LEADER 03160nam 22005055 450 001 9911046711403321 005 20201130212935.0 010 $a9780520971530 010 $a0520971531 024 7 $a10.1525/9780520971530 035 $a(CKB)4100000007264836 035 $a(MiAaPQ)EBC5613213 035 $a(DE-B1597)534798 035 $a(OCoLC)1048659607 035 $a(DE-B1597)9780520971530 035 $a(Perlego)866639 035 $a(EXLCZ)994100000007264836 100 $a20200406h20192019 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aStravinsky in the Americas $eTransatlantic Tours and Domestic Excursions from Wartime Los Angeles (1925-1945) /$fH. Colin Slim 210 1$aBerkeley, CA :$cUniversity of California Press,$d[2019] 210 4$dİ2019 215 $a1 online resource (623 pages) 225 0 $aCalifornia Studies in 20th-Century Music ;$v23 311 08$a9780520299924 311 08$a0520299922 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tAbbreviated Contents --$tContents --$tList Of Illustrations --$tForeword --$tPreface --$tAcknowledgments --$tIntroduction --$t1. Tour I (1925) --$t2. Tour II (1935) --$t3. Tour III (1936) --$t4. Tour IV (1937) --$t5. Tour V (october 1939-late May 1940) --$tIntroduction --$t6. Excursions (1940-1941) --$t7. Excursions (1942) --$t8. Excursions (1943) --$t9. Excursions (1944) --$t10. Excursions (1945-Early 1946) --$tAppendix: Stravinsky And "Neoclassicism" --$tNotes --$tBibliography --$tIndex 330 $aStravinsky in the Americas explores the "pre-Craft" period of Igor Stravinsky's life, from when he first landed on American shores in 1925 to the end of World War II in 1945. Through a rich archival trove of ephemera, correspondence, photographs, and other documents, eminent musicologist H. Colin Slim examines the twenty-year period that began with Stravinsky as a radical European art-music composer and ended with him as a popular figure in American culture. This collection traces Stravinsky's rise to fame-catapulted in large part by his collaborations with Hollywood and Disney and marked by his extra-marital affairs, his grappling with feelings of anti-Semitism, and his encounters with contemporary musicians as the music industry was emerging and taking shape in midcentury America. Slim's lively narrative records the composer's larger-than-life persona through a close look at his transatlantic tours and domestic excursions, where Stravinsky's personal and professional life collided in often-dramatic ways. 606 $aMusic$zUnited States$y20th century$xHistory and criticism 615 0$aMusic$xHistory and criticism. 676 $a780.92 676 $aB 700 $aSlim$b H. Colin$4aut$4http://id.loc.gov/vocabulary/relators/aut$01074604 702 $aTaruskin$b Richard, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9911046711403321 996 $aStravinsky in the Americas$94479300 997 $aUNINA