LEADER 04391nam 2200793Ia 450 001 9911143040403321 005 20251116231947.0 010 $a9786611786045 010 $a1841502049 (hbk.) 010 $a9781281786043 010 $a1281786047 010 $a9781841502557 010 $a1841502553 035 $a(CKB)1000000000542390 035 $a(EBL)361895 035 $a(OCoLC)437224603 035 $a(SSID)ssj0000110821 035 $a(PQKBManifestationID)11143284 035 $a(PQKBTitleCode)TC0000110821 035 $a(PQKBWorkID)10064989 035 $a(PQKB)11275412 035 $a(MiAaPQ)EBC361895 035 $a(Au-PeEL)EBL361895 035 $a(CaPaEBR)ebr10251423 035 $a(CaONFJC)MIL178604 035 $a(EXLCZ)991000000000542390 100 $a20080421d2008 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBeyond auteurism $enew directions in authorial film practices in France, Italy and Spain since the 1980s /$fRosanna Maule 205 $a1st ed. 210 $aBristol, UK ;$aChicago, USA $cIntellect$dc2008 215 $a294 p. $cill., ports. ;$d24 cm 300 $aDescription based upon print version of record. 311 08$a9781841502045 311 08$a1841502049 320 $aIncludes bibliographical references and index. 320 $aIncludes bibliographical references and index. 327 $aFront Cover; Preliminary Pages; Contents; List of Illustrations; List of Tables; Acknowledgments; Introduction; Part One: The 'Death of Cinema' and the Institutionalization of the Author; Chapter 1: The Film Author and the Survival of European Cinema; Chapter 2: The Middle Generation: Maurice Pialat, Gianni Amelio, and Vi?ctor Erice; Chapter 3: The Difficult Legacy of the Nouvelle Vague: Olivier Assayas and French Film Authors at the End of Auteurism; Part Two: The Film Author in the New Audio-visual System 327 $aChapter 4: For an Impure Cinema: Gabriele Salvatores and the Hybrid Nature of Film Authorship in Contemporary Italian Cinema Chapter 5: A Different Type of Cinephilia: Alejandro Amena?bar and the New Generation of Spanish Film Authors; Chapter 6: Made in Europa: Luc Besson and the Question of Cultural Exception in Post-auteur France; Part Three: The Female Author in the Era of Post-feminism; Chapter 7: Auteurism and Women's Cinema in France, Italy and Spain; Chapter 8: Female Authors and Gendered Identity in Film: Claire Denis's Post-subjective Representation 327 $aChapter 9: Feminine Matters: Francesca Archibugi and the Reconfiguration of Women in the Private Sphere Conclusion; Bibliography; Index; Back Cover 330 $aBeyond Auteurism is a comprehensive study of nine film authors from France, Italy and Spain who since the 1980's have blurred the boundaries between art-house and mainstream, and national and transnational film production. Maule examines how the individuals have maintained a dialectical relationship with the authorial tradition of the national cinema to which each belongs. In considering this tradition, Maule seeks to illustrate that the film author is not only the most important symbol of European cinema's cultural tradition and commitment, but is also a crucial part of Europe's efforts to... 517 3 $aNew directions in authorial film practices in France, Italy and Spain since the 1980s 606 $aMotion pictures$zEurope 606 $aAuteur theory (Motion pictures) 606 $aMotion pictures$xProduction and direction$zFrance 606 $aMotion pictures$xProduction and direction$zItaly 606 $aMotion pictures$xProduction and direction$zSpain 606 $aMotion picture producers and directors$zEurope 606 $aCinematography$zEurope 615 0$aMotion pictures 615 $aAuteur theory (Motion pictures) 615 $aMotion pictures$xProduction and direction 615 $aMotion pictures$xProduction and direction 615 $aMotion pictures$xProduction and direction 615 $aMotion picture producers and directors 615 0$aCinematography 676 $a791.430233 700 $aMaule$b Rosanna$01042197 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911143040403321 996 $aBeyond auteurism$94845873 997 $aUNINA