LEADER 01248nam--2200409---4500 001 990000830350203316 005 20051006104229.0 010 $a88-220-4571-8 035 $a0083035 035 $aUSA010083035 035 $a(ALEPH)000083035USA01 035 $a0083035 100 $a20020102d1990----km-y0ENGy0103----ba 101 $aita 102 $aIT 200 1 $aOrigini$edal Darwin college della Cambridge university$fa cura di A.C. Fabian$gcontributi di D.H. Mellor ... 210 $aBari$cDedalo$d1990 215 $a210 p.$cill.$d26 cm 225 2 $aPrisma$v71 300 $aAtti di una serie di conferenze tenute a Cambridge nel 1986 312 $aOrigins 410 $12001$aPrisma$v71 454 $12001$aOrigins$957263 606 $aUniverso$xOrigini$xTeorie 606 $aSistema solare$xOrigini$xTeorie 676 $a523.12 801 0$aIT$bsalbc$gISBD 912 $a990000830350203316 951 $aII.6. 950(VI B COLL.45/71)$b105558 LM$cVI B COLL. 959 $aBK 969 $aUMA 979 $aPATTY$b90$c20020102$lUSA01$h1445 979 $c20020403$lUSA01$h1729 979 $aPATRY$b90$c20040406$lUSA01$h1657 979 $aCOPAT6$b90$c20051006$lUSA01$h1042 996 $aOrigins$957263 997 $aUNISA LEADER 05072nam 2200661 450 001 9910464632803321 005 20200520144314.0 010 $a1-84969-415-X 035 $a(CKB)3710000000149356 035 $a(EBL)1688636 035 $a(SSID)ssj0001327170 035 $a(PQKBManifestationID)11733470 035 $a(PQKBTitleCode)TC0001327170 035 $a(PQKBWorkID)11266980 035 $a(PQKB)11282388 035 $a(MiAaPQ)EBC1688636 035 $a(CaSebORM)9781849694148 035 $a(PPN)228040280 035 $a(Au-PeEL)EBL1688636 035 $a(CaPaEBR)ebr10887710 035 $a(CaONFJC)MIL621544 035 $a(OCoLC)882610492 035 $a(EXLCZ)993710000000149356 100 $a20140713h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFL Studio cookbook /$fShaun Friedman 205 $a1st edition 210 1$aBirmingham, England :$cPackt Publishing,$d2014. 210 4$d©2014 215 $a1 online resource (286 p.) 225 1 $aQuick answers to common problems 300 $a"Common answers to common questions." -- Cover. 311 $a1-84969-414-1 320 $aIncludes bibliographical references and index. 327 $aCover; Copyright; Credits; About the Author; About the Reviewers; www.PacktPub.com; Table of Contents; Preface; Chapter 1: Configuring FL Studio; Introduction; Knowing your sound cards or audio interfaces; Installing FL Studio; Building your digital audio workstation; Installing virtual instruments and effects; Chapter 2: Using Browser; Introduction; Working with Browser; Getting new sounds in Browser; Chapter 3: Working with the Step Sequencer and Channels; Introduction; Gauging fundamental areas; Exploring Channel settings; Sending a channel to a mixer slot; Working with the Graph editor 327 $aUsing the Keyboard editorWorking with patterns; Chapter 4: Building Your Song; Introduction; Working with rhythm and percussion; Adding virtual instruments; Working with MIDI controllers and MIDI pads; Comparing pattern and song mode; Using the Piano roll feature; Chapter 5: Using the Playlist; Introduction; Using patterns to build a song; Comparing patterns and audio; Using markers and snap; Viewing the playlist; Chapter 6: Using the FL Studio Mixer and Recording Audio; Introduction; Using send tracks in the mixer; Recording external audio - keyboards, vocals, guitars, turntables and devices 327 $aAdding effects and your effect chainPerfecting equalization; Understanding master tracks and loud wars; Getting the best out of your mixer; Recording with or without effects; Chapter 7: Sampling Using Edison; Introduction; Finding a sample; Obtaining a seamless loop; Embedding your tempo information; Importing your new saved sample; Time-stretching your sample to your project; Fine-tuning your sample; Chapter 8: Exporting and Rendering Your Project; Introduction; Exporting an MP3 or WAV file; Exporting your audio stems; Highlighting your song in the playlist; Rendering files 327 $aExporting and reimporting a WAV fileChapter 9: Humanizing Your Song; Introduction; Humanizing with the OFS knob; Humanizing with the Graph editor; Humanizing with the Piano roll; Humanizing with Playlist; Chapter 10: Recording Automation; Introduction; Using automation for virtual instruments and effects; Creating an automation clip; Chapter 11: Rewiring Reason to FL Studio; Introduction; Understanding the host and the slave; Creating MIDI out channels; Sending Reason sounds to the FL Studio Mixer; Appendix : Your Rights as a Composer and Copyrights 327 $aMusic publishing, publishers, and performance rights societiesKey terms in publishing agreements - master recording and song; Quick artist blurb; What are ASCAP and PRS?; Things to consider when signing a publishing deal; Places to make a living with audio or music; Rights for new media, YouTube ads, streaming music, and satellite broadcasts; Index 330 $aThis book is built on recipes written in an easy-to-follow manner accompanied by diagrams and crucial insights and knowledge on what they mean in the real world. This book is ideal for musicians and producers who want to take their music creation skills to the next level, learn tips and tricks, and understand the key elements and nuances in building inspirational music. It's good to have some knowledge about music production, but if you have creativity and a good pair of ears, you are already ahead of the curve and well on your way. 606 $aSound$xRecording and reproducing$xDigital techniques 606 $aMusic$xData processing 608 $aElectronic books. 615 0$aSound$xRecording and reproducing$xDigital techniques. 615 0$aMusic$xData processing. 676 $a621.3893 700 $aFriedman$b Shaun $01048312 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910464632803321 996 $aFL Studio cookbook$92476533 997 $aUNINA LEADER 00887nam0-2200301 --450 001 9911023580203321 005 20250911090822.0 010 $a978-88-6861-749-3 100 $a20250911d2024----kmuy0itay5050 ba 101 0 $aita$cita 102 $aIT 105 $aa 001yy 200 1 $aBlu Tunisi$eviaggio nella cittą e nei suoi cinque storici villaggi$fFrancesca Spinola 210 $aFormigine$cInfinito$d2024 215 $a176 p.$cill.$d22 cm 225 1 $aAfriche$v22 300 $aSegue: Appendice 320 $aContiene bibl. (pp. 173-174) 610 0 $aTunisi 676 $a916.11$v23$zita 700 1$aSpinola,$bFrancesca$c$f<1970- >$01846625 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9911023580203321 952 $aCOLLEZ. 3046 (22)$b1231/2025$fFSPBC 959 $aFSPBC 996 $aBlu Tunisi$94431339 997 $aUNINA