LEADER 03258nam 2200757Ia 450 001 9910779314903321 005 20230810220031.0 010 $a1-283-85722-7 010 $a3-11-029142-8 024 7 $a10.1515/9783110291421 035 $a(CKB)2550000000711093 035 $a(EBL)912837 035 $a(OCoLC)823284338 035 $a(SSID)ssj0000783804 035 $a(PQKBManifestationID)12323808 035 $a(PQKBTitleCode)TC0000783804 035 $a(PQKBWorkID)10761107 035 $a(PQKB)11545523 035 $a(SSID)ssj0000811029 035 $a(PQKBManifestationID)12370351 035 $a(PQKBTitleCode)TC0000811029 035 $a(PQKBWorkID)10834354 035 $a(PQKB)20665663 035 $a(MiAaPQ)EBC912837 035 $a(DE-B1597)177452 035 $a(OCoLC)823040714 035 $a(OCoLC)900723131 035 $a(DE-B1597)9783110291421 035 $a(Au-PeEL)EBL912837 035 $a(CaPaEBR)ebr10634461 035 $a(CaONFJC)MIL416972 035 $a(EXLCZ)992550000000711093 100 $a20121121d2012 uy 0 101 0 $aeng 135 $aurun#---|u||u 181 $ctxt 182 $cc 183 $acr 200 12$aA grammar of Domari /$fYaron Matras 210 1$aBerlin ;$aBoston :$cDe Gruyter Mouton,$d2012. 215 $a1 online resource (xvi, 464 pages) 225 0 $aMouton Grammar Library [MGL] ;$v59 311 0 $a3-11-028914-8 311 0 $a3-11-029143-6 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tPreface --$tTable of contents --$tList of tables --$tList of figures. List of abbreviations --$tChapter 1. Introduction --$tChapter 2. Phonology --$tChapter 3. Parts of speech and grammatical inflection --$tChapter 4. Nouns and nominal inflection --$tChapter 5. Noun modifiers --$tChapter 6. Pronominal categories --$tChapter 7. Verb inflection, modals and auxiliaries --$tChapter 8. Local and temporal relations --$tChapter 9. Clause structure --$tChapter 10. Adverbs and particles --$tChapter 11. The Arabic component --$tChapter 12. Samples of Talk --$tChapter 13. Notes on the Domari lexicon --$tChapter 14. Domari vocabulary --$tNotes --$tReferences --$tSubject index --$tAuthor index 330 $aDomari is an Indo-Aryan language that is now highly endangered. Its speakers were traditionally nomadic metalworkers and musicians who lived in tiny, geographically scattered and socially isolated communities throughout the Middle East. The grammar is based on conversational material recorded in Jerusalem in the mid-1990s with some of the last speakers of this particular variety. 410 0$aMouton grammar library ;$v59. 606 $aDomaaki language$xGrammar 606 $aIndo-Aryan languages$xGrammar 610 $aDomari. 610 $aGrammar. 610 $aGypsy Languages. 610 $aIndo-Aryan Languages. 610 $aMiddle Eastern Languages. 615 0$aDomaaki language$xGrammar. 615 0$aIndo-Aryan languages$xGrammar. 676 $a491.49 700 $aMatras$b Yaron$f1963-$0183842 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779314903321 996 $aA grammar of Domari$93829924 997 $aUNINA LEADER 05598nam 22006255 450 001 9911034855903321 005 20251016130502.0 010 $a3-031-98215-0 024 7 $a10.1007/978-3-031-98215-6 035 $a(MiAaPQ)EBC32353759 035 $a(Au-PeEL)EBL32353759 035 $a(CKB)41648221200041 035 $a(DE-He213)978-3-031-98215-6 035 $a(EXLCZ)9941648221200041 100 $a20251016d2025 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDesign for Performative Arts Spaces $eHistorical Evolution, Cultural Context, and Future Opportunities /$fedited by Alessandro Melis, Marco Pelle 205 $a1st ed. 2025. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Springer,$d2025. 215 $a1 online resource (287 pages) 225 1 $aLiterature, Cultural and Media Studies 311 08$a3-031-98214-2 327 $aPart 1: Foundational Frameworks of Performative Art -- 1. Understanding Performative in the Context of Arts: Definitions, Categories, Taxonomies, and Classifications -- 2. From Creativity to Evolutivity -- 3. Origins of Performance -- 4. Architectural Space for Performative Arts -- Part 2: Architectural Space from Embodiment to Movement -- 5. Ballet: Spatial Narrative and Encoded Movement within a Coded Space -- 6. The Evolution of Dance through Singular Perspectives -- 7. A Conversation with Lighting Designer Brandon