LEADER 04642nam 2200517 a 450 001 9911102798703321 005 20240314031241.0 010 $a1-68393-914-X 010 $a1-61147-001-3 035 $a(CKB)2550000001111633 035 $a(EBL)1342596 035 $a(OCoLC)855969922 035 $a(Au-PeEL)EBL1342596 035 $a(CaPaEBR)ebr10750906 035 $a(CaONFJC)MIL511525 035 $a(MiAaPQ)EBC1342596 035 $a(EXLCZ)992550000001111633 100 $a20130910d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$a"What may words say ...?" $ea reading of The merchant of Venice /$fInge Leimberg 205 $a1st ed. 210 $aMadison, N.J. $cFairleigh Dickinson University Press ;$aLanham, Md. $cCo-published with Rowman & Littlefield Pub. Group$dc2011 215 $a1 online resource (294 p.) 300 $aDescription based upon print version of record. 311 08$a1-61147-000-5 311 08$a1-299-80274-5 320 $aIncludes bibliographical references and index. 327 $a""WHAT MAY WORDS SAY...?""; Contents; Preface; Beginning to read; 1. ""What do you call the play?""; 2. ""Good sentences . . .""; Act 1: The Merchant and the Maxims; Scene 1. ""otherwise friendship would bee a meere merchandise . . .""; 1-7 Know thyself; 8-68 ""I know Antonio / Is sad . . .""; 69-112 ""A stage, where every man must play a part . . .""; 113-160 ""Then do but say to me what I should do . . .""; 161-185 ""To have it of my trust . . .""; Scene 2. ""choose you this day whom you will serve""; 1-9 Nothing too much; 10-97 A conversational chain of themes; ""to be seated in the mean"" 327 $a""what were good to do""""O me the word 'choose'!""; 32-98 Interlude: ""these princely suitors""; 99-128 ""the will of a living daughter curb'd by the will of a dead father""; ""How to choose right . . .""; ""my father's will""; Scene 3. ""Be not thou one . . . of those who are sureties for debts""; ""Enter Bassanio with Shylock the Jew"" Harme is at hande; 1 ""three thousand ducats""; a. The number three; b. The number 3000; c. Ducat, the coin and the word; 1-9 ""Antonio shall become bound, well""; 11-34 ""he is sufficient""; 35-47 ""possessed with murd'rous hate"" 327 $a47-65 ""I do never use it""66-97 ""I make it breed as fast""; 59 ""the breach of custom is breach of all""; 98-138 The Golden Rule; 138-175 ""How feel you yourself my friend? . . .""; 176-177 ""And forgive us our debts . . .""; Act 2: Departure; Scene 1. ""what braggardism is this?""; Scene 2. ""Give him a livery""; 1-30 ""An enemy may chance to give good counsel""; 31-35 ""this is my true-begotten father""; 36-95 ""it is a wise father that knows his own child""; 95-148 ""I have brought him a present""; 149-160 ""Such beginning, such end""; 161-197 Epilogue: ""Something too liberal"" 327 $aScene 3. ""Farewell good Launcelot""Scene 3. (continued). ""We paint the devil foul . . .""; Scene 4. ""Will you prepare you for this masque to-night?""; Scene 5. ""Lock up my doors . . .""; Scene 6. ""No masque tonight . . .""; 1-21 ""Haste makes waste""; 22-25 ""Here dwells my father Jew""; 26-32 ""Who are you?""; 33-50 ""catch this casket""; 51-59 ""wise, fair, and true""; 60-68 ""the wind is come about""; Scene 7. ""I stand for sacrifice""; Scene 8. ""by some nuntius to recount the things""; Scene 9. ""Hanging and wiving goes by destiny"" 327 $a1-84 ""I will use them according to their desert""85-101 ""he bringeth sensible regreets""; Act 3: The Choice; Scene 1. ""if you wrong us shall we not revenge?""; 1-66 ""The villainy you teach me I will execute""; 67-120 ""thou torturest me Tubal""; Scene 2. ""If you do love me, you will find me out""; 1-24 ""I pray you tarry""; 24-38 ""Promise me life . . .""; 39-41 ""Suit the action to the word""; 42-53 ""Let music sound . . .""; 53-62 ""while he doth make his choice""; 63-72 ""Tell me where is fancy bred?""; 73 ""So may the outward shows be least themselves"" 330 $a'What may words say_?' contains a comprehensive and in many respects unconventional interpretation of The Merchant of Venice. The play's development of ideas is unfolded in a literary analysis that focuses on the poet's words in their philological, historical, and philosophical contexts. 676 $a822.3/3 700 $aLeimberg$b Inge$01926996 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911102798703321 996 $a"What may words say ...?"