LEADER 07888oam 2201021 c 450 001 9911026037503321 005 20251202090341.0 010 $a9783839466803$b(electronic bk.) 010 $z9783837666809 024 7 $a10.1515/9783839466803 035 $a(MiAaPQ)EBC7247327 035 $a(Au-PeEL)EBL7247327 035 $a(DE-B1597)650803 035 $a(DE-B1597)9783839466803 035 $a(OCoLC)1378936686 035 $a(Perlego)3838430 035 $a(CKB)26614761700041 035 $a(transcript Verlag)9783839466803 035 $a(EXLCZ)9926614761700041 100 $a20251202d2023 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNarrating Experiences of Alzheimer's Through the Arts$ePhenomenological and Existentialist Descriptions of the Living Body$fAna Paula Barbosa-Fohrmann 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2023 215 $a1 online resource (225 pages) 225 0 $aMedical Humanities 311 08$aPrint version: Barbosa-Fohrmann, Ana Paula Narrating Experiences of Alzheimer's Through the Arts Bielefeld : transcript,c2023 9783837666809 320 $aIncludes bibliographical references. 327 $aCover -- Contents -- Foreword -- Acknowledgments -- Introduction -- I. Research Object -- II. Justification -- 1. The Current State of Alzheimer's Research -- 2. Theme Originality and Theoretical Justification -- III. Hypotheses -- IV. Methodology -- V. Goals -- VI. Comment on the Structure of Chapters -- VII. A Brief Note on the Vocabulary -- Part I: Fundamentals -- Chapter 1: Fragments of the Self -- I. Marcos Abreu: Life is a Work of Art -- II. Parts, Fragments and Wholes -- 1. Fragments and Moments -- (a) his relation to animals (monkeys) and the Atlantic Forest: -- (b) his relation to his house in Jardim Botanico neighbourhood: -- (c) his relation to museums and galleries: -- (d) his divorce from Joana: -- (e) his relationship to his children: -- (f) his friendship with Maria: -- (a) his relation to earth and rain: -- (b) his relation to death: -- (c) his relation to the house (farm) where he spent his childhood: -- (d) his marriage to Joana: -- (e) his relationship with C.: -- (f) his relation to museums, galleries, painting: -- (g) his relation to cocaine and alcohol: -- (h) the plagiarism he committed against the art student: -- (i) life in the South of France: -- (j) relationship with his children Marcelo and Emilia: -- (k) connection with the Atlantic Forest: -- (l) revelation of life experiences: -- (m) connection with his house: -- (n) Alzheimer's: -- (o) working relationship and friendship with Maria: -- (p) connection with painting: -- (q) relationship with his daughter: -- (r) habits: -- (s) relationship with his son: -- (t) death: -- (u) relationship with C.: -- 2. Sides, Aspects and Adumbrations -- 3. Presence and Absence -- III. Identity in Manifolds -- IV. Summary -- Chapter 2: The Sensorial Experience of the Self with Alzheimer's -- I. The Psycho?Organic Body (Leib) -- 1. Three Egos and a Body. 327 $a2. The Psycho?Organic Body and the Experience of Touch -- II. The Living Body as a Self -- 1. Body Schema (schema corporel) and Living Body -- 2. Living Body, Movement and Intentionality -- 3. Vision, Touch and Synesthesia -- III. Summary -- Part II: Some Ways of Signifying Experiences of Alzheimer's -- Chapter 1: The Self?Experience of Love -- I. A Way of Loving: Enchanting -- 1. Iris Murdoch -- 2. Marcos Abreu -- 3. Henry -- II. A Way of Loving: Carrying a Burden of Guilt -- 1. Thomas DeBaggio -- 2. Bob -- 3. Betty -- III. A Way of Loving: Touching -- 1. Booker -- IV. Summary -- Chapter 2: Body Memory: The