LEADER 06840nam 22005413 450 001 9911019775403321 005 20240609090313.0 010 $a9781394300839 010 $a1394300832 010 $a9781394300815 010 $a1394300816 035 $a(MiAaPQ)EBC31459197 035 $a(Au-PeEL)EBL31459197 035 $a(CKB)32245855100041 035 $a(Exl-AI)31459197 035 $a(Perlego)4449623 035 $a(OCoLC)1439599831 035 $a(EXLCZ)9932245855100041 100 $a20240609d2024 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArchitectural Design Instruments $eConditions of Appearance, Modes of Appropriation and Reconfigurations of Practices 205 $a1st ed. 210 1$aNewark :$cJohn Wiley & Sons, Incorporated,$d2024. 210 4$dİ2024. 215 $a1 online resource (268 pages) 311 08$a9781789451054 311 08$a1789451051 327 $aCover -- Title Page -- Copyright Page -- Contents -- Introduction -- Chapter 1. Evolution of Architectural Software -- 1.1. Introduction -- 1.1.1. Difficulty of classification -- 1.2. Human-computer interaction -- 1.3. Technological imaginations and consciousness -- 1.3.1. First meetings around the computer -- 1.3.2. "Software", the constitution of a notion -- 1.4. The pioneers -- 1.4.1. The CAD (Computer-Aided Design) project -- 1.4.2. Communicating with the machine, via drawing -- 1.4.3. Representing the information -- 1.4.4. The computer: an entity in its own right -- 1.5. The complex problem of design -- 1.5.1. Generating drawings -- 1.5.2. Improving accurate algorithms -- 1.5.3. Integrating building descriptions -- 1.5.4. Increasing the objects of the design -- 1.6. When industry takes over the software market -- 1.6.1. Drawing programs -- 1.6.2. Representation of spatiality -- 1.7. User interface improvements -- 1.7.1. The questioning of drawing -- 1.7.2. Design with a 3D model -- 1.7.3. Moving images -- 1.8. Architects explore differently -- 1.8.1. The craze for variation -- 1.8.2. Tool-users and tool-makers -- 1.8.3. The connection with the construction (CAD-CAM) -- 1.9. A new bifurcation -- 1.9.1. The end of unique software -- 1.9.2. "More user-friendly" -- 1.9.3. Restoring the simplicity of use -- 1.9.4. Manipulating parameters -- 1.9.5. BIM qualified practices -- 1.10. Conclusion -- 1.11. References -- Chapter 2. Emergence of Pre-digital Algorithmic Design -- 2.1. Introduction -- 2.2. Structuralism, generic process and specific object -- 2.3. Architecture as an autonomous formal language -- 2.4. The index sign, connection element of the virtual model to the current instance -- 2.5. Axonometry, diagram and algorithmic process -- 2.6. From the theoretical to the intuitive, from the East Coast to the West Coast. 327 $a2.7. Multiple instances: projects and conceptual artifacts -- 2.8. Actual instances and virtual systems -- 2.9. Conclusion -- 2.10. References -- Chapter 3. Mapping the Affinities Between the Non-Standard and the Fold -- 3.1. Introduction -- 3.2. Contextual landscapes: the theoretical bias of architecture (1990-2000) -- 3.2.1. Bernard Cache, Greg Lynn, UN Studio, "intercessors" of the Fold -- 3.2.2. Terre Meuble and Folding, two key publications -- 3.2.3. To constitute avant-garde -- 3.3. Contextual landscapes: technological biases (1990-2000) -- 3.3.1. The technological choices of Greg Lynn and Peter Eisenman -- 3.3.2. Bernard Cache's technological choices -- 3.3.3. From pencil to computer mouse -- 3.3.4. Architects who became digital specialists -- 3.3.5. Standardization in question -- 3.3.6. Fascination for the curve -- 3.3.7. Back and forth between theory and practice -- 3.4. Mapping of theoretical transfers -- 3.4.1. Deleuze and architecture -- 3.4.2. The Fold across the Atlantic -- 3.4.3. An operational fold -- 3.4.4. Deterritorializing the Fold: at what cost? -- 3.5. Strategies: productive effects of the Deleuzian Fold on architecture -- 3.5.1. Objective and modulation -- 3.5.2. The blob, a theoretical and geometrical curiosity -- 3.5.3. Towards a surface architecture? -- 3.5.4. Morphogenesis and accidents -- 3.6. Conclusion: towards a technological determinism? -- 3.7. References -- Chapter 4. Hijacking the Tool: Towards a Transformation of the Architectural Representation -- 4.1. The detour -- 4.1.1. From tool to instrument -- 4.1.2. The question of representation in the digital age -- 4.2. Hijacking the software -- 4.3. Hijacking the machine -- 4.4. Conclusion -- 4.5. References -- Chapter 5. The Designer in the Informational Shift -- 5.1. Introduction -- 5.2. Leaving the notation regime: introducing emerging practices. 327 $a5.2.1. Data in the computational turn -- 5.2.2. The information regime in practice with BIM -- 5.2.3. Computational design -- 5.2.4. Towards a definition of "data-driven design" -- 5.3. Evolution of possibilities and design postures in the informational shift -- 5.3.1. Possibility space in relation to the data, some examples -- 5.3.2. "Evidence-based" and "performance-based" postures -- 5.3.3. Issues of integrated multi-objective performance -- 5.4. Risk and data requirements -- 5.4.1. Biases and limitations of the datasets -- 5.4.2. The contributions and constraints of BIM to produce and maintain data collaboratively -- 5.5. Data management opportunities for new approaches to projects -- 5.5.1. BIM and the rise of data-supported collaboration -- 5.5.2. The risks of data silos and the challenges of interoperability -- 5.6. Conclusion -- 5.7. References -- List of Authors -- Index -- EULA. 330 $aThis book explores the evolution and use of architectural design instruments, focusing on the integration of technology and software in architecture. It examines the development of computer-aided design (CAD) and the shift towards algorithmic and digital design processes. The work delves into human-computer interaction, the role of software in architectural creativity, and the influence of industry on design tools. It also addresses the complexities of design, improvements in user interfaces, and the emergence of Building Information Modeling (BIM). The book is intended for architects, urban planners, and professionals interested in the intersection of architecture and technology.$7Generated by AI. 606 $aComputer-aided design$7Generated by AI 606 $aArchitectural design$7Generated by AI 615 0$aComputer-aided design 615 0$aArchitectural design 676 $a720.2840285536 700 $aBourbonnais$b Se?bastien$00 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911019775403321 996 $aArchitectural Design Instruments$94416466 997 $aUNINA