LEADER 04025nam 22006375 450 001 9911018650103321 005 20250806175432.0 010 $a9783031967474$b(electronic bk.) 010 $z9783031967467 024 7 $a10.1007/978-3-031-96747-4 035 $a(MiAaPQ)EBC32253822 035 $a(Au-PeEL)EBL32253822 035 $a(CKB)40093114100041 035 $a(DE-He213)978-3-031-96747-4 035 $a(EXLCZ)9940093114100041 100 $a20250806d2025 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$a0 to 9 and the New York Avant-Garde $ePublishing by Numbers /$fby Ross Hair 205 $a1st ed. 2025. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2025. 215 $a1 online resource (281 pages) 225 1 $aNew Directions in Book History,$x2634-6125 311 08$aPrint version: Hair, Ross 0 to 9 and the New York Avant-Garde Cham : Palgrave Macmillan,c2025 9783031967467 327 $aChapter 01: Introduction: No New York -- Chapter 02: From Sheet to Street: The Systems of 0 to 9 -- Chapter 03: Vito Acconci: Poetry Under Cover -- Chapter 04: Copy That: Deciphering Hannah Weiner?s Code -- Chapter 05: A Parting of the Ways. 330 $aEdited and self-published by Bernadette Mayer and Vito Acconci from 1967 to 1969, 0 to 9 not only documented some of the most compelling examples of intermedia performance, contemporary poetry, and post-formalist art of the period, but also pioneered new ways of conceiving (and using) the magazine as medium and instrument. 0 to 9 and the New York Avant-Garde: Publishing by Numbers examines how the magazine both responded to and helped shape key developments in New York?s often fractious avant-garde communities. The book pays particular attention to the ways in which Mayer and Acconci foregrounded the material and generic qualities of the magazine and conceived their periodical as a means of generating (as well as documenting) art and poetry. 0 to 9 and the New York Avant-Garde considers the ways in which 0 to 9 interacted with other artistic movements and theoretical concerns of the period?including cybernetics, Pop Art, structuralism, and information theory. Arguing for the enduring importance of the magazine, and its unique position in the history of New York?s experimental art and literary scenes, this study contends that 0 to 9 was both a swan song of 1960s idealism and a precursor for the directions that avant-garde art would take in the decades that followed the magazine?s demise. Ross Hair is Emeritus Professor at the University of East Anglia, UK, and the author of Ronald Johnson?s Modernist Collage Poetry (2010), Avant-Folk: Small Press Poetry Networks from 1950 to the Present (2016), Brilliant Absence: Pursuing the Kingfisher in the Work of Hans Waanders (2019), and, with Thomas Ruys Smith, the co-editor of Harry Smith?s Anthology of American Folk Music: America Changed Through Music (2016). 410 0$aNew Directions in Book History,$x2634-6125 606 $aBooks$xHistory 606 $aCivilization$xHistory 606 $aLiterature, Modern$y20th century 606 $aPrinting 606 $aPublishers and publishing 606 $aHistory of the Book 606 $aCultural History 606 $aTwentieth-Century Literature 606 $aPrinting and Publishing 615 0$aBooks$xHistory. 615 0$aCivilization$xHistory. 615 0$aLiterature, Modern 615 0$aPrinting. 615 0$aPublishers and publishing. 615 14$aHistory of the Book. 615 24$aCultural History. 615 24$aTwentieth-Century Literature. 615 24$aPrinting and Publishing. 676 $a071.471 700 $aHair$b Ross$01836888 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9911018650103321 996 $a0 to 9 and the New York Avant-Garde$94415126 997 $aUNINA LEADER 01214nam0 22003253i 450 001 NAP0840037 005 20251003044259.0 010 $a8428303827 100 $a20191004d1986 ||||0itac50 ba 101 | $aspa 102 $aes 181 1$6z01$ai $bxxxe 182 1$6z01$an 183 1$6z01$anc$2RDAcarrier 200 1 $aCurso de redaccion$eteoria y practica de la composicion y del estilo$edel pensamiento a la palabra$fGonzalo Martin Vivaldi 205 $a23. ed. 210 $aMadrid$cParaninfo$d1993 215 $a491 p.$d22 cm 606 $aLingua spagnola$xGrammatica$2FIR$3CFIC001408$9E 606 $aLINGUA SPAGNOLA$xSTILISTICA$2FIR$3MILC151752$9I 676 $a468$9Lingua spagnola. Uso standard della lingua. (Linguistica applicata)$v22 700 1$aMartin Vivaldi$b, Gonzalo$3MILV255102$4070$0771319 801 3$aIT$bIT-000000$c20191004 850 $aIT-BN0095 901 $bNAP 01$cL $n$ 912 $aNAP0840037 950 0$aBiblioteca Centralizzata di Ateneo$c1 v.$d 01L (AR) 18 518$e 01AR 0700185185 VMA 1 v.$fB $h20191004$i20191004 977 $a 01 996 $aCurso de redaccion$91573912 997 $aUNISANNIO