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024 7 $a10.1007/978-3-032-02823-5
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200 10$aHere Comes the Sign: The Semiotics of Popular Music /$fby Dario Martinelli
205   $a1st ed. 2025.
210  1$aCham :$cSpringer Nature Switzerland :$cImprint: Springer,$d2025.
215   $a1 online resource (597 pages)
225 1 $aReligion and Philosophy Series
311 08$aPrint version: Martinelli, Dario Here Comes the Sign: the Semiotics of Popular Music Cham : Springer,c2025 9783032028228 
327   $aI. MUSIC -- II. SEMIOTICS -- III. SEMIOTICS OF POPULAR MUSIC -- IV. RESEARCH QUESTIONS AND ANALYTICAL MODELS -- V. CONCLUSIONS: THANK YOU FOR THE MUSIC.
330   $aThis text is an original and unique introduction to musical semiotics through the use of popular music acts and repertoires of global cultural impact. The basic idea of this is that the songs of The Beatles, Queen, ABBA, Madonna, Michael Jackson and others have become a lingua franca in nearly all cultures, thus making for excellent examples to illustrate musical semiotic theories. ??Heroes?? can perfectly explain Eero Tarasti?s Actantial Model, ?Bohemian Rhapsody? is ideal to describe Tzvetan Todorov?s Equilibrium Theory, and so forth. Through case studies, in-depth analysis, original theoretical contributions from the author, but also a comprehensible and enjoyable writing style, this volume will be an engaging reading for students and at the same time an aid for instructors in semiotics, musicology and popular music studies.
410  0$aReligion and Philosophy Series
606   $aSemiotics
606   $aLinguistics
606   $aArts
606   $aSemiotics
606   $aLinguistics
606   $aArts
615  0$aSemiotics.
615  0$aLinguistics.
615  0$aArts.
615 14$aSemiotics.
615 24$aLinguistics.
615 24$aArts.
676   $a401.4
700   $aMartinelli$b Dario$0886728
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996   $aHere Comes the Sign: The Semiotics of Popular Music$94481078
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