LEADER 05528nam 22005895 450 001 9911034937903321 005 20251024130436.0 010 $a9783031987472$b(electronic bk.) 010 $z9783031987465 024 7 $a10.1007/978-3-031-98747-2 035 $a(MiAaPQ)EBC32375407 035 $a(Au-PeEL)EBL32375407 035 $a(CKB)41732132200041 035 $a(DE-He213)978-3-031-98747-2 035 $a(EXLCZ)9941732132200041 100 $a20251024d2025 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFilm Policies in Europe (1945-1980) $eA Comparative Approach to the History of State Aid for Film /$fedited by Francesco Di Chiara 205 $a1st ed. 2025. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2025. 215 $a1 online resource (380 pages) 225 1 $aPalgrave European Film and Media Studies,$x2634-6168 311 08$aPrint version: Di Chiara, Francesco Film Policies in Europe (1945-1980) Cham : Palgrave Macmillan,c2025 9783031987465 327 $a -- 1 Comparing Film Policies in Europe (1945?1980): An Introduction -- 2 Patterns of Corporatism: The Italian Way to Film Policy (1945?1965) -- 3 French Cinema Cultural Policy since the 1940s: A National and Transnational Issue -- 4 The Commerce of Culture: British Film Policy and the Films Branch of the Board of Trade (1945?1979) -- 5 Swedish Film Policy in the Era of the Twentieth-Century Welfare State -- 6 Road to Modernity: Negotiating Spanish Cinema under the Dictatorship -- 7 A Period of Open Opportunities. The Development of Czech Film Policy in the Second Half of the 1940s -- 8 Navigating Ideology, Education and Market Forces in Hungarian Film Policy during the Late 1960s -- 9 Chasing its Own Tail: Film Distribution in a State-Governed Cinema Culture?The Case of the People?s Republic of Poland (1960-1975) -- 10 From Nationalism to Liberalism: Co-production Policies and the Construction of a (Trans)National Cinema in Flanders (1960s?1980s) -- 11 The State and the Film Industry in the Self-Management System (The Example of Socialist Yugoslavia Cinematography) -- 12 Film Policies in Turkey in the 1950?1980 Period through the Regional Management Model: The Case of the Adana Management Region. 330 $aThis book offers a historical and comparative overview of public interventions in European film industries?from Scandinavia to Eastern Europe?from the end of World War II to the 1980s, bringing together key scholars in European screen studies,. Such a timeframe considers the 35 years between the introduction or major restructuring of film policies in most European nations in response to intense competition from Hollywood and the establishment of a European supranational structure that led to the partial harmonization of national film policies. The book's twelve chapters analyze the chronological development and geographical spread of trends in the relationships between national public bodies and the domestic film industry, other national cinemas, and Hollywood. They address four key concepts: ? the need to go beyond merely protectionist measures, which guided early post-war policies; ? the shift from an automatic support to the film industry to the promotion of national art cinemas; ? the idea of an alternative to capitalist systems, which characterized Eastern Bloc countries; ? finally, the challenge to the very idea of national cinema, posed by systems based on a high degree of regionalization. The book focuses on a wide range of case studies, paying equal attention to major and peripheral film industries, as well as the production and distribution sectors. Adopting a bottom-up approach, it starts from archival documents to take into account the negotiation activity conducted between public bodies and external stakeholders, such as film distributors' and producers' associations, unions, and cultural, political, and religious pressure groups. Francesco Di Chiara is Associate Professor in film studies at the University of Milan. His research focuses on Italian post-war film genres and the Italian and European film industries. Taking an interdisciplinary approach that draws on media production studies, policy studies, and archival research, he explores the role of state institutions in film production and distribution. His work has been published in various international, peer-reviewed journals, including Studies in European Cinema, Cinéma & Cie, Journal of Italian Cinema and Media Studies and Iluminace. 410 0$aPalgrave European Film and Media Studies,$x2634-6168 606 $aMotion picture plays, European 606 $aMotion picture industry 606 $aTelevision broadcasting 606 $aMotion pictures$xHistory 606 $aEuropean Film and TV 606 $aFilm and Television Industry 606 $aFilm and TV History 615 0$aMotion picture plays, European. 615 0$aMotion picture industry. 615 0$aTelevision broadcasting. 615 0$aMotion pictures$xHistory. 615 14$aEuropean Film and TV. 615 24$aFilm and Television Industry. 615 24$aFilm and TV History. 676 $a343.40994 700 $aDi Chiara$b Francesco$0617636 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9911034937903321 996 $aFilm Policies in Europe (1945-1980)$94449488 997 $aUNINA