$94675024 997 $aUNINA LEADER 05287nam 2201285 a 450 001 9911105164803321 005 20251117120016.0 010 $a9786612357015 010 $a9781282357013 010 $a1282357018 010 $a9780520929555 010 $a0520929551 010 $a9781597349383 010 $a1597349380 024 7 $a10.1525/9780520929555 035 $a(CKB)1000000000003694 035 $a(EBL)227333 035 $a(OCoLC)475933857 035 $a(SSID)ssj0000280304 035 $a(PQKBManifestationID)11228145 035 $a(PQKBTitleCode)TC0000280304 035 $a(PQKBWorkID)10290354 035 $a(PQKB)11049877 035 $a(StDuBDS)EDZ0000055888 035 $a(MiAaPQ)EBC227333 035 $a(OCoLC)70772012 035 $a(MdBmJHUP)muse30398 035 $a(DE-B1597)518943 035 $a(DE-B1597)9780520929555 035 $a(Au-PeEL)EBL227333 035 $a(CaPaEBR)ebr10058537 035 $a(CaONFJC)MIL235701 035 $a(Perlego)552213 035 $a(EXLCZ)991000000000003694 100 $a20021202d2003 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe history of make-believe $eTacitus on imperial Rome /$fHolly Haynes 205 $a1st ed. 210 $aBerkeley $cUniversity of California Press$dc2003 215 $a1 online resource (xi, 231 pages) 225 1 $aThe Joan Palevsky imprint in classical literature 311 0 $a9780520236509 311 0 $a0520236505 320 $aIncludes bibliographical references (p. 207-215) and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction: Belief and Make-Believe --$t1. An Anatomy of Make-Believe --$t2. Nero --$t3. Power and Simulacra --$t4. Vespasian --$t5. A Civil Disturbance --$tConclusion --$tNotes --$tReferences --$tIndex 330 $aA theoretically sophisticated and illuminating reading of Tacitus, especially the Histories, this work points to a new understanding of the logic of Roman rule during the early Empire.Tacitus, in Holly Haynes' analysis, does not write about the reality of imperial politics and culture but about the imaginary picture that imperial society makes of these concrete conditions of existence-the "making up and believing" that figure in both the subjective shaping of reality and the objective interpretation of it. Haynes traces Tacitus's development of this fingere/credere dynamic both backward and forward from the crucial year A.D. 69. Using recent theories of ideology, especially within the Marxist and psychoanalytic traditions, she exposes the psychic logic lurking behind the actions and inaction of the protagonists of the Histories. Her work demonstrates how Tacitus offers penetrating insights into the conditions of historical knowledge and into the psychic logic of power and its vicissitudes, from Augustus through the Flavians. By clarifying an explicit acknowledgment of the difficult relationship between res and verba, in the Histories, Haynes shows how Tacitus calls into question the possibility of objective knowing-how he may in fact be the first to allow readers to separate the objectively knowable from the objectively unknowable. Thus, Tacitus appears here as going further toward identifying the object of historical inquiry-and hence toward an "objective" rendering of history-than most historians before or since. 410 0$aJoan Palevsky imprint in classical literature. 606 $aHISTORY / Ancient / General$2bisacsh 607 $aRome$xHistory$yFlavians, 69-96$xHistoriography 607 $aRome$xHistory$yCivil War, 68-69$xHistoriography 610 $aagricola. 610 $aagrippa. 610 $aancient rome. 610 $aaugustus. 610 $abatavians. 610 $acivil war. 610 $acoup. 610 $acultural difference. 610 $aearly empire. 610 $aempire. 610 $aethnicity. 610 $aflavians. 610 $agalba. 610 $ahistorical knowledge. 610 $ahistory. 610 $aimperial politics. 610 $aimperialism. 610 $ajews. 610 $amilitary. 610 $amonarchy. 610 $anational identity. 610 $anature of history. 610 $anature of power. 610 $anero. 610 $anerva. 610 $anonfiction. 610 $aobjective knowledge. 610 $aoratory. 610 $aothering. 610 $aotho. 610 $apolitcal rivals. 610 $apower. 610 $apretender. 610 $arace. 610 $areligious difference. 610 $aroman empire. 610 $aroman history. 610 $aroman rule. 610 $aroyalty. 610 $aspeeches. 610 $atacitus. 610 $atrachalus. 610 $atrajan. 610 $aunknowable. 610 $avespasian. 610 $avitellius. 615 7$aHISTORY / Ancient / General. 676 $a937/.07/092 700 $aHaynes$b Holly$01969929 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911105164803321 996 $aThe history of make-believe$94735658 997 $aUNINA