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010   $z9783032020246
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035   $a(CKB)41986559600041
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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 10$aMusic, New Media and the Archive /$fedited by Sarah Kirby
205   $a1st ed. 2025.
210  1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2025.
215   $a1 online resource (212 pages)
225 1 $aLiterature, Cultural and Media Studies
311 08$aPrint version: Kirby, Sarah Music, New Media and the Archive Cham : Palgrave Macmillan,c2025 9783032020246 
327   $aChapter 1: Introduction: Music, New Media, and the Archive -- Chapter 2: Lines of Beauty: The Development of Graphic Notation in the Music of Percy Grainger -- Chapter 3: On Amateurs and Sound Art in France and Britain, 1950s?1960s -- Chapter 4: Recordings on Radio and Anxiety over Archives in Weimar Republic Germany -- Chapter 5: Queer Technologies in Percy Grainger?s Experimental Practice -- Chapter 6: Intermedia and the Archive in John Zorn, Henry Hills, and Sally Silver?s Little Lieutenant -- Chapter 7: Digital Technologies as Musical Sources: Documenting Live Electronics in Adriano Guarnieri?s Work -- Chapter 8: Music, Technology and Living Archives at the Grainger Museum.
330   $aThis book explores the representation and application of music and new media in the archive. Its case studies interrogate twentieth and twenty-first-century musical engagements with new media, ranging from notation, recording, and broadcast technologies to new analogue and electronic instruments, exploratory sound making techniques, and experimental compositional practice. The chapters each consider how these developments are reflected or preserved in documentary sources, or conversely, how archived materials relating to music and sound might be effectively combined with innovations in practice today. A timely investigation, as music archives globally are challenged by researching, conserving, and creatively engaging with the new media of their collections, this book provides opportunities to assess the impact of the archive on our understanding of music and new media through both historical and contemporary approaches. Sarah Kirby is a musicologist and a research fellow at the Grainger Museum, University of Melbourne. Her work explores Australian and British music history and music in museum contexts. She is the associate editor of Musicology Australia, and in 2023 received the Australian Academy of the Humanities? McCredie Musicological Award. .
410  0$aLiterature, Cultural and Media Studies
606   $aMusic$xHistory and criticism
606   $aCommunication
606   $aInformation theory
606   $aMusic
606   $aHistory of Music
606   $aMedia and Communication Theory
606   $aClassical Music
615  0$aMusic$xHistory and criticism.
615  0$aCommunication.
615  0$aInformation theory.
615  0$aMusic.
615 14$aHistory of Music.
615 24$aMedia and Communication Theory.
615 24$aClassical Music.
676   $a026.78
700   $aKirby$b Sarah$01854511
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996   $aMusic, New Media and the Archive$94451866
997   $aUNINA