LEADER 02548nam 2200637Ia 450 001 9911102954703321 005 20251117074011.0 010 $a1-282-19180-2 010 $a9786612191800 010 $a1-4438-0815-6 035 $a(CKB)2430000000015517 035 $a(EBL)1133118 035 $a(OCoLC)830168110 035 $a(SSID)ssj0000309926 035 $a(PQKBManifestationID)11234443 035 $a(PQKBTitleCode)TC0000309926 035 $a(PQKBWorkID)10282743 035 $a(PQKB)10018771 035 $a(MiAaPQ)EBC1133118 035 $a(Au-PeEL)EBL1133118 035 $a(CaPaEBR)ebr10677165 035 $a(CaONFJC)MIL219180 035 $a(OCoLC)1121493689 035 $a(FlNmELB)ELB113446 035 $a(EXLCZ)992430000000015517 100 $a20080529d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSoul loss and the Shamanic story /$fby Michael Berman 205 $a1st ed. 210 $aNewcastle, U.K. $cCambridge Scholars Pub.$d2008 210 1$aNewcastle, U.K. :$cCambridge Scholars Pub.,$d2008. 215 $a1 online resource (314 p.) 300 $aDescription based upon print version of record. 311 08$a1-84718-457-X 320 $aIncludes bibliographical references (p. [276]-298) and index. 327 $aTABLE OF CONTENTS; ACKNOWLEDGEMENTS; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; APPENDIX A; APPENDIX B; APPENDIX C; BIBLIOGRAPHY; INDEX 330 $aStories from various cultures and periods of time can be identified which deal with a concept of soul loss that is essentially shamanic. In shamanism, soul loss is the term used to describe the way parts of the psyche become detached when we are faced with traumatic situations. In shamanic terms, these split-off parts can be found in non-ordinary reality and are only accessible to those familiar with its topography. Case studies are presented to show how the way soul loss is dealt with by ind... 606 $aShamanism 606 $aSoul 608 $aLibros electro?nicos. 615 0$aShamanism. 615 0$aSoul. 676 $a201.44 676 $a201/.44 700 $aBerman$b Michael$f1951-$0192522 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911102954703321 996 $aSoul loss and the Shamanic story$94706541 997 $aUNINA LEADER 06891oam 2201501 c 450 001 9911091257003321 005 20260802090127.0 010 $a3-8467-6375-6 024 7 $a10.30965/9783846763759 035 $a(CKB)4930000000056415 035 $a(GyWOH)har180278547 035 $a(nllekb)BRILL9783846763759 035 $a(MiAaPQ)EBC6516748 035 $a(Au-PeEL)EBL6516748 035 $a(OCoLC)1122191501 035 $a(Brill | Fink)9783846763759 035 $a(EXLCZ)994930000000056415 100 $a20260802d2019 uy 0 101 0 $ager 135 $aurun| uuuua 181 $ctxt$2rdacontent 182 $cn$2rdamedia 183 $2rdacarrier 200 00$aVon der Idee zum Medium$eResonanzfelder zwischen Aufklärung und Gegenwart$fRoland Meyer, Felix Lenz, Wiebke Helm, Corina Erk, Christine Schramm, Anna Rick, Astrid Zenkert, Jonas Maatsch, Nikolaus Lehner, Nora Bertram, Sandra Hertel, Sandra Kristin Kocke, Lena Moser, Amrei Buchholz, Mirjam Schmitt, Beate Hochholdinger-Reiterer, Isabelle Stauffer, Laurie Johnson, Felix Lenz, Christine Schramm, Jörn Glasenapp, Andrea Bartl, Claudia Lillge 205 $a1st ed. 210 $aPaderborn$cBrill | Fink$d2019 215 $a1 online resource 225 0 $aInter/Media$v7 311 08$a3-7705-6375-1 320 $aIncludes bibliographical references. 