LEADER 02546nam 2200601Ia 450 001 9911095653303321 005 20251117093032.0 010 $a9781283906081 010 $a1283906082 010 $a9780857010995 010 $a0857010999 035 $a(CKB)2670000000317008 035 $a(EBL)1109902 035 $a(OCoLC)824117930 035 $a(SSID)ssj0000803695 035 $a(PQKBManifestationID)12343502 035 $a(PQKBTitleCode)TC0000803695 035 $a(PQKBWorkID)10811484 035 $a(PQKB)11163663 035 $a(MiAaPQ)EBC1109902 035 $a(Perlego)952263 035 $a(EXLCZ)992670000000317008 100 $a20120719d2013 uy 0 101 0 $aeng 135 $aurgn#---muuuu 181 $ctxt 182 $cc 183 $acr 200 10$aPrinciples of the enneagram /$fKaren A. Webb 205 $a2nd ed. 210 $aLondon ;$aPhiladelphia $cSinging Dragon$d2013 215 $a1 online resource (210 p.) 225 1 $aPrinciples of... 300 $a"Foreward by Helen Palmer". 311 1 $a9781848191235 311 1 $a1848191235 320 $aIncludes bibliographical references. 327 $aPrinciples of The Enneagram; Foreword by Helen Palmer; Acknowledgements; Preface to the Second Edition; Introduction: Why the Enneagram?; 1 How the Enneagram Works; 2 Type One: The Perfectionist; 3 Type Two: The Giver; 4 Type Three: The Performer; 5 Type Four: The Romantic; 6 Type Five: The Observer; 7 Type Six: The Questioner; 8 Type Seven: The Optimist; 9 Type Eight: The Protector; 10 Type Nine: The Mediator; 11 Seeing Below the Surface: TypesThat Look Alike; 12 Communication: Using theEnneagram to Create Understanding; What Do I Do Now?; Further Reading and Useful Contacts; Blank Page 330 $aThe new and updated edition of this classic book presents an authoritative introduction to the Enneagram; a curiously accurate system of knowledge about human personality based on an ancient diagram of a nine-pointed star. It covers all the key aspects of the system, from historical roots to how it can be applied. 410 0$aPrinciples of... 606 $aEnneagram 606 $aTypology (Psychology)$xReligious aspects 615 0$aEnneagram. 615 0$aTypology (Psychology)$xReligious aspects. 676 $a155.2/6 700 $aWebb$b Karen$f1951-$01927548 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911095653303321 996 $aPrinciples of the enneagram$94675751 997 $aUNINA LEADER 04204nam 2200685Ia 450 001 9911145534803321 005 20250805104822.0 010 $a94-012-0656-2 010 $a1-4356-9520-8 024 7 $a10.1163/9789401206563 035 $a(CKB)1000000000720888 035 $a(EBL)556532 035 $a(OCoLC)714567278 035 $a(SSID)ssj0000428149 035 $a(PQKBManifestationID)12202083 035 $a(PQKBTitleCode)TC0000428149 035 $a(PQKBWorkID)10414540 035 $a(PQKB)11609934 035 $a(MiAaPQ)EBC556532 035 $a(OCoLC)310109910$z(OCoLC)649903110$z(OCoLC)714567278$z(OCoLC)764535779 035 $a(nllekb)BRILL9789401206563 035 $a(Au-PeEL)EBL556532 035 $a(CaPaEBR)ebr10380116 035 $a(EXLCZ)991000000000720888 100 $a20090317d2008 uy 0 101 0 $aeng 135 $aurun####uuuua 181 $ctxt 182 $cc 183 $acr 200 10$aSightings $emirrors in texts -- texts in mirrors /$fJoyce O. Lowrie 205 $a1st ed. 210 $aAmsterdam ;$aNew York $cRodopi$dc2008 215 $a1 online resource (241 p.) 225 1 $aAt the interface/probing the boundaries ;$v54 300 $aDescription based upon print version of record. 311 08$a90-420-2495-X 320 $aIncludes bibliographical references. 327 $aPreliminary Material -- Veluti in Speculum (As in a Looking Glass) -- The Mirror in the Middle: Mme de Thémines?s Letter in Lafayette?s La Princesse de Clèves -- The Prévan Cycle as Pre-Text in Laclos?s Les Liaisons dangereuses -- The Frame and the Framed: Mirroring Texts in Balzac?s Facino Cane -- Barbey d?Aurevilly?s Une Page d?histoire: Incest as Mirror Image -- Reversals and Disappearance: Georges Rodenbach?s L?Ami des miroirs and Bruges-la-morte -- Man Mirrors Toad, or Vice-Versa: Decadent Narcissism in Jean Lorrain?s Oeuvre -- The Wheel of Fortune as Mirror: André Pieyre de Mandiargues?s La Motocyclette -- Kaleidoscopic Reflections in Guise of a Conclusion: Close, Maupassant, Douglas, and Borges. 330 $aMirrors are mesmerizing. The rhetorical figure that represents a mirror is called a chiasmus , a pattern derived from the Greek letter X (Chi). This pattern applies to sentences such as ?one does not live to eat ; one eats to live .? It is found in myths, plays, poems, biblical songs, short stories, novels, epics. Numerous studies have dealt with repetition, difference, and Narcissism in the fields of literature, music, and art. But mirror structures, per se , have not received systematic notice. This book analyses mirror imagery, scenes, and characters in French prose texts, in chronological order, from the 17th to the 20th centuries. It does so in light of literal, metaphoric, and rhetorical structures. Works analysed in the traditional French canon, written by such writers as Laclos, Lafayette, and Balzac, are extended by studies of texts composed by Barbey d?Aurevilly, Georges Rodenbach, Jean Lorrain, and Pieyre de Mandiargues. This work appeals to readers interested in linguistics, French history, psychology, art, and material culture. It invites analyses of historical and ideological contexts, rhetorical strategies, symmetry and asymmetry. Ovid?s Narcissus and Alice in Wonderland are paradigms for the study of micro and macro-structures. Analyses of mirrors as cultural artefacts are significant to Lowrie?s sight seeing . 410 0$aAt the interface/probing the boundaries ;$vv. 54. 410 0$aAt the interface/probing the boundaries.$pVisual literacies. 606 $aChiasmus 606 $aFrench literature$xHistory and criticism 606 $aFrench language$xRhetoric 606 $aFrench language$xStyle 606 $aSymmetry in literature 615 0$aChiasmus. 615 0$aFrench literature$xHistory and criticism. 615 0$aFrench language$xRhetoric. 615 0$aFrench language$xStyle. 615 0$aSymmetry in literature. 676 $a840.9 700 $aLowrie$b Joyce O 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911145534803321 997 $aUNINA