LEADER 03051nam 22005413 450 001 9911026134403321 005 20240821080303.0 010 $a9780872868960 010 $a0872868966 035 $a(CKB)5580000000338953 035 $a(VLeBooks)9780872868960 035 $a(MiAaPQ)EBC31607643 035 $a(Au-PeEL)EBL31607643 035 $a(OCoLC)1498491590 035 $a(Perlego)3592836 035 $a(EXLCZ)995580000000338953 100 $a20240821d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGet the Money! $eCollected Prose (1961-1983) 205 $a1st ed. 210 1$aLa Vergne :$cCity Lights Books,$d2022. 210 4$dİ2022. 215 $a1 online resource (1 p.) 311 08$a9780872868953 311 08$a0872868958 327 $a'60s Journals -- Some Notes about "C" -- Reviews -- Frank O'Hara Dead at -- Journals -- The Arrival Report -- Longer Works of the More Academic Type. 330 $a""Get the Money!" was Ted Berrigan's mantra for the paid writing gigs he took on in support of his career as a poet. This long-awaited collection of his essential prose-written between 1960 and his early death in 1983-draws upon the many essays, reviews, introductions, and other texts he produced for hire, as well as material from his journals, travelogues, and assorted, unclassifiable creative texts. Get the Money! documents Berrigan's innovative poetics and techniques, as well as the creative milieu around the East Village New York's Poetry Project for which he served as both nurturer and catalyst. Highlights include his journals from the '60s, depicting his early poetic discoveries and bohemian activities in New York; the previously unpublished "Some Notes About 'C,'" an account of his mimeo magazine that serves as a de facto memoir of the early days of the second-generation New York School; a moving and prescient obituary, "Frank O'Hara Dead at 40"; book "reviews" consisting of poems entirely collaged from lines in the book; insightful art reviews of friends and collaborators like Joe Brainard, George Schneeman, and Jane Freilicher; and his notorious "Interviews" with John Cage and John Ashbery, both of which were completely fabricated. Get the Money! provides a view into the development of Berrigan's aesthetics in real time, as he captures the heady excitement of the era and champions the poets and artists he loves"--$cProvided by publisher. 606 $aArt criticism 606 $aLiterature, Modern 615 0$aArt criticism. 615 0$aLiterature, Modern. 676 $a818.5408 700 $aBerrigan$b Ted$01848192 701 $aBerrigan$b Edmund$01848193 701 $aBerrigan$b Anselm$01848194 701 $aNotley$b Alice$0987609 701 $aSturm$b Nick$01848195 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911026134403321 996 $aGet the Money$94434533 997 $aUNINA