327 $tEinleitung -- $tVon der Idee zum Medium /$rFelix Lenz and Christine Schramm -- $tEin kugelförmiges BuchÜberblick über die Texte /$rFelix Lenz and Christine Schramm -- $tNach bildhaften Kulturen und vor der Bildexplosion der Medien /$rFelix Lenz -- $tVirtual Reality ? Hypertext ? Algorithmische Empfehlung -- $tDer Raum ist die Geschichte /$rAstrid Zenkert -- $tHypertext um 1800 /$rJonas Maatsch -- $tBerechenbare Harmonie /$rNikolaus Lehner -- $tInstitutionen ? Dialoge ? Medien -- $tVon den Wetzlarischen Nebenstunden zur modernen juristischen Datenbank /$rNora Bertram -- $tVernunft und Gefühl /$rSandra Hertel -- $tTalking Heads /$rSandra Kristin Knocke -- $tVom Experimentierbuch zur Wissens-App /$rWiebke Helm -- $tErforschen ? Vermessen ? Visualisieren -- $tDie letzten weißen Flecken? /$rLena Moser -- $tDie Welt in Blicken erkunden /$rAmrei Buchholz -- $tPräfotografische und Präfilmische Bedürfnislagen -- $tPräfotografische (Ver-)Zeichnungen der Camera obscura /$rMirjam Schmitt -- $tGoethes Farbenlehre als Keim von Bilddiskursen und Medien im 20. Jahrhundert /$rFelix Lenz -- $tNetzwerke und Bilderströme Lavater als Medienunternehmer /$rRoland Meyer -- $tDas Subjekt im Zentrum der Aktion: Bewegungen vom Theater Zum Film -- $tSchauspielkünstler als ?Dollmetscher? der Seele und Menschendarsteller /$rBeate Hochholdinger-Reiterer -- $tLessing in Hollywood /$rChristine Schramm -- $tEmpfindsamkeit, Konsum und Kino /$rIsabelle Stauffer -- $tDas Subjekt im Zentrum der Reflexion: Briefe, Notizen, Essays -- $tPhänomenologie der Briefkultur gestern und heute /$rCorina Erk -- $tSudeln und Bloggen /$rAnna Rick -- $tRomantic Apperception in Werner Herzog?s Documentary Cinema /$rLaurie Johnson -- $tAutorinnen und Autoren -- $tAbbildungsverzeichnis. 330 $aNicht allein Geräte begründen die mediale Moderne. Vielmehr setzen Ideen und Konzepte der Aufklärung die Medialisierung überhaupt erst in Gang. Die Kulturwelt der Aufklärung und Medien der Gegenwart werden von hier aus völlig neu einschätzbar. Achtzehn Pioniere dieser Perspektive beleuchten die Mediensehnsüchte der Aufklärung: frühe Formen von Hypertext und algorithmischer Empfehlung, Camera obscura, Farbenlehre und Physiognomik, Medien der Aufzeichnung, Messung und Präsentation, Reise- und Forschungskulturen, virtuelle Gartenwelten sowie Umwälzungen in Theater und öffentlichem Austausch. Gegensätzliche Ziele wie äußere Objektivität und subjektive Entfaltung sowie Funktionen der Abbildung, Messung, Speicherung und Verbreitung erweisen sich hierbei als medienbildende Energien, die sich aus der Aufklärung ableiten und in die Gegenwart führen. 410 0$aInter/Media$v7. 606 $aLängengradproblem 606 $aRomantik 606 $aHypertext 606 $aGoogle Earth 606 $aGarten 606 $aFotografie 606 $aFilm 606 $aFarbenlehre 606 $aEye 606 $aExperiment 606 $aExpedition 606 $aEmpfindsamkeit 606 $aDramaturgie 606 $aDa-tenbank 606 $aCamera obscura 606 $aBriefkultur 606 $aAufzeichnungen 606 $aApperception 606 $aAlgorithmische Empfehlung 606 $aÖffentlichkeit 606 $aZuschauer 606 $aVirtual Reality 606 $aVermessung 606 $aTourism 606 $aTheater 606 $aTableau 606 $aSocial Media 606 $aSchauspiel 606 $aRousseau 606 $aPR 606 $aReisekulturen 606 $aKarten 615 4$aLängengradproblem 615 4$aRomantik 615 4$aHypertext 615 4$aGoogle Earth 615 4$aGarten 615 4$aFotografie 615 4$aFilm 615 4$aFarbenlehre 615 4$aEye 615 4$aExperiment 615 4$aExpedition 615 4$aEmpfindsamkeit 615 4$aDramaturgie 615 4$aDa-tenbank 615 4$aCamera obscura 615 4$aBriefkultur 615 4$aAufzeichnungen 615 4$aApperception 615 4$aAlgorithmische Empfehlung 615 4$aÖffentlichkeit 615 4$aZuschauer 615 4$aVirtual Reality 615 4$aVermessung 615 4$aTourism 615 4$aTheater 615 4$aTableau 615 4$aSocial Media 615 4$aSchauspiel 615 4$aRousseau 615 4$aPR 615 4$aReisekulturen 615 4$aKarten 676 $a770 702 $aMeyer$b Roland$4ctb 702 $aLenz$b Felix$4ctb 702 $aHelm$b Wiebke$4ctb 702 $aErk$b Corina$4ctb 702 $aSchramm$b Christine$4ctb 702 $aRick$b Anna$4ctb 702 $aZenkert$b Astrid$4ctb 702 $aMaatsch$b Jonas$4ctb 702 $aLehner$b Nikolaus$4ctb 702 $aBertram$b Nora$4ctb 702 $aHertel$b Sandra$4ctb 702 $aKocke$b Sandra Kristin$4ctb 702 $aMoser$b Lena$4ctb 702 $aBuchholz$b Amrei$4ctb 702 $aSchmitt$b Mirjam$4ctb 702 $aHochholdinger-Reiterer$b Beate$4ctb 702 $aStauffer$b Isabelle$4ctb 702 $aJohnson$b Laurie$4ctb 702 $aLenz$b Felix$4edt 702 $aSchramm$b Christine$4edt 702 $aGlasenapp$b Jörn$4edt 702 $aBartl$b Andrea$4edt 702 $aLillge$b Claudia$4edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911091257003321 996 $aVon der idee zum medium$94007951 997 $aUNINA LEADER 03283oam 2200601 c 450 001 9911132679503321 005 20260802090127.0 010 $a9783838276984 010 $a3838276981 024 3 $a9783838276984 035 $a(MiAaPQ)EBC7024672 035 $a(Au-PeEL)EBL7024672 035 $a(CKB)24097013700041 035 $a(OCoLC)1334104651 035 $a(ibidem)9783838276984 035 $a(EXLCZ)9924097013700041 100 $a20260802d2022 uy 0 101 0 $aeng 135 $aurcz#---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPrometheus Unbound: The Perils and Promise of Transhumanism /$fDan Corjescu, David Doat 205 $a1st ed. 210 $aHannover$cibidem$d2022 215 $a1 online resource (169 pages) 311 08$aPrint version: Corjescu, Dan Prometheus Unbound: The Perils and Promise of Transhumanism Berlin : Ibidem Verlag,c2022 311 08$a9783838216980 320 $aIncludes bibliographical references. 327 $aIntro -- Foreword/Préface -- Introduction: First Thoughts -- Chapter One Transhumanism: Renaissance Humanism 2.0? -- Chapter Two Transhumanism: Enfant Terrible of the Enlightenment? -- Chapter Three Transhumanism: A Romantic Movement? -- Chapter Four Nietzsche Transhumanist? -- Chapter Five Futurism: The Modern Birth of the Man-Machine -- Chapter Six Transhumanism, Eugenics, and the New Man -- Chapter Seven Transhumanism, Globality, and the Terrorism of Technology -- Chapter Eight Love and Sex in the Age of the Posthuman -- Chapter Nine Immortality What is it Good For? -- Chapter Ten Posthumanism and The Meaning of Life -- Chapter Eleven The Perils and Promise of the Posthuman -- Bibliography. 330 $aThis book engages critically with some of the major assumptions of prominent Transhumanists such as Nick Bostrom of Oxford University and Stefan Sorgner of John Cabot University at Rome. More broadly, questions concerning the complex relationships between society, technology, and ethics are widely explored. Important thinkers such as St. Augustine, Nietzsche, Bertrand Russell, and C. S. Lewis are enlisted to highlight and support the main arguments presented by the author. The book aims at a general readership interested in the current claims and possible outcomes of the Transhumanist and Posthumanist movement. It strikes a cautionary note about humanity's reliance on emerging technologies, particularly their potential to enhance and, eventually transform, human life span, cognition, and emotion. 