LEADER 03637oam 2200949 c 450 001 9911046562703321 005 20251202090341.0 010 $a3-7757-5266-8 024 3 $a9783775752664 035 $a(CKB)5850000000487360 035 $a(MiAaPQ)EBC31343149 035 $a(Au-PeEL)EBL31343149 035 $a(Hatje Cantz Verlag)9783775752664 035 $a(OCoLC)1435755288 035 $a(EXLCZ)995850000000487360 100 $a20251202d2023 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNadim Samman$ePoetics of Encryption. Art and the Technocene$fNadim Samman, Neil Holt 205 $a1st ed. 210 $aBerlin$cHatje Cantz Verlag$d2023 215 $a1 online resource (164 pages) 225 0 $aHatje Cantz Text$v20 311 08$a3-7757-5267-6 311 08$a3-7757-5265-X 327 $aCover Content Dark Arts Black Site Black Box Black Hole Dark Times Notes Image Credits Thanks Colophon Backcover 330 $aProprietary algorithms, secret data troves, and inscrutable systems rule the day. How is this registered in art? In Poetics of Encryption Nadim Samman explores works that highlight the hidden dimensions of our technological landscape. Running counter to erroneous claims regarding a new culture of transparency and openness, such artworks address black sites, black boxes, and black holes?all the while, toggling between enlightened concern and occult dreaming. NADIM SAMMAN is Curator for the Digital Sphere at KW Institute for Contemporary Art, Berlin. He read Philosophy at University College London before receiving his PhD from the Courtauld Institute of Art. Widely published, in 2019 he was First Prize recipient of the International Award for Art Criticism (IAAC). Major curatorial projects included the 4th Marrakech Biennale (2012), the 5th Moscow Biennale for Young Art (2015) and the 1st Antarctic Biennale (2017). 606 $ainscrutable systems 606 $aKW Institute for Contemporary Art 606 $aMarrakech Biennale 606 $aMoscow Biennale for Young Art 606 $aNadim Samman 606 $aoccult dreaming 606 $aproprietary algorithms 606 $asecret data 606 $atechnological landscape 606 $atechnology 606 $aAntarctic Biennale 606 $aart 606 $ablack boxes 606 $ablack holes 606 $ablack sites 606 $aculture of transparency 606 $adigitalization 606 $adigitization 606 $aencryption 606 $ahidden dimensions 606 $aIAAC First Prize 615 4$ainscrutable systems 615 4$aKW Institute for Contemporary Art 615 4$aMarrakech Biennale 615 4$aMoscow Biennale for Young Art 615 4$aNadim Samman 615 4$aoccult dreaming 615 4$aproprietary algorithms 615 4$asecret data 615 4$atechnological landscape 615 4$atechnology 615 4$aAntarctic Biennale 615 4$aart 615 4$ablack boxes 615 4$ablack holes 615 4$ablack sites 615 4$aculture of transparency 615 4$adigitalization 615 4$adigitization 615 4$aencryption 615 4$ahidden dimensions 615 4$aIAAC First Prize 676 $a709.05 700 $aSamman$b Nadim$4aut$01868218 702 $aHolt$b Neil$4dsr 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911046562703321 996 $aNadim Samman$94476084 997 $aUNINA