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010   $a9783032027580$b(electronic bk.)
010   $z9783032027573
024 7 $a10.1007/978-3-032-02758-0
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101 0 $aeng
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182   $cc$2rdamedia
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200 14$aThe Late Neolithic and Early Chalcolithic Imagery in South-Central Anatolia /$fby Patrycja Filipowicz
205   $a1st ed. 2025.
210  1$aCham :$cSpringer Nature Switzerland :$cImprint: Springer,$d2025.
215   $a1 online resource (318 pages)
225 1 $aInterdisciplinary Contributions to Archaeology,$x2730-6984
311 08$aPrint version: Filipowicz, Patrycja The Late Neolithic and Early Chalcolithic Imagery in South-Central Anatolia Cham : Springer,c2025 9783032027573 
327   $aChapter 1. Introduction -- Chapter 2. The emergence of the Neolithic imagery of Central Anatolia -- Chapter 3. Introduction to the Lake District Neolithic and Early Chalcolithic -- Chapter 4. Where did the Lake District Neolithic come from?- Chapter 5. Charles S. Peirce?s semiotics in the study of prehistoric imagery -- Chapter 6. Materials and methods -- Chapter 7. Transformations of imagery - data analysis -- Chapter 8. Imagery of South - Central Anatolia in a broader regional context -- Chapter 9. Conclusions.
330   $aThis book provides a synthesis of Late Neolithic / Early Chalcolithic imagery from South-Central Anatolia, encompassing both Central Anatolia and the Lake District. It explores the nature of transformations and continuities in imagery during the period between 6500-5500 BC. The author examines three main categories of artifacts - pottery, figurines and stamp seals - to trace the presence and transformation of particular images in time. The Neolithic site of Çatalhöyük (7100- 5950 BC) in Central Anatolia is renowned for its elaborate art found inside the houses. A wide variety of anthropomorphic, zoomorphic and geometric motifs and themes were reproduced on wall paintings, reliefs and mobile objects. The author addresses the question of what happened with the repertoire of motifs in the upper levels of Çatalhöyük and after its abandonment, and what circumstances might have been related to this transformation. To reassess the imagery, data was collected from Late Neolithic levels at Çatalhöyük investigated by the Polish team since 2001, as well as from four intensively excavated sites from the Lakes region: Hac?lar, Kuruçay, Höyücek and Badema?ac?. The author applies the semiotic perspective of American philosopher Charles Sanders Peirce, which they argue is a useful framework for discussing the imagery and its transformation over time. The analytical model used is the so-called replication, which allows grasping the diachronic changes. It has never been applied to studies on Neolithic / Chalcolithic imagery.
410  0$aInterdisciplinary Contributions to Archaeology,$x2730-6984
606   $aPrehistoric peoples
606   $aArchaeology
606   $aArt$xHistory
606   $aEthnology$zLatin America
606   $aCulture
606   $aPrehistoric Archaeology
606   $aArchaeology
606   $aArt History
606   $aLatin American Culture
615  0$aPrehistoric peoples.
615  0$aArchaeology.
615  0$aArt$xHistory.
615  0$aEthnology
615  0$aCulture.
615 14$aPrehistoric Archaeology.
615 24$aArchaeology.
615 24$aArt History.
615 24$aLatin American Culture.
676   $a930.1
700   $aFilipowicz$b Patrycja$01854222
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
912   $a9911035058703321
996   $aThe Late Neolithic and Early Chalcolithic Imagery in South-Central Anatolia$94451289
997   $aUNINA