606 $aPhilosophie 606 $aPhilosophy 606 $aPost Humanism Movement 606 $aPosthumanismus 606 $aTrans Humanism Movement 606 $aTranshumanismus 615 4$aPhilosophie 615 4$aPhilosophy 615 4$aPost Humanism Movement 615 4$aPosthumanismus 615 4$aTrans Humanism Movement 615 4$aTranshumanismus 676 $a144 700 $aCorjescu$b Dan$4aut$01714778 702 $aDoat$b David$cDr$4aui 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911132679503321 996 $aPrometheus Unbound: The Perils and Promise of Transhumanism$94842128 997 $aUNINA LEADER 04732oam 22006854a 450 001 9911137673203321 005 20240501012010.0 010 $a1-4798-2298-1 024 7 $a10.18574/9781479822980 035 $a(CKB)3710000001009654 035 $a(StDuBDS)EDZ0001719024 035 $a(DE-B1597)547478 035 $a(DE-B1597)9781479822980 035 $a(MdBmJHUP)muse87015 035 $a(MiAaPQ)EBC4500672 035 $a(OCoLC)967981967 035 $a(EXLCZ)993710000001009654 100 $a20180911d2017 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aCreativity without Law$eChallenging the Assumptions of Intellectual Property /$fKate Darling [edit.]; Aaron Perzanowski [edit.] 205 $a1st ed. 210 1$aNew York, N.Y.$cNew York University Press$d2017 210 3$aBaltimore, Md. :$cProject MUSE,$d2021 210 4$d©2017 215 $a1 online resource 300 $aPreviously issued in print: 2017. 311 0 $a1-4798-4193-5 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIntroduction --$t1. Norms-based intellectual property systems: the case of French chefs --$t2. An IP lawyer walks into a bar: observations on creativity in cocktails --$t3. Derogatory to professional character?: the evolution of physician anti-patenting norms --$t4. Owning the body: creative norms in the tattoo industry --$t5. Painting on walls: street art without copyright? --$t6. Subcultural change and dynamic norms: revisiting roller derby?s master roster --$t7. Architecture and morality: transformative works, transforming fans --$t8. Internet pornography without intellectual property: a study of the online adult entertainment industry --$t9. Nollywood: pirates and Nigerian cinema --$tConclusion: Some positive thoughts about ip?s negative space --$tAbout the contributors --$tIndex 330 $aBehind the scenes of the many artists and innovators flourishing beyond the bounds of intellectual property laws Intellectual property law, or IP law, is based on certain assumptions about creative behavior. The case for regulation assumes that creators have a fundamental legal right to prevent copying, and without this right they will under-invest in new work. But this premise fails to fully capture the reality of creative production. It ignores the range of powerful non-economic motivations that compel creativity, and it overlooks the capacity of creative industries for self-governance and innovative social and market responses to appropriation. This book reveals the on-the-ground practices of a range of creators and innovators. In doing so, it challenges intellectual property orthodoxy by showing that incentives for creative production often exist in the absence of, or in disregard for, formal legal protections. Instead, these communities rely on evolving social norms and market responses?sensitive to their particular cultural, competitive, and technological circumstances?to ensure creative incentives. From tattoo artists to medical researchers, Nigerian filmmakers to roller derby players, the communities illustrated in this book demonstrate that creativity can thrive without legal incentives, and perhaps more strikingly, that some creative communities prefer, and thrive, in environments defined by self-regulation rather than legal rules. Beyond their value as descriptions of specific industries and communities, the accounts collected here help to ground debates over IP policy in the empirical realities of the creative process. Their parallels and divergences also highlight the value of rules that are sensitive to the unique mix of conditions and motivations of particular industries and communities, rather than the monoculture of uniform regulation of the current IP system. 