Sedimentation of Skills and Abilities -- I. Habit?Body: Living Body and Body?Object -- II. The Meaning and Non?Meaning of Habit -- III. Habit?Body with Alzheimer's: Meaning and Non?Meaning of Skills and Abilities -- 1. Marcos Abreu and William Utermohlen: the Habit of Painting -- 2. Iris Murdoch and Thomas DeBaggio: the Habit of Writing -- 3. Henry: the Habit of Listening to Music -- IV. Summary -- -- Chapter 3: The Other's Experience of Love and Habit -- I. Interpersonhood and Intersubjectivity -- 1. Interpersonhood: Pairing, Empathy and Contact -- 2. Intersubjectivity: Communicating through Intentional Gestural Movement -- 2.1 Gestures in Communion -- 2.2 Gestures as Emptyings and Emptinesses -- II. Ways of Loving through Gesture, Language and Habit -- 1. Maria, Emilia and Marcelo -- 2. Brenda -- 3. John Bayley -- 4. Michel Malherbe -- 5. Fernando Aguzzoli -- 6. Sylvia Molloy -- III. Summary -- Final Considerations on the Descriptions and Interpretations of Alzheimer's Experiences -- I. Intentional Motor Consciousness and Identity in Alzheimer's -- II. Fragments in Alzheimer's Narratives of Life -- 1. Form and Content: Reconfigurations and Non?Reconfigurations ofFeelings and Sensations. 327 $a2. Fragments as Reconfigurations of Relationships? -- III. Phenomenological Experiences through the Arts -- 1. Interdisciplinary Dialogue: Phenomenology and the Arts -- 2. Phenomenological Experience: "The Meaning of Showing" inBeckettianDramaturgy -- 3. Living Bodies as Reliable Narrators: Some Final Remarks on the Linker "as if?" -- References -- Movie References -- Play References -- Illustration References -- Websites Visited. 330 $aWhile Alzheimer's might be associated with a difficulty to express oneself, Ana Paula Barbosa-Fohrmann addresses this topic by examining experiences with Alzheimer's based on narratives. In this original contribution, she studies the nexus of life stories, subjectivity, fragmentation, and fiction. The philosophical basis of this research is phenomenology from the end of the 19th century to the middle of the 20th century, specifically that of Husserl and above all that of Merleau-Ponty. This work also draws on Proust's and Camus' literature as well as Beckett's dramaturgy. 410 0$aMedical humanities. 517 2 $aBarbosa-Fohrmann, Narrating Experiences$ePhenomenological and Existentialist Descriptions of the Living Body 606 $aAlzheimer's 606 $aPhilosophy 606 $aDramaturgy 606 $aLiterature 606 $aPainting 606 $aEdmund Husserl 606 $aMaurice Merleau-Ponty 606 $aAlbert Camus 606 $aMarcel Proust 606 $aSamuel Beckett 606 $aSubjectivity 606 $aFiction 606 $aNineteenth Century 606 $aTwentieth Century 606 $aPhenomenology 606 $aExistentialism 606 $aMedicine 606 $aArt 606 $aPhilosophical Anthropology 606 $aPhilosophy of Body 606 $aCultural Studies 615 4$aAlzheimer's 615 4$aPhilosophy 615 4$aDramaturgy 615 4$aLiterature 615 4$aPainting 615 4$aEdmund Husserl 615 4$aMaurice Merleau-Ponty 615 4$aAlbert Camus 615 4$aMarcel Proust 615 4$aSamuel Beckett 615 4$aSubjectivity 615 4$aFiction 615 4$aNineteenth Century 615 4$aTwentieth Century 615 4$aPhenomenology 615 4$aExistentialism 615 4$aMedicine 615 4$aArt 615 4$aPhilosophical Anthropology 615 4$aPhilosophy of Body 615 4$aCultural Studies 676 $a362.196831 700 $aBarbosa-Fohrmann$b Ana Paula$p

Ana Paula Barbosa-Fohrmann, Federal University of Rio de Janeiro, Brasilien

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