LEADER 04346oam 2200673 c 450 001 9911114726703321 005 20260802090127.0 010 $a3-8309-9289-0 024 3 $a9783830992899 035 $a(CKB)5180000000021984 035 $a(Waxmann)9783830992899 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/72393 035 $a(oapen)doab72393 035 $a(EXLCZ)995180000000021984 100 $a20260802d2021 uy 0 101 0 $aeng 135 $aurnnunnnannuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMusic and Resistance $eCultural Defense During the German Occupation of Norway 1940-45 /$fMichael Custodis 205 $a1st, New ed. 210 $aMünster$cWaxmann$d2021 215 $a1 online resource (430 p.)$cmit zahlreichen, teils farbigen Abbildungen 225 0 $aMünsteraner Schriften zur zeitgenössischen Musik$v6 311 08$a3-8309-4289-3 327 $aAbbreviations Foreword I. Music as Resistance Nordic Exceptionalism Institutionalizing Cultural Defense Sivorg and Music The Historiography of Music and Nazism in Norway Music as Resistance - A Preliminary Model Nordic Music Politics The Secret List of Confi dants II. Persecution of Musicians and Music in Concentration Camps Locations and Numbers Causes for Detention Violinist Jac Maliniak - From Warsaw and Trondheim to Auschwitz Mundane Music to Remember and Forget Enforced Submission and Voluntary Action Camp Odysseys - Frank Storm Johansen and Gunnar Kjeldaas Acts of Musical Resistance Claims for Compensation III. Artistic Liberty and Periphery Military Music Music in Churches Composing Resistance in Bergen and Harald Sæverud's Symphony No. 5 (1941) Activities in Stavanger, Trondheim, and Tromsø IV. Remote Resistance in Stockholm Numbers and Procedures Expatriates from Norway A Nordic Casablanca Norwegian Counterpropaganda Sentiments V. Different Modes of Consolidation Media and Occupation. Fighting Men of Norway (1942), Edge of Darkness (1943), and Song of Norway (1944) A Voice of Pride and Compassion - Moses Pergament's Den judiska sången (1944/45) Musical Resistance and Perseverance Archival Sources References Index of Names 330 $aThe role of music during the German occupation of Norway (1940-45) proves to be an exceptional case for cultural opposition in a dictatorship. Few famous musicians, some local celebrities and innumerous hardly known activists preferred artistic instead of militant means to demonstrate reluctance, spread information, contradict the legitimacy of the German occupants and raise the moral strength of fellow countrymen in Norway and abroad, while risking to be caught, incarcerated and driven into exile. The indispensable advantage was the popular belief of art as an apolitical matter so that music even could reach into fields that would have been inaccessible to open political agitation. Based on considerable findings in public archives and private collections, this book discusses music in concentration camps in Norway and the fate of Jewish musicians, portrays choirs, military ensembles, orchestral and church music in Norway. It further analyzes Harald Sæverud?s 5th symphony and Moses Pergament?s choir symphony Den judiska sången, illustrates the exile of musicians in Stockholm and discusses resistance music in historic media such as the Errol Flynn-movie Edge of Darkness (1943), recapitulated by a model for music as resistance. 606 $aMusic 606 $aResistance 606 $aOccupation 606 $aNorway 606 $aConcentration Camp 606 $aNazism 606 $aPolitics 606 $aExile 606 $aPropaganda 606 $aChurch Music 606 $aChoir 606 $aNationalsozialismus 615 4$aMusic 615 4$aResistance 615 4$aOccupation 615 4$aNorway 615 4$aConcentration Camp 615 4$aNazism 615 4$aPolitics 615 4$aExile 615 4$aPropaganda 615 4$aChurch Music 615 4$aChoir 615 4$aNationalsozialismus 700 $aCustodis$b Michael$4aut$02009472 801 0$bWaxmann 801 1$bWaxmann 906 $aBOOK 912 $a9911114726703321 996 $aMusic and Resistance$94797019 997 $aUNINA