LEADER 04359nam 2200949Ia 450 001 9911148973603321 005 20200520144314.0 010 $a9780823252176 010 $a0823252175 010 $a9780823252183 010 $a0823252183 010 $a9780823252855 010 $a082325285X 010 $a9780823251759 010 $a0823251756 024 7 $a10.1515/9780823252183 035 $a(CKB)3170000000060610 035 $a(EBL)3239816 035 $a(SSID)ssj0000871636 035 $a(PQKBManifestationID)11453983 035 $a(PQKBTitleCode)TC0000871636 035 $a(PQKBWorkID)10822921 035 $a(PQKB)11393958 035 $a(StDuBDS)EDZ0000155710 035 $a(MiAaPQ)EBC3239816 035 $a(OCoLC)847005647 035 $a(MdBmJHUP)muse22167 035 $a(DE-B1597)555219 035 $a(DE-B1597)9780823252183 035 $a(Au-PeEL)EBL3239816 035 $a(CaPaEBR)ebr10693767 035 $a(OCoLC)923764163 035 $a(MiAaPQ)EBC1114956 035 $a(MiAaPQ)EBC4704624 035 $a(Perlego)535787 035 $a(Au-PeEL)EBL1114956 035 $a(OCoLC)915134783 035 $a(Au-PeEL)EBL4704624 035 $a(CaONFJC)MIL818185 035 $a(EXLCZ)993170000000060610 100 $a20130204d2013 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$aHollow men $ewriting, objects, and public image in Renaissance Italy /$fSusan Gaylard 205 $a1st ed. 210 $aNew York $cFordham University Press$d2013 210 1$aNew York :$cFordham University Press,$d2013. 215 $a1 online resource (384 p.) 300 $aDescription based upon print version of record. 311 0 $a9780823251919 311 0 $a0823251918 311 0 $a9780823251742 311 0 $a0823251748 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction: Reinventing Nobility? Artifacts and the Monumental Pose from Petrarch to Platina --$t1. How to Perform Like a Statue: Ghirlandaio, Pontano, and Exemplarity --$t2. From Castrated Statues to Empty Colossi: Emasculation vs. Monumentality in Bembo, Castiglione, and the Sala Paolina --$t3. Banishing the Hollow Man: Print, Clothing, and Aretino?s Emblems of Truth --$t4. Heroes with Damp Brains? Image vs. Text in Printed Portrait-Books --$t5. Silenus Strategies: The Failure of Personal Emblems --$tAfterword --$tNotes --$tWorks Cited --$tIndex 330 $aThis book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation. Hollow Men shows that the Renaissance questioning of ?interiority? derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the decline of exemplary pedagogy and the emergence of modern masculine subjectivity were well underway in the mid?fifteenth century, and these changes were hastened by the rapid development of the printed image. 606 $aItalian literature$yTo 1400$xHistory and criticism 606 $aItalian literature$y15th century$xHistory and criticism 606 $aItalian language$yEarly modern, 1500-1700 606 $aArt, Renaissance$zItaly$xHistory 606 $aMasculinity in literature 606 $aMasculinity in art 606 $aRenaissance$zItaly 615 0$aItalian literature$xHistory and criticism. 615 0$aItalian literature$xHistory and criticism. 615 0$aItalian language 615 0$aArt, Renaissance$xHistory. 615 0$aMasculinity in literature. 615 0$aMasculinity in art. 615 0$aRenaissance 676 $a850/.9/002 686 $aLIT000000$aHIS020000$aSOC032000$2bisacsh 700 $aGaylard$b Susan 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911148973603321 997 $aUNINA