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010   $a9786611308315
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035   $a(OCoLC)476170283
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100   $a20070612d2008      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aCultural appropriation and the arts /$fJames O. Young
210   $aMalden, MA $cBlackwell Pub.$d2008
215   $a1 online resource (186 p.)
225 1 $aNew directions in aesthetics ;$v6
300   $aDescription based upon print version of record.
311 08$a9781405176569 
311 08$a1405176563 
320   $aIncludes bibliographical references (p. 159-165) and index.
327   $aWhat is cultural appropriation? -- The aesthetics of cultural appropriation -- Cultural appropriation as theft -- Cultural appropriation as assault -- Profound offence and cultural appropriation -- Conclusion: responding to cultural appropriation.
330   $aNow, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture)Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives riseTackles head on the thorny issues arising from the
410  0$aNew directions in aesthetics ;$v6.
606   $aArts and society
606   $aArts$xMoral and ethical aspects
606   $aCultural property
615  0$aArts and society.
615  0$aArts$xMoral and ethical aspects.
615  0$aCultural property.
676   $a700.1/03
700   $aYoung$b James O.$f1957-$0849486
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9911019924103321
996   $aCultural appropriation and the arts$92025965
997   $aUNINA