Stirling Baker -- 8. Theater's Infinite Potential: From Grand Stages to Intimate Spaces -- Part 3: Case Studies and Best Practices -- 9. Theaters of Pisa -- 10. The Stadium as a Performative Spaces -- 11. Performative Art at the New York Tech School of Architecture and Design: From Education to Practice (2021-2024) -- 12. A Retrospective Reflection on Body, Space, and Media Through a Practice-Based Explorative Work -- 13. Transient Stages: Reimagining Performative Spaces through Temporary Appropriation -- 14. Embracing Technological Disruption and the Fourth Dimension in Art and Performative Art Spaces -- 15. A Stolen Wall from the Venice Biennale -- 16. Architecture of Exhibitions: An Immersive Experience -- 17. Advocating ecology through musical experimentation and performing arts -- 18. The City as an Event. The Performative Architecture of Seoul's Commercial Spaces -- 19. Public Life on Stage: Temporary Urbanism as a Platform for Cultural Expression -- 20. Public art for a better aura in urban spaces -- 21. Female-Themed Murals in the South Bronx as Expressions of Reclaimed Urban Spaces.-22. Visual culture and Palestinian Identity in Protracted Displacement -- Part 4: Future Perspective and Conciusion -- 23. Generative AI and the Collective Canvas: Redefining Artistic Authorship and Performance. 330 $aThis comprehensive book explores the multifaceted world of performative arts spaces. Part I establishes a strong foundation by tracing the historical evolution of these spaces, showcasing iconic examples, and emphasizing the importance of multidisciplinary collaboration within diverse cultural contexts. It also examines the relationship between dance, movement, and embodiment in performative spaces, highlighting their transformative power in times of global challenges. Part II takes readers on a visionary journey into the future, exploring the transformative potential of cutting-edge technologies. Chapters in this section discuss the interplay of digital arts and architecture, the integration of immersive technologies, adaptive environments, AI and machine learning, robotics, and digital fabrication. These innovations are explored in relation to their ability to enhance audience experiences, optimize performance spaces, and push the boundaries of creativity. Part III addresses the significant need for comprehensive resources in interior design, digital arts, performing arts, and disruptive technologies. It provides valuable insights for students and professionals alike, covering essential design principles, case studies of notable venues, and the role of performative arts spaces in promoting sustainability amid global crises. Overall, this book presents a holistic exploration of the most important aspects of performative arts spaces?blending historical context, architectural design, technological advancements, and educational perspectives. It is an essential resource for anyone interested in the dynamic interplay between architecture, design, and the performing arts. 410 0$aLiterature, Cultural and Media Studies 606 $aInterior architecture 606 $aArchitectural acoustics 606 $aSustainable architecture 606 $aBuildings$xDesign and construction 606 $aInterior Architecture 606 $aArchitectural Acoustics 606 $aSustainable Architecture/Green Buildings 606 $aBuilding Construction and Design 615 0$aInterior architecture. 615 0$aArchitectural acoustics. 615 0$aSustainable architecture. 615 0$aBuildings$xDesign and construction. 615 14$aInterior Architecture. 615 24$aArchitectural Acoustics. 615 24$aSustainable Architecture/Green Buildings. 615 24$aBuilding Construction and Design. 676 $a729 700 $aMelis$b Alessandro$01784995 701 $aPelle$b Marco$01853297 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911034855903321 996 $aDesign for Performative Arts Spaces$94449411 997 $aUNINA