LEADER 03679nam 22005655 450 001 9911039327703321 005 20251105120437.0 010 $a3-032-01489-1 024 7 $a10.1007/978-3-032-01489-4 035 $a(CKB)42024036300041 035 $a(MiAaPQ)EBC32392029 035 $a(Au-PeEL)EBL32392029 035 $a(DE-He213)978-3-032-01489-4 035 $a(EXLCZ)9942024036300041 100 $a20251105d2025 u| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGlobal Musicology $eMusic Histories from Elsewhere /$fedited by Amanda Hsieh, Vera Wolkowicz 205 $a1st ed. 2025. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2025. 215 $a1 online resource (384 pages) 225 1 $aLiterature, Cultural and Media Studies 311 08$a3-032-01488-3 327 $a1. Introduction -- Part 1: Patchworking Theory -- 2. Beyond Self-Exoticism: How to Situate Latin America in a Global History of Music -- 3. Toward a Musicological Suturing: A Non-Central Perspective on Global Music History and Global Musicology -- 4. A Universe of Sounds: Lessons in Listening from the Field in ?Bengal? -- Part 2: Disciplines and Institutions -- 5. Half a Century of Musicology in Tunisia: A Prosopographical Study -- 6. Writing and Rewriting Music Histories: Nationalist Ideology in Communist Romania -- 7. Singing the Rainbow Nation: Opera as Transformative Art in Post-Apartheid South Africa -- Part 3: Colonial Entanglements -- 8. Becoming to Being Filipino in the Press: Acts of Visuality and Aurality Toward Identity and Nation in the Music of Manila 1860?1940 -- 9. Music in Brazil or Brazilian Music? Reflections on the Musical Construction of Nationalism in Brazil during the First Republic (1889?1934) -- 10. Global Vaporwave, Globalized ?Japan?. 330 $aThis is an edited volume of music histories?of peoples, places, and institutions?that refuses to shy away from the geopolitical realities of a global musicology. With an ironic undertone to the ?elsewhere? in the book?s title, the volume?s contributors grapple with the ethical and democratizing potentials of musicology?s recent ?global turn.? The book?s primary objective is to center perspectives from outside the Euro-American mainstream to create a material difference to the frequent scarcity of non-Western scholarship in the Euro-American conception and practice of music studies. By bringing together a small group of scholars? work in a more readily available space given by a sizable Anglo-American publisher, the book aims to enable more multidirectional exchanges and connections to take place in the future. Amanda Hsieh is Assistant Professor of Musicology at Durham University (UK). Vera Wolkowicz is Lecturer in Musicology at the University of Glasgow (UK). 410 0$aLiterature, Cultural and Media Studies 606 $aMusic$xHistory and criticism 606 $aWorld history 606 $aMusic 606 $aHistory of Music 606 $aWorld History, Global and Transnational History 606 $aClassical Music 615 0$aMusic$xHistory and criticism. 615 0$aWorld history. 615 0$aMusic. 615 14$aHistory of Music. 615 24$aWorld History, Global and Transnational History. 615 24$aClassical Music. 676 $a780.9 700 $aHsieh$b Amanda$01855186 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911039327703321 996 $aGlobal Musicology$94453184 997 $aUNINA