LEADER 01152nam 2200349 n 450 001 996386934203316 005 20221108085233.0 035 $a(CKB)1000000000622345 035 $a(EEBO)2240856421 035 $a(UnM)99829480 035 $a(UnM)9928066200971 035 $a(EXLCZ)991000000000622345 100 $a19950608d1679 uy | 101 0 $alat 135 $aurbn||||a|bb| 200 10$aOb pacem toti fere? Christiano orbi mediante Carolo II$b[electronic resource] $eMag. Brit. Fran. & Hib. Rege redditam ad eundem Sereniss. Principem carmen votivum. Auctore M. N. Anglo 210 $aLondini $ctypis Roberti Carnii$dan. 1679 215 $a[8], 183, [1] p 300 $aM.N. = Maurice Newport. 300 $aIn verse. 300 $aErrata on A4v. 300 $aReproduction of the original in the British Library. 330 $aeebo-0018 700 $aNewport$b Maurice$f1611-1687.$01012521 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996386934203316 996 $aOb pacem toti fere? Christiano orbi mediante Carolo II$92351344 997 $aUNISA LEADER 05775nam 22006735 450 001 9911034945303321 005 20251020130426.0 010 $a981-9501-75-X 024 7 $a10.1007/978-981-95-0175-5 035 $a(MiAaPQ)EBC32364814 035 $a(Au-PeEL)EBL32364814 035 $a(CKB)41689248300041 035 $a(DE-He213)978-981-95-0175-5 035 $a(EXLCZ)9941689248300041 100 $a20251020d2025 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Chinese History of Literary Theory in Pre-Qin Period /$fby Chunqing Li, Shan Li, Changbao Guo, Shaojin Liu 205 $a1st ed. 2025. 210 1$aSingapore :$cSpringer Nature Singapore :$cImprint: Springer,$d2025. 215 $a1 online resource (544 pages) 225 1 $aHistory Series 311 08$a981-9501-74-1 327 $aAesthetic phenomena in the age of pottery -- Aesthetic thoughts in prehistoric religion -- Divine birds and jades -- The implication of Taotie and its rise and fall -- The Sanxingdui and its artistic spirit -- Some key facts in the study of myths in Pre-Qin period -- The primitive thoughts in the mythical world and their artistic highlights -- The formation of myths of Dominion of ancient China and its cultural significance -- A sketch of culture of rites and music in Shang and Zhou dynasty -- The pursuit in art displayed in the culture of rites and music -- The creations in art in the culture of rites and music in Zhou dynasty -- The artistic styles in the culture of rites and music in Zhou dynasty -- The artistic performance in the culture of rites and music in Zhou dynasty -- The primitive artistic spirit in the culture of rites and music in Zhou dynasty and its influence to the posterities -- The life styles of aristocrats in Zhou dynasty and the artistic spirit -- The pursuit in art imbedded in utensils -- The life styles and aesthetic pursuits of aristocrats displayed by the Book of Songs -- The fall of the ritual lives and the evolution of artistic spirit of aristocrats -- The crisis of hierarchy and ritual system and the aesthetic activities in Spring and Autumn period -- The decline of aristocrats and the rise of spirit of secular art -- From culture of rites and music to Confucian theory -- The cultural implications in Shi yan zhi, Fu shi and Yin shi -- The artistic thoughts of Confucious -- The artistic thoughts of Menfucious -- The artistic thoughts of Xunzi -- The structure of the nationality of Chu and its cultural types -- The cultural inclusiveness and conflictions in kingdom Chu -- The secular feelings and transcendent spirit in the rites of Chu -- The ego and the world in painting, sculptures and handicrafts -- The formation of Chuci and its literary functions -- The culture of Chuci and its artistic spirit -- The Dao of Laozi and Zhuangzi that leads to artistic spirit -- The debate on Yan/Yi, Xu/Shi and the vacancy in art -- Xujing and the psychology of art creation in classic China -- The acknowledgment of reverting and the degenerating view on literary and artistic history in China. 330 $aThis book focuses on the synthetic and overall study of the history of literary theory, history of art or history of literary critics. Firstly, it proves itself a good combination of the history of thoughts of literature as well as thoughts of art. This book manages to break the barrier barring the two categories of literature and art apart by regarding the literature and art as the expressive form of the leading artistic spirit or aesthetic taste of one period. Secondly, the book makes itself a unification of history of thoughts in general and thoughts of fine arts. The book puts the thoughts of literature and art into the integral structure of social thoughts and ideas, to disclose the mutual fusion and combination of the thoughts of literature and art with the other and to observe the profound implications of the literary thoughts in a circumstance of intertextual interpretation. Thirdly, this book is also a good mixture of general history and monographic study. In another word, this book displays itself as an overview of the history of thoughts in the one hand and constantly probes into particular topics as monograph in the other hand. This book is designed to outline the general thoughts of literature and art for learners in this field and to provide particular topics for researchers who endeavor to acquire featured observation in history of literature or art in Pre-Qin period. The original scale of the book was about 1 million Chinese characters, and now it is abridged to 300 thousand characters. 410 0$aHistory Series 606 $aArt$xHistory 606 $aLiterature$xHistory and criticism 606 $aLiterature$xPhilosophy 606 $aArt History 606 $aLiterary History 606 $aLiterary Theory 615 0$aArt$xHistory. 615 0$aLiterature$xHistory and criticism. 615 0$aLiterature$xPhilosophy. 615 14$aArt History. 615 24$aLiterary History. 615 24$aLiterary Theory. 676 $a709 700 $aLi$b Chunqing$01376514 701 $aLi$b Shan$01325675 701 $aGuo$b Changbao$01853127 701 $aLiu$b Shaojin$01853128 701 $aKeyang$b Dou$01853129 701 $aTiejun$b Bu$01853130 701 $aLicui$b Zhu$01853131 701 $aGuiling$b Liu$01853132 701 $aJingli$b Sun$01853133 701 $aXirui$b Yao$01853134 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911034945303321 996 $aThe Chinese History of Literary Theory in Pre-Qin Period$94449190 997 $aUNINA