LEADER 06391nam 22010213 450 001 9911067910103321 005 20240311084507.0 010 $a3-631-91359-1 010 $a3-631-91358-3 024 7 $a10.3726/b21486 035 $a(MiAaPQ)EBC31203578 035 $a(Au-PeEL)EBL31203578 035 $a(CKB)30818655800041 035 $a(OCoLC)1428902029 035 $a(EXLCZ)9930818655800041 100 $a20240311d2024 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSeventeenth- Century Dutch Painting and Modern Literature 205 $a1st ed. 210 1$aFrankfurt a.M. :$cPeter Lang GmbH, Internationaler Verlag der Wissenschaften,$d2024. 210 4$d©2024. 215 $a1 online resource (330 pages) 225 1 $aPolish Studies - Transdisciplinary Perspectives Series ;$vv.44 311 08$a3-631-84151-5 327 $aCover -- Series Information -- Copyright Information -- Table of Contents -- List of Abbreviations -- Part I: Writer as an Art Historian -- Introduction -- Mediated Reception -- The Status of People Writing about Art -- Chapter One: Landscape -- "Landscapes in Frames:" Pankiewicz, Makowski, Cybis, and Herbert Following Seventeenth-Century Dutch Landscape Artists (and Fromentin) -- First Polish Readers of The Masters of Past Time -- A Polemic with Fromentin -- Petit Pan de Mur Jaune: Czapski, Herling-Grudzi?ski, and Herbert in the Face of Proust's Vision of View of Delft -- Czapski on Bergotte's Premortem Illumination -- Contre Proust: Herling-Grudzi?ski in Search of the "Little Patch of Yellow Wall" -- "That Wall with Warm Light" -- Three Lessons of Rapture -- Chapter Two: Genre Painting -- "Wide-open Door Invites Us:" Writers Peek into Dutch Homes -- Doorsien -- The Rules of Love Letters -- "Silent Witnesses of Eluding Meaning" -- "In Painted Silence and Concentration:" Literary Attempts to Individualize the Female Protagonists of Vermeer's Genre Scenes -- Girl Reading a Letter at an Open Window -- The Milkmaid -- The Lacemaker -- "Cloister Aura" -- Chapter Three: Still Life -- Between Painterly and Literary Perception of Objects: Seventeenth-Century Dutch Still Life in Czapski and Herbert -- "The Joy of Looking at Objects:" Ennoblement of Still Life -- "Killed Nature" -- "Dead" for Czapski: Toward "Purely Painterly Values" -- Herbert's Still Life with a Bridle or a Lesson in Reading Paintings -- Metaphysical Realism: Mi?osz and "the Dutch, Who Liked to Paint Still Life" -- "Realistic" Genres -- Realism against Classicism: "Longing for Perfect Mimesis" -- Epiphany of a Watering Can -- Pan Tadeusz, the Szetejnie Manor, and Dutch Still Lifes -- Chapter Four: Portrait. 327 $aTrouble with Subjectivity in Poetic Reflections on Seventeenth-century Dutch Portraits -- Painter of the Gaze: Ró?ewicz's Hals -- Rembrandt under Grochowiak's Scalpel -- Status of the Portrayed -- The Painter's Human Face: Rembrandt's Self-Portraits in the Mirror of Literature -- Rembrandt's "Painted Autobiography" by Guze -- Rembrandt in Ró?ewicz's Mirror -- Rembrandt Covering a Mirror: Herling-Grudzi?ski Argues with Alpers -- Conclusion -- Part II Zbigniew Herbert's Little Masters: A Reconstruction -- Introduction -- "An Extremely Subjective History of Art" -- Origins of the Notion Petits Maîtres -- History of Art from an Amateur's Perspective -- Chapter One: Willem Duyster: "The Painter of Great Proustian Melancholy" -- "The Rehabilitation Process" -- Dolce Far Niente -- "A Mature Melancholy" -- Chapter Two: Pieter de Hooch as "A Home Poet" -- A Painter of Bourgeois Interiors -- "Home as the Moral Cosmos" -- Chapter Three: Hendrick Avercamp as "The Painter of the Fourth Season" -- Avercamp-Brueghel and the Flemish Landscape Tradition -- Contribution to Avercamp's Biography -- Winter Landscape with Skaters: Exercises in Ekphrasis -- "A Little Excursion into the Field of Dutch Hibernation Customs" -- Naivety or "Respect for Reality" -- Chapter Four: Hercules Segers as "The Last Mountain Visionary in the Netherlands" -- "The Discovery" of Segers -- History of Influence -- Writer's Sensitivity -- Chapter Five: Pieter Saenredam as "a Portraitist of Architecture" -- Saenredam's "Perspectives" -- Workshop Secrets -- Against Abstraction -- Et Exaltavit Humiles -- Conclusion -- Series Index. 330 $aIn her book, the author proposes a look at Dutch painting of the Golden Age through the eyes of contemporary writers. 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