LEADER 01516oam 2200433M 450 001 9911077215703321 005 20200213065810.1 035 $a(CKB)46363769300041 035 $a(DGPO)001155833 035 $a(OCoLC)1063869592 035 $a(EXLCZ)9946363769300041 100 $a20081210d1951 ua 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMarie Louise Ardans. February 26, 1951. -- Committed to the Committee of the Whole House and ordered to be printed 210 1$aWashington, DC :$c[publisher not identified],$d1951. 215 $a1 online resource (3 pages) 225 1 $aHouse report / 82nd Congress, 1st session. House ;$vno. 157 225 1 $a[United States congressional serial set ] ;$v[serial set no. 11495] 300 $aBatch processed record: Metadata reviewed, not verified. Some fields updated by batch processes. 606 $aClaims 606 $aFrench 606 $aImmigrants 608 $aLegislative materials.$2lcgft 615 0$aClaims. 615 0$aFrench. 615 0$aImmigrants. 701 $aWalter$b Francis E$g(Francis Eugene),$f1894-1963$pDemocrat (PA)$01902860 801 0$bWYU 801 1$bWYU 801 2$bOCLCO 801 2$bOCLCQ 906 $aBOOK 912 $a9911077215703321 996 $aMarie Louise Ardans. February 26, 1951. -- Committed to the Committee of the Whole House and ordered to be printed$94624747 997 $aUNINA LEADER 03376nam 2200601 a 450 001 9911143967003321 005 20251117004507.0 010 $a1-281-92101-7 010 $a9786611921019 010 $a90-474-1995-2 024 7 $a10.1163/ej.9789004156432.i-349 035 $a(CKB)1000000000557121 035 $a(EBL)468148 035 $a(SSID)ssj0000149748 035 $a(PQKBManifestationID)11159693 035 $a(PQKBTitleCode)TC0000149748 035 $a(PQKBWorkID)10238866 035 $a(PQKB)10568293 035 $a(MiAaPQ)EBC468148 035 $a(OCoLC)607782035 035 $a(nllekb)BRILL9789047419952 035 $a(Au-PeEL)EBL468148 035 $a(CaPaEBR)ebr10270744 035 $a(PPN)170412172 035 $a(EXLCZ)991000000000557121 100 $a20070820d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe eternal present of the past $eillustration, theatre, and reading in the Wanli period, 1573-1619 /$fLi-ling Hsiao 205 $a1st ed. 210 $aLeiden $cBrill ;$aBiggleswade $cExtenza Turpin [distributor]$d2007 215 $a1 online resource (369 p.) 225 1 $aChina studies,$x1570-1344 ;$v12 300 $aDescription based upon print version of record. 311 08$a90-04-15643-7 320 $aIncludes bibliographical references (p. [313]-334) and index. 327 $tPreliminary Materials /$rL. Hsiao --$tIntroduction: Theater, Illustration, And Time /$rL. Hsiao --$tChapter One. Toward The Contextualization Of Woodblock Illustration: A Critique Of Art Historical Method /$rL. Hsiao --$tChapter Two. The Stage Or The Page: Competing Conceptions Of The Play In The Wanli Period /$rL. Hsiao --$tChapter Three. Performance Illustration /$rL. Hsiao --$tChapter Four. Performance As An Interaction With The Past /$rL. Hsiao --$tChapter Five. Image As An Interaction With The Past /$rL. Hsiao --$tChapter Six. Reading As An Interaction With The Past /$rL. Hsiao --$tConclusion: The Role Of The Publisher /$rL. Hsiao --$tAppendix /$rL. Hsiao --$tGlossary /$rL. Hsiao --$tBibliography /$rL. Hsiao --$tIndex /$rL. Hsiao. 330 $aThis study draws together various elements in late Ming culture ? illustration, theater, literature ? and examines their interrelation in the context of the publication of drama. It examines a late Ming conception of the stage as a mystical space in which the past was literally reborn within the present. This temporal conflation allowed the past to serve as a vigorous and immediate moral example and was considered a hugely important mechanism by which the continuity of the Confucian tradition could be upheld. By using theatrical conventions of stage arrangement, acting gesture, and frontal address, drama illustration recreated the mystical character of the stage within the pages of the book, and thus set the conflation of past and present on a broader footing. 410 0$aChina studies (Leiden, Netherlands) ;$vv. 12. 606 $aChinese drama$yMing dynasty, 1368-1644$xHistory and criticism 615 0$aChinese drama$xHistory and criticism. 676 $a895.124609 676 $a951.026 700 $aXiao$b Li-ling$f1964- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911143967003321 997 $aUNINA