LEADER 05363nam 22007574a 450 001 9911019344303321 005 20200520144314.0 010 $a9786610821808 010 $a9781280821806 010 $a1280821809 010 $a9780470041970 010 $a0470041978 010 $a9780470041963 010 $a047004196X 024 7 $a10.1002/0470041978 035 $a(CKB)1000000000354522 035 $a(EBL)287280 035 $a(SSID)ssj0000289461 035 $a(PQKBManifestationID)11218636 035 $a(PQKBTitleCode)TC0000289461 035 $a(PQKBWorkID)10385522 035 $a(PQKB)11050102 035 $a(MiAaPQ)EBC287280 035 $a(CaBNVSL)mat08039676 035 $a(IDAMS)0b00006485f0d7da 035 $a(IEEE)8039676 035 $a(OCoLC)86281280 035 $a(CaSebORM)9780471791478 035 $a(PPN)250747537 035 $a(OCoLC)852501129 035 $a(OCoLC)ocn852501129 035 $a(Perlego)2751510 035 $a(EXLCZ)991000000000354522 100 $a20060105d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAudio signal processing and coding /$fAndreas Spanias, Ted Painter, Venkatraman Atti 205 $a1st edition 210 $aHoboken, N.J. $cWiley-Interscience$dc2007 215 $a1 online resource (486 p.) 300 $aDescription based upon print version of record. 311 08$a9780471791478 311 08$a0471791474 320 $aIncludes bibliographical references (p. 405-457) and index. 327 $aPreface. -- 1. Introduction. -- 2. Signal Processing Essentials. -- 3. Quantization and Entropy Coding. -- 4. Linear Prediction in Narrowband and Wideband Coding. -- 5. Psychoacoustic Principles. -- 6. Time-Frequency Analysis: Filter Banks and Transforms. -- 7. Transform Coders. -- 8. Subband Coders. -- 9. Sinusoidal Coders. -- 10. Audio Coding Standards and Algorithms. -- 11. Lossless Audio Coding and Digital Watermarking. -- 12. Quality Measures for Perceptual Audio Coding. -- References. -- Index. 330 $aMaster algorithms and standards for transparent coding of high-fidelity audio Here is an in-depth treatment of algorithms and standards for transparent coding of high-fidelity audio. Readers learn how algorithms for high-quality digital audio deliver transparent signal reproduction with a minimum number of bits. The unique features of the book include detailed coverage of topics such as filter banks, transform coding, sinusoidal analysis, linear prediction, hybrid algorithms, perceptual evaluation methods, scalable algorithms, Internet applications, MP3 and MP4 stereo systems, and current international and commercial audio standards. Following a general introduction, the authors present fundamental signal processing concepts relevant to audio coding and then introduce waveform and entropy quantization schemes. Next are thorough treatments of the following topics: . Linear prediction, ADPCM, and CELP algorithms for narrowband and wideband coding. Cellular telephony vocoders versus CD-quality audio coders. Perceptual modules including the ISO/IEC 11172-3 (MPEG-1) psychoacoustic analysis model. Detailed descriptions of the MPEG-1 Layer III (MP3) and the AAC (MP4) algorithms. Descriptions of the algorithms behind successful products such as the Apple iPod. Filter bank design and algorithms and the Modified Discrete Cosine Transform (MDCT). Established and emerging standards for transparent coding of CD-quality stereo audio signals. Standardization activities in high-fidelity audio coding, including DVD-Audio, Super Audio CD (SACD), Dolby AC3, Digital, Digital Theater Systems (DTS), and Sony SDDS surround sound. Lossless audio coding and digital audio watermarking techniques, including SHORTEN, DVD-algorithm, MUSICompress, AudioPaK, C-LPAC, LTAC, and IntMDCT lossless coding schemes. Surround sound compression algorithms for cinema and super audio CD applications. Digital audio watermarking, content protection, and copyright issues. Complexity, delay, error control, and subjective quality in perceptual audio coding Computer exercises and MATLAB(R) hands-on projects complement the algorithm theory and reinforce concept learning. A comprehensive bibliography with more than 600 references to additional sources of information to explore individual topics in greater depth. This textbook includes all the right elements and topics for a senior and/or graduate-level course in speech/audio processing and multimedia. Moreover, it is highly recommended for practitioners, scientists, and audio engineers who want to master coding algorithms for high-fidelity audio. 606 $aCoding theory 606 $aSignal processing$xDigital techniques 606 $aSound$xRecording and reproducing$xDigital techniques 615 0$aCoding theory. 615 0$aSignal processing$xDigital techniques. 615 0$aSound$xRecording and reproducing$xDigital techniques. 676 $a621.382/8 700 $aSpanias$b Andreas$01638631 701 $aPainter$b Ted$f1967-$01638632 701 $aAtti$b Venkatraman$f1978-$01638633 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911019344303321 996 $aAudio signal processing and coding$93981178 997 $aUNINA