LEADER 01028nam0 22002533i 450 001 SUN0081217 005 20110113095513.626 100 $a20110110d1910 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| ||||| 200 1 $aDelle rinunzie secondo il Codice civile italiano$e(Rivista di dottrina e di giurisprudenza)$fFrancesco Atzeri (Vacca) 205 $aTorino : UTET$b1910 210 $aXII$d684 p. ; 23 cm 215 $aFondo Salvatore Biggiero. 620 $dTorino$3SUNL000001 700 1$aAtzeri Vacca$b, Francesco$3SUNV032611$0226317 712 $aUTET$3SUNV000072$4650 801 $aIT$bSOL$c20181109$gRICA 912 $aSUN0081217 950 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA$d00 CONS FB.XV.2 $e00 FB 3808 995 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA$gFB$h3808$kCONS FB.XV.2$oc$qa 996 $aDelle rinunzie secondo il Codice civile italiano$9225503 997 $aUNICAMPANIA LEADER 01168nam0-22003011i-450 001 990006242980403321 005 20230103085804.0 035 $a000624298 035 $aFED01000624298 035 $a(Aleph)000624298FED01 100 $a19980601d1960----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $a--------001yy 200 1 $aStudi sul progresso tecnologico e la societa' italiana$easpetti giuridici$eatti del Congresso internazionale di studio sul progresso tecnologico e la societą promosso dal Comune di Milano e dal Centro Nazionale di prevenzione e difesa sociale sotto il patrocinio del Consiglio Nazionale delle Ricerche (Milano, 28-giugno3 luglio 1960) 210 $aMilano$cGiuffre'$d1960 215 $a272 p.$d24 cm 676 $a340.02$v23$zita 710 02$aCentro nazionale di prevenzione e difesa sociale$032906 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990006242980403321 952 $aCong. 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P 29$b62472$fFGBC 959 $aFGBC 996 $aStudi sul progresso tecnologico e la societą italiana$9431270 997 $aUNINA LEADER 00943nam0 22002651i 450 001 UON00230934 005 20231205103501.135 010 $a99-927628-7-X 100 $a20030730d2000 |0itac50 ba 101 $aalb 102 $aAL 105 $a|||| ||||| 200 1 $aOreksi pėr bukėn e qiellit$fArdian Christian Kyēyku 210 $aTiranė$cBotimpex$d2000 215 $a104 p.$d21 cm. 620 $dTiranė$3UONL003212 676 $a891.991$cLetteratura albanese$v21 700 1$aKYĒYKU$bArdian Christian$3UONV139984$0687120 712 $aBotimpex$3UONV269293$4650 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00230934 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI ALB A KYC 0001 $eSI EO 33671 5 0001 996 $aOreksi pėr bukėn e qiellit$91272560 997 $aUNIOR LEADER 05793nam 22005293 450 001 9911019831903321 005 20240220080208.0 010 $a9781394276721 010 $a1394276729 010 $a9781394276707 010 $a1394276702 035 $a(MiAaPQ)EBC31166547 035 $a(Au-PeEL)EBL31166547 035 $a(CKB)30404936100041 035 $a(Exl-AI)31166547 035 $a(Perlego)4341027 035 $a(OCoLC)1422744680 035 $a(EXLCZ)9930404936100041 100 $a20240220d2024 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSynthesizers and Subtractive Synthesis 1 $eTheory and Overview 205 $a1st ed. 210 1$aNewark :$cJohn Wiley & Sons, Incorporated,$d2024. 210 4$d©2024. 215 $a1 online resource (288 pages) 311 08$a9781786309242 311 08$a1786309246 327 $aCover -- Title Page -- Copyright Page -- Contents -- Preface -- Introduction -- Chapter 1. Sound Synthesis -- 1.1. The art of creating sound -- 1.2. Some reminders -- 1.2.1. Sound: a bit of theory -- 1.2.2. Intensity -- 1.2.3. Pitch of a sound -- 1.2.4. Timbre -- 1.2.5. The ear -- 1.3. Sound typology -- 1.3.1. Sounds and periods -- 1.3.2. Simple and complex sounds -- 1.4. Spectral analysis -- 1.4.1. The sound spectrum -- 1.4.2. Sonogram and spectrogram -- 1.5. Waveforms -- 1.5.1. Sine wave -- 1.5.2. Square wave -- 1.5.3. Rectangular wave -- 1.5.4. Pulse wave -- 1.5.5. Triangular wave -- 1.5.6. Sawtooth wave -- 1.6. Timbre -- 1.6.1. Transient phenomena -- 1.6.2. Range -- 1.6.3. Mass of musical objects -- 1.6.4. Classification of sounds -- 1.7. Sound propagation -- 1.7.1. Dispersion -- 1.7.2. Interference -- 1.7.3. Diffraction -- 1.7.4. Reflection -- 1.7.5. Reverberation (reverb) -- 1.7.6. Absorption -- 1.7.7. Refraction -- 1.7.8. Doppler effect -- 1.7.9. Phase and beat -- 1.8. Noise -- 1.8.1. White noise -- 1.8.2. Pink noise -- 1.8.3. Red noise -- 1.8.4. Blue noise -- 1.8.5. Purple noise -- 1.8.6. Gray noise -- 1.8.7. Other noise -- 1.9. History of sound synthesis -- 1.10. Conclusion -- Chapter 2. The Different Types of Synthesis -- 2.1. Subtractive synthesis -- 2.2. Additive synthesis -- 2.3. FM synthesis -- 2.4. Digital synthesis, sampling and wavetables -- 2.5. Physical modeling synthesis -- 2.6. Granular synthesis -- 2.7. Amplitude modulation synthesis -- 2.8. Phase distortion synthesis -- 2.9. Other types of sound synthesis -- Chapter 3. Components, Processing Techniques and Tools -- 3.1. Oscillators -- 3.1.1. Voltage-controlled oscillators -- 3.1.2. Digitally controlled oscillators -- 3.1.3. Digital oscillators -- 3.1.4. Low-frequency oscillators -- 3.2. Filters -- 3.2.1. Low-pass filters -- 3.2.2. High-pass filters. 327 $a3.2.3. Band-pass filters -- 3.2.4. Band-stop filters -- 3.2.5. Resonance -- 3.2.6. Other filters -- 3.3. The envelope generator -- 3.3.1. Attack -- 3.3.2. Decay -- 3.3.3. Sustain -- 3.3.4. Release -- 3.3.5. Other parameters -- 3.4. Amplifiers -- 3.5. Sample and hold -- 3.6. Ring modulator -- 3.7. Waveshaping -- 3.8. Special effects -- 3.8.1. Pitchbend -- 3.8.2. Glide -- 3.8.3. Keyboard tracking -- 3.8.4. Reverb and delay -- 3.8.5. Phaser, chorus and flanger -- 3.9. From monody to polyphony -- 3.10. Controllers -- 3.10.1. Modwheel -- 3.10.2. Breath controller -- 3.10.3. Expression switch and pedal -- 3.10.4. Keytar -- 3.10.5. Other controllers -- Chapter 4. Work Environment -- 4.1. Materials -- 4.1.1. ARP 2600 -- 4.1.2. The Minimoog -- 4.1.3. The Behringer Neutron -- 4.1.4. The Novation Bass Station II -- 4.1.5. The Arturia MatrixBrute -- 4.2. Software -- 4.2.1. Native Instruments Reaktor -- 4.2.2. VCV Rack 2 -- 4.2.3. Cycling '74 Max/MSP -- 4.2.4. Pure Data -- 4.3. Conclusion -- Chapter 5. CV/Gate and MIDI -- 5.1. CV/Gate -- 5.1.1. Overview -- 5.1.2. Operation -- 5.1.3. Note definition -- 5.1.4. Operation of the gate (or trigger) -- 5.2. Musical Instrument Digital Interface -- 5.2.1. MIDI version 1.0 -- 5.2.2. MIDI Version 2.0 -- 5.2.3. Principle -- 5.2.4. The hardware -- 5.2.5. The software -- 5.2.6. MIDI Control Change -- 5.2.7. Examples of MIDI transmission -- 5.2.8. MIDI implementation chart -- 5.2.9. General MIDI standard -- 5.2.10. The General MIDI 2 standard -- 5.2.11. The GS format -- 5.2.12. The XG format -- 5.2.13. MIDI file structure -- 5.2.14. An example of a MIDI file -- 5.3. MIDI CV/Gate converters -- Conclusion -- Appendix 1. General MIDI 1 and 2 Instruments -- Appendix 2. MIDI Box, Merger and Patcher -- Glossary -- References -- Index. 330 $aThis book, authored by Jean-Michel Réveillac, provides an in-depth exploration of synthesizers and subtractive synthesis. It covers the theory and practical applications of sound synthesis, addressing key concepts such as sound creation, spectral analysis, and waveform types. The text is divided into chapters that discuss various synthesis methods, including additive, FM, digital, and physical modeling synthesis, as well as noise and sound propagation. The book is intended for readers with an interest in music technology, sound engineering, and electronic music production, offering detailed insights into the components, processing techniques, and tools involved in synthesizer technology.$7Generated by AI. 606 $aElectronic music$7Generated by AI 606 $aSoftware synthesizers$7Generated by AI 615 0$aElectronic music 615 0$aSoftware synthesizers 676 $a786.74 700 $aRéveillac$b Jean-Michel$0877405 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911019831903321 996 $aSynthesizers and Subtractive Synthesis 1$94420788 997 $aUNINA