LEADER 01190nam2 22002773i 450 001 VAN00276415 005 20240806101545.156 010 $a978-01-995337-7-0 100 $a20240530d2018 |0itac50 ba 101 $aeng 102 $aGB 105 $a|||| ||||| 200 1 $aˆ1: The ‰European Union legal order$fedited by Robert Schutze, Takis Tridimas 210 $aOxford$cOxford University$d2018 215 $aCXVII, 1322 p.$d26 cm 461 1$1001VAN00276414$12001 $aOxford principles of European Union law$fedited by Robert Schutze, Takis Tridimas$1210 $aOxford$cOxford University$d2018$1215 $avolumi$d26 cm$v1 620 $aGB$dOxford$3VANL000020 702 1$aSchütze$bRobert$3VANV096664$4340 702 1$aTridimas$bTakis$3VANV229151$4340 712 $aOxford University $3VANV107944$4650 801 $aIT$bSOL$c20260206$gRICA 899 $aBIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA$1IT-CE0105$2VAN00 912 $aVAN00276415 950 $aBIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA$d00CONS X.A.48 $e00UBG9938 20240530 996 $aEuropean Union legal order$93001977 997 $aUNICAMPANIA LEADER 03900oam 2200985 c 450 001 9911046562703321 005 20260302090207.0 010 $a9783775752671$b(ePub) 010 $a3-7757-5266-8 024 3 $a9783775752664 035 $a(CKB)5850000000487360 035 $a(MiAaPQ)EBC31343149 035 $a(Au-PeEL)EBL31343149 035 $a(Hatje Cantz Verlag)9783775752664 035 $a(OCoLC)1435755288 035 $a(EXLCZ)995850000000487360 100 $a20260302d2023 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNadim Samman$ePoetics of Encryption. Art and the Technocene$fNadim Samman, Neil Holt 205 $a1st ed. 210 $aBerlin$cHatje Cantz Verlag$d2023 215 $a1 online resource (159 pages) $cillustrations 225 0 $aHatje Cantz Text$v20 311 08$aPrint version: Samman, Nadim. Nadim Samman : Poetics of Encryption. Art and the Technocene. First edition. Berlin : Hatje Cantz Verlag, c2023 i, 162 pages 9783775752657 311 08$a3-7757-5265-X 327 $aCover Content Dark Arts Black Site Black Box Black Hole Dark Times Notes Image Credits Thanks Colophon Backcover 330 $aProprietary algorithms, secret data troves, and inscrutable systems rule the day. How is this registered in art? In Poetics of Encryption Nadim Samman explores works that highlight the hidden dimensions of our technological landscape. Running counter to erroneous claims regarding a new culture of transparency and openness, such artworks address black sites, black boxes, and black holes?all the while, toggling between enlightened concern and occult dreaming. NADIM SAMMAN is Curator for the Digital Sphere at KW Institute for Contemporary Art, Berlin. He read Philosophy at University College London before receiving his PhD from the Courtauld Institute of Art. Widely published, in 2019 he was First Prize recipient of the International Award for Art Criticism (IAAC). Major curatorial projects included the 4th Marrakech Biennale (2012), the 5th Moscow Biennale for Young Art (2015) and the 1st Antarctic Biennale (2017). 410 0$aHatje Cantz Text. 606 $ainscrutable systems 606 $aKW Institute for Contemporary Art 606 $aMarrakech Biennale 606 $aMoscow Biennale for Young Art 606 $aNadim Samman 606 $aoccult dreaming 606 $aproprietary algorithms 606 $asecret data 606 $atechnological landscape 606 $atechnology 606 $aAntarctic Biennale 606 $aart 606 $ablack boxes 606 $ablack holes 606 $ablack sites 606 $aculture of transparency 606 $adigitalization 606 $adigitization 606 $aencryption 606 $ahidden dimensions 606 $aIAAC First Prize 615 4$ainscrutable systems 615 4$aKW Institute for Contemporary Art 615 4$aMarrakech Biennale 615 4$aMoscow Biennale for Young Art 615 4$aNadim Samman 615 4$aoccult dreaming 615 4$aproprietary algorithms 615 4$asecret data 615 4$atechnological landscape 615 4$atechnology 615 4$aAntarctic Biennale 615 4$aart 615 4$ablack boxes 615 4$ablack holes 615 4$ablack sites 615 4$aculture of transparency 615 4$adigitalization 615 4$adigitization 615 4$aencryption 615 4$ahidden dimensions 615 4$aIAAC First Prize 676 $a709.05 700 $aSamman$b Nadim$4aut$01868218 702 $aHolt$b Neil$4dsr 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 801 2$bUAB 906 $aBOOK 912 $a9911046562703321 996 $aNadim Samman$94476084 997 $aUNINA