LEADER 04799nam 2200589 a 450 001 9911093881903321 005 20260415133939.0 010 $a1-283-11755-X 010 $a9786613117557 010 $a94-007-0705-3 024 7 $a10.1007/978-94-007-0705-4 035 $a(CKB)2670000000072284 035 $a(EBL)691252 035 $a(SSID)ssj0000476117 035 $a(PQKBManifestationID)11295518 035 $a(PQKBTitleCode)TC0000476117 035 $a(PQKBWorkID)10485992 035 $a(PQKB)11004052 035 $a(DE-He213)978-94-007-0705-4 035 $a(MiAaPQ)EBC691252 035 $a(PPN)151584478 035 $a(EXLCZ)992670000000072284 100 $a20110208d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHemiptera-heteroptera $eillustrated keys to known families, genera, and species in South America /$fby Charles W. Heckman 205 $a1st ed. 2011. 210 $aNew York $cSpringer$d2011 215 $a1 online resource (690 p.) 225 0 $aEncyclopedia of South American aquatic insects 300 $aDescription based upon print version of record. 311 08$a94-017-8072-2 311 08$a94-007-0704-5 320 $aIncludes bibliographical references and index. 327 $asection 6. Hemiptera. 330 $aHemiptera - Heteroptera encompasses the three well-defined suborders of the true bugs which are adapted to an aquatic or littoral habitat.  The book begins with a section on the biology these insects and provides illustrations of the basic features of their morphology and outlines the larval development.  Brief outlines of the ecological and zoogeographical peculiarities of the three aquatic suborders are presented individually, and various methods for observing, collecting, preserving, rearing, and examining specimens are discussed. Most of the book is devoted to keys for the identification of adults to species, and notes are provided that will help recognize the known larvae.  Unlike most other aquatic insects, the larval instars of the heteropteran species closely resemble the adults in their morphology, preferred habitats, and feeding habits.  Therefore, distinguishing features of those relatively few larvae which have been described in detail are usually mentioned in the keys to the adults rather than being included in separate keys.  In addition to the most important features for determining the individual species, many keys include additional notes on the morphology, which is intended to give the user a better chance of recognizing specimens of species not yet known to science.  After the currently recognized name of each species, the known range is provided.  Regions of the world outside of South America, South American countries, and the states of Brazil from which the species has been reported are listed.  Following the range information, major synonyms previously used for the species  in the literature are provided.  If subspecies have been described and are still recognized as such, they are also discussed.  Finally, if the status of the species is regarded as uncertain because of a poor description, strong resemblance to another species, or any other reason, a note is added that a detailed study will be necessary to clarify the status of the taxon.  Taxonomic revisions in the book itself are strictly avoided. To provide the user of the keys with maximum assistance in making reliable identifications, the book is richly illustrated with pen and ink drawings of thousands of individual morphological structures arranged in 820 figures.  The book is intended to make a significant impact toward popularizing the study of South American water bugs by assembling and condensing the information in hundreds of individual publications on the group, which appeared in many books and journals published in many different countries over the past 200 years.  Some of these works are very difficult to obtain in South America, and their lack creates serious impediments to systematic, ecological, and zoogeographical research.  In the more than 730 titles appearing in the bibliography, the original descriptions and revisions of almost all South American species can be found. 410 0$aEncyclopedia of South American Aquatic Insects, Illustrated Keys to Known Families, Genera, and Species in South America,$x2509-324X 606 $aHemiptera$zSouth America$vEncyclopedias 615 0$aHemiptera 676 $a595.7098 676 $a595.754098 700 $aHeckman$b Charles W.$f1941-$0973690 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911093881903321 996 $aHemiptera-heteroptera$94743696 997 $aUNINA LEADER 05109nam 22004213 450 001 9911152472403321 005 20230220084622.0 010 $a1-78737-919-1 035 $a(CKB)5120000000149301 035 $a(MiAaPQ)EBC7198658 035 $a(Au-PeEL)EBL7198658 035 $a(OCoLC)1370497382 035 $a(BIP)065427919 035 $a(EXLCZ)995120000000149301 100 $a20230220d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWit At Several Weapons $e?'Twas well receiv'd before, and we dare say, You now are welcome to no vulgar Play? 205 $a1st ed. 210 1$aLondon :$cCopyright Group,$d2018. 210 4$dİ2018. 215 $a1 online resource (118 pages) 330 8 $aThe play was originally attributed to John Fletcher & Francis Beaumont and printed in their early folios. However, though there is some minor work by Fletcher the play in modern times it has been now attributed to Middleton & Rowley. A version of the play re-written by Colly Cibber and titled 'Rival Fools' was produced but with no success. Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. Middlwton for his part was exonerated but it is the last play recorded as having been written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle. William Rowley is thought to have been born around 1585 but an exact date is not known. As an actor his early forte was playing 'clown characters' thus helping to carry the low comedy of the play. He began his career working for Queen Anne's Men at the Red Bull Theatre. In 1609. Along with several other actors he founded the Duke of York's Men, which, in 1612, became known as Prince Charles's Men. From here on Rowley's career was spent almost exclusively writing and clowning for this company. It was located, in its time, at several playhouses, including the Curtain, the Hope, and the Red Bull. Although when writing one of his main contributions was to provide the comic sub-plot on several other plays, including The Changeling, A Fair Quarrel, and The Maid in the Mill, he wrote substantial portions of the main narrative as well. Only two surviving plays are generally accepted as solo works by Rowley: A Shoemaker, a Gentleman (circa 1607-9) and All's Lost by Lust (1619). Evidence exists that three other works were authored solely by Rowley: Hymen's Holidays or Cupid's Vagaries (1612), A Knave in Print (1613), and The Fool Without Book (also 1613) but unfortunately none have survived to be further examined. The exact time and nature of his death is unknown but records show that William Rowley was buried on 11th February 1626 in the graveyard of St James's, Clerkenwell in 606 $aEnglish drama 615 0$aEnglish drama. 676 $a822.3 700 $aMiddleton$b Thomas$0132366 701 $aRowley$b William$0165559 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911152472403321 996 $aWit At Several Weapons$94833958 997 $aUNINA