LEADER 03385nam 2200505Ia 450 001 996393716103316 005 20200824121654.0 035 $a(CKB)4940000000115789 035 $a(EEBO)2248527255 035 $a(UnM)99900292e 035 $a(UnM)99900292 035 $a(EXLCZ)994940000000115789 100 $a19980922d1631 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aThe vvorkes of that famovs and vvorthy minister of Christ in the Vniversitie of Cambridge, M. VVilliam Perkins. The third and last volume$b[electronic resource] $eNewly corrected and amended. Containing his learned expositions of sundry choice places of Scripture, with some little tractates. The particulars whereof thou mayest see in the next page, with the order of their placing. Hereto is adjoyned a two-fold table, one of the chiefe points and questions, the other of choice places of Scripture 210 $aLondon $cprinted by Iohn Haviland, and are to be sold by Iames Boler, George Lathum, Iohn Grismond, Robert Milbourne, and Iohn Bellamie$d1631 215 $a[8], 264, [10]; [4], 206; [12], 207-319, 322-370; [10], 371-409, [1]; [6], 411-427, [1]; [6], 429-439, [1]; [4], 441-463; [5], 465-477, [1]; [8], 479-605, [1]; [10], 607-652; [2], 653-667, [1]; [2], 669-700, [14] p., [1] folded leaf 300 $a"A Godly and learned exposition vpon Christs Sermon in the mount." has separate dated title page and pagination; register is continuous. 300 $a"A cloud of faithfull vvitnesses:", "A Godly and learned exposition or commentarie vpon the three first chapters of the revelation.", "Combat betweene Christ and the Devill displayed:", "A faithfull exposition vpon the tvvo first verses of the second chapter of Zephaniah.", "Of the calling of the ministerie·", "The second treatise of the duties and dignities of the ministerie.", " A fruitfull dialogue concerning the end of the VVorld.", "A Godly and learned exposition vpon the vvhole epistle of Iude.", "A discourse of the damned art of vvitchcraft.", and "A resolution to the countrey-man." each have speparate dated title pages; register is continuous. Imprints vary, but all are dated 1631. 300 $aReproduction of original in the Cambridge University Library, Cambridge, England. 300 $aPages 320-321 present but not filmed. 330 $aeebo-0021 606 $aTheology$vEarly works to 1800 606 $aSermons, English$y16th century 615 0$aTheology 615 0$aSermons, English 700 $aPerkins$b William$f1558-1602.$0941563 701 $aPerkins$b William$f1558-1602.$0941563 701 $aPerkins$b William$f1558-1602.$0941563 701 $aPerkins$b William$f1558-1602.$0941563 701 $aPerkins$b William$f1558-1602.$0941563 701 $aPerkins$b William$f1558-1602.$0941563 701 $aPerkins$b William$f1558-1602.$0941563 701 $aPerkins$b William$f1558-1602.$0941563 701 $aPerkins$b William$f1558-1602.$0941563 701 $aPerkins$b William$f1558-1602.$0941563 701 $aPerkins$b William$f1558-1602.$0941563 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bWaOLN 906 $aBOOK 912 $a996393716103316 996 $aThe vvorkes of that famovs and vvorthy minister of Christ in the Vniversitie of Cambridge, M. VVilliam Perkins. The third and last volume$92325317 997 $aUNISA LEADER 01881nam 22004213a 450 001 9911033667503321 005 20260115162529.0 010 $a1-04-079892-6 010 $a1-003-70340-2 024 8 $a10.5117/9789462981904 035 $a(CKB)41593482600041 035 $a(ScCtBLL)def3561e-e961-4ccb-a38f-76b029ba1a38 035 $a(EXLCZ)9941593482600041 100 $a20260115i20252025 uu 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aScreens$fDominique Chateau, José Moure 205 $a1 ed. 210 1$aOxford :$cTaylor & Francis,$d2025. 215 $a1 online resource 311 08$a90-485-3169-1 311 08$a94-6298-190-6 330 $aWe live in an era of screens. No longer just the place where we view movies, or watch TV at night, screens are now ubiquitous, the source of the majority of information we consume daily, and a crucial component of our basic interactions with colleagues, friends, and family. This transformation has happened almost without us realizing it-and certainly without the full theoretical and intellectual analysis it deserves. Screens brings together scholars from a variety of disciplines to analyse the growing presence and place of screens in our lives today. They tackle such topics as the archaeology of screens, film and media theories about our interactions with them, their use in contemporary art, and the new avenues they open up for showing films and other media in non-traditional venues. 606 $aArt / Film & Video$2bisacsh 606 $aArts 615 7$aArt / Film & Video 615 0$aArts 702 $aChateau$b Dominique 702 $aMoure$b Jose? 801 0$bScCtBLL 801 1$bScCtBLL 906 $aBOOK 912 $a9911033667503321 996 $aScreens$92264658 997 $aUNINA