LEADER 03568oam 22006494a 450 001 9911046717203321 005 20251213110042.0 010 $a979-88-908610-1-6 010 $a979-88-908610-2-3 010 $a1-4696-6305-8 010 $a1-4696-6306-6 010 $a1-4696-6304-X 035 $a(CKB)4100000011917895 035 $a(OCoLC)1245418538 035 $a(MdBmJHUP)muse98504 035 $a(MiAaPQ)EBC6571591 035 $a(Au-PeEL)EBL6571591 035 $a(Perlego)1732537 035 $a(ODN)ODN0005758364 035 $a(EXLCZ)994100000011917895 100 $a20200924d2021 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBehold the land$ethe Black arts movement in the South /$fJames Smethurst 205 $a1st ed. 210 1$aChapel Hill :$cThe University of North Carolina Press,$d2021. 210 4$dİ2021. 215 $a1 online resource (1 online resource) $c7 halftones 225 1 $aThe John Hope Franklin Series in African American History and Culture 311 08$a1-4696-6303-1 327 $aCover -- Contents -- Acknowledgments -- Abbreviations Used in Text -- Introduction -- Chapter One. Ancestors: The Popular Front, Black Nationalism, Bohemia, and Black Art in the South before 1964 -- Chapter Two. Becoming Black, Becoming Southern: The Gulf Coast and the Rise of a Southern Black Arts Infrastructure -- Chapter Three. From Campus to Community: The Early Black Arts Movement in Atlanta -- Chapter Four. Black Arts, Black Studies, Black University: Washington, D.C., Nashville, and North Carolina -- Chapter Five. The Southern Black Cultural Alliance, the Neighborhood Arts Center, and the Institutionalization of Community-Based Black Arts in the South -- Conclusion. The Decline of Black Arts in the South, the Persistence of Black Arts in the South -- Notes -- Bibliography -- Index -- Galllery. 330 $a"In the mid-1960s, African American artists and intellectuals formed the Black Arts movement in tandem with the Black Power movement, with creative luminaries like Amiri Baraka, Gwendolyn Brooks, Toni Cade Bambara, and Gil Scott-Heron among their number. In this follow-up to his award-winning history of the movement nationally, James Smethurst investigates the origins, development, maturation, and decline of the vital but under-studied Black Arts movement in the South from the 1960s until the early 1980s"--$cProvided by publisher. 410 4$aThe John Hope Franklin Series in African American History and Culture 606 $aBlack Arts movement$zSouthern States 606 $aAmerican literature$xAfrican American authors$xHistory and criticism 606 $aAfrican Americans in literature 606 $aBlack nationalism in literature 606 $aBlack nationalism$zSouthern States$xHistory$y20th century 606 $aAfrican Americans$zSouthern States$xIntellectual life$y20th century 615 0$aBlack Arts movement 615 0$aAmerican literature$xAfrican American authors$xHistory and criticism. 615 0$aAfrican Americans in literature. 615 0$aBlack nationalism in literature. 615 0$aBlack nationalism$xHistory 615 0$aAfrican Americans$xIntellectual life 676 $a810.9896073 676 $a810.9896073 700 $aSmethurst$b James Edward$01790918 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9911046717203321 996 $aBehold the land$94468226 997 $aUNINA