606 $aIndustrial and intellectual property$3(BE-AnANE)a::347.77:1 606 $aEconomic production$3(BE-AnANE)a::338.3:1 610 $aMarket. 610 $aMedicine. 610 $acopyright. 610 $acreativity. 610 $aeconomics. 610 $aincentives. 610 $ainnovation. 610 $ainnovations. 610 $alaw. 610 $amarketplace. 610 $apiracy. 610 $asubculture. 610 $atrademark. 615 4$aIndustrial and intellectual property 615 4$aEconomic production 676 $a346.048 702 $aPerzanowski$b Aaron$4edt 702 $aDarling$b Kate$4edt 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9911137673203321 996 $aCreativity without Law$94835497 997 $aUNINA LEADER 03551nam 22007934a 450 001 9911135312103321 005 20251116150253.0 010 $a9786612763069 010 $a9780520937956 010 $a0520937953 010 $a9781282763067 010 $a1282763067 010 $a9781597348423 010 $a1597348422 024 7 $a10.1525/9780520937956 035 $a(CKB)1000000000024229 035 $a(EBL)223002 035 $a(OCoLC)475926909 035 $a(SSID)ssj0000231497 035 $a(PQKBManifestationID)11175164 035 $a(PQKBTitleCode)TC0000231497 035 $a(PQKBWorkID)10207679 035 $a(PQKB)11370344 035 $a(StDuBDS)EDZ0000084584 035 $a(MiAaPQ)EBC223002 035 $a(OCoLC)56733350 035 $a(MdBmJHUP)muse30484 035 $a(DE-B1597)519134 035 $a(DE-B1597)9780520937956 035 $a(Au-PeEL)EBL223002 035 $a(CaPaEBR)ebr10068555 035 $a(CaONFJC)MIL276306 035 $a(dli)HEB09028 035 $a(MiU)MIU01000000000000011661709 035 $a(Perlego)550603 035 $a(EXLCZ)991000000000024229 100 $a20040217d2004 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe queer composition of America's sound $egay modernists, American music, and national identity /$fNadine Hubbs 205 $a1st ed. 210 $aBerkeley $cUniversity of California Press$dc2004 215 $a1 online resource (295 p.) 300 $aDescription based upon print version of record. 311 08$a9780520241848 311 08$a0520241843 311 08$a9780520241855 311 08$a0520241851 320 $aIncludes bibliographical references (p. 249-263), discography (p. 265), and index. 327 $aModernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise). 330 $aIn this vibrant and pioneering book, Nadine Hubbs shows how a gifted group of Manhattan-based gay composers were pivotal in creating a distinctive "American sound" and in the process served as architects of modern American identity. Focusing on a talented circle that included Aaron Copland, Virgil Thomson, Leonard Bernstein, Marc Blitzstein, Paul Bowles, David Diamond, and Ned Rorem, The Queer Composition of America's Sound homes in on the role of these artists' self-identification-especially with tonal music, French culture, and homosexuality-in the creation of a musical idiom that even today signifies "America" in commercials, movies, radio and television, and the concert hall. 606 $aMusic$zUnited States$y20th century$xHistory and criticism 606 $aNational music$zUnited States$xHistory and criticism 606 $aGay composers$zUnited States 615 0$aMusic$xHistory and criticism. 615 0$aNational music$xHistory and criticism. 615 0$aGay composers 676 $a780/.86/640973 700 $aHubbs$b Nadine$01019802 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911135312103321 996 $aThe queer composition of America's sound$92406386 997 $aUNINA