LEADER 03249nam 22007091 450 001 9911109049603321 005 20251116192924.0 010 $a9780520957114 010 $a0520957113 024 7 $a10.1525/9780520957114 035 $a(CKB)2550000001128787 035 $a(EBL)1463631 035 $a(OCoLC)861559023 035 $a(SSID)ssj0001037219 035 $a(PQKBManifestationID)11579578 035 $a(PQKBTitleCode)TC0001037219 035 $a(PQKBWorkID)11042760 035 $a(PQKB)10037577 035 $a(StDuBDS)EDZ0000229737 035 $a(DE-B1597)520741 035 $a(DE-B1597)9780520957114 035 $a(Au-PeEL)EBL1463631 035 $a(CaPaEBR)ebr10777406 035 $a(CaONFJC)MIL529421 035 $a(MiAaPQ)EBC1463631 035 $a(Perlego)552130 035 $a(EXLCZ)992550000001128787 100 $a20130829d2014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusic, authorship, and the book in the first century of print /$fKate van Orden 205 $a1st ed. 210 1$aBerkeley :$cUniversity of California Press,$d[2014] 210 4$dİ2014 215 $a1 online resource (257 p.) 300 $aDescription based upon print version of record. 311 08$a9780520276505 311 08$a0520276507 311 08$a9781299981706 311 08$a1299981704 320 $aIncludes bibliographical references and index. 327 $aThe world of books -- Music books and their authors -- Authors of lyric -- The book of poetry becomes a book of music -- Resisting the press : performance. 330 $aWhat does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music's adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers. 606 $aMusic printing$xHistory$y16th century 606 $aMusic publishing$xHistory$y16th century 606 $aMusic$y16th century$xHistory and criticism 615 0$aMusic printing$xHistory 615 0$aMusic publishing$xHistory 615 0$aMusic$xHistory and criticism. 676 $a070.5/79409031 686 $aMUS006000$2bisacsh 700 $aVan Orden$b Kate$01922252 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911109049603321 996 $aMusic, authorship, and the book in the first century of print$94668719 997 $aUNINA LEADER 03713oam 2200541z 450 001 9911087860803321 005 20251117113117.0 010 $a9781988531410$b(electronic bk.) 010 $a1988531411$b(electronic bk.) 010 $a9781988531403$b(electronic bk.) 010 $a1988531403$b(electronic bk.) 035 $a(CKB)4100000007591217 035 $a(MiAaPQ)EBC5651791 035 $a(Perlego)1439509 035 $a(EXLCZ)994100000007591217 100 $a20190630d2018 uy 0 101 0 $aeng 135 $aurcnu---unuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFlu hunter $eunlocking the secrets of a virus /$fRobert G. Webster 210 1$aDunedin, New Zealand :$cOtago University Press,$d2018. 215 $a1 online resource $cillustrations (some color), color maps 311 08$a9781988531311 311 08$aPrint version: Webster, Robert G., 1932- Flu hunber. Dunedin, New Zealand : Otago University Press, 2018 1988531314 320 $aIncludes bibliographical references and index. 327 $aForeword / by Lance Jennings -- Emergence of the monster: Spanish influenza, 1918 -- The start of influenza research -- From seabirds in Australlia to Tamiflu -- The search moves to wild ducks in Canada -- Delaware Bay: the right place at the right time -- Proving interspecies transmission -- Virologists visit China -- Hong Kong hotbed: live bird markets and pig processing -- Searching the world, 1975-95 -- The smoking gun -- Bird flu: the rise and spread of H5N1 -- The first pandemic of the 21st century -- SARS, and a second bird flu outbreak -- Digging for answers on the 1918 Spanish influenza -- Resurrecting the 1918 Spanish influenza -- Opening Pandora's Box -- Looking to the future: are we better prepared. 330 $a"When a new influenza virus emerges that is able to be transmitted between humans, it spreads globally as a pandemic, often with high mortality. Enormous social disruption and substantial economic cost can result. The 1918 Spanish influenza pandemic was undoubtedly the most devastating influenza pandemic to date, and it has been Dr Robert Webster's life's work to figure out how and why. In so doing he has made a remarkable contribution to our understanding of the evolution of influenza viruses and how to control them. A century on, Flu Hunter is a gripping account of the tenacious scientific detective work involved in revealing the secrets of this killer virus. Dubbed `Flu Hunter' by Smithsonian Magazine in 2006, Dr Webster began his research in the early 1960s with the insight that the natural ecology of most influenza viruses is among wild aquatic birds. Painstaking tracking and testing of thousands of birds eventually led him and the other scientists involved to establish a link between these bird virus `reservoirs' and human influenza pandemics. Some of this fascinating scientific work involved exhuming bodies of Spanish flu victims from the Arctic permafrost in a search for tissue samples containing genetic material from the virus" --Publisher. 606 $aInfluenza$xHistory$y20th century 606 $aEpidemics$xHistory$y20th century 606 $aAvian influenza 606 $aDisasters 606 $aInfluenza$xEpidemiology 615 0$aInfluenza$xHistory 615 0$aEpidemics$xHistory 615 0$aAvian influenza. 615 0$aDisasters. 615 0$aInfluenza$xEpidemiology. 676 $a616.203019 700 $aWebster$b Robert G.$f1932-$01672374 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911087860803321 996 $aFlu hunter$94705825 997 $aUNINA