identity as Process; The Sounds of Death and Mourning; Configuring Rhythmic and Musically Mediated Identities; Concluding Remarks; Works Cited; Index 330 $aIntrigued by ""texted"" sonorities-the rhythms, musics, ordinary noises, and sounds of language in narratives-Julie Huntington examines the soundscapes in contemporary Francophone novels such as Ousmane Sembene's God's Bits of Wood (Senegal), and Patrick Chamoiseau's Solibo Magnificent (Martinique). Through an ethnomusicological perspective, Huntington argues in Sounding Off that the range of sounds -footsteps, heartbeats, drumbeats-represented in West African and Caribbean works provides a rhythmic polyphony that creates spaces for configuring social and cultural identities.Hunti 410 0$aAfrican Soundscapes 606 $aAfrican fiction (French)$xHistory and criticism 606 $aCaribbean fiction (French)$xHistory and criticism 606 $aSound in literature 606 $aRhythm in literature 606 $aMusic in literature 606 $aGroup identity in literature 615 0$aAfrican fiction (French)$xHistory and criticism. 615 0$aCaribbean fiction (French)$xHistory and criticism. 615 0$aSound in literature. 615 0$aRhythm in literature. 615 0$aMusic in literature. 615 0$aGroup identity in literature. 676 $a840.9/35780966 700 $aHuntington$b Julie Anne$0975064 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910455260803321 996 $aSounding off$92220214 997 $aUNINA