LEADER 04375nam 22007095 450 001 9911018641703321 005 20250728130247.0 010 $a3-031-69762-6 024 7 $a10.1007/978-3-031-69762-3 035 $a(CKB)39767172400041 035 $a(MiAaPQ)EBC32253078 035 $a(Au-PeEL)EBL32253078 035 $a(DE-He213)978-3-031-69762-3 035 $a(EXLCZ)9939767172400041 100 $a20250728d2025 u| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCartoon Conflicts $eContemporary Controversies and Historical Precedents /$fedited by Richard Scully, Paulo Jorge Fernandes, Ritu Gairola Khanduri 205 $a1st ed. 2025. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2025. 215 $a1 online resource (523 pages) 225 1 $aPalgrave Studies in the History of the Media,$x2634-6583 311 08$a3-031-69761-8 327 $a1: Introduction -- 2: The Political Cartoon ? History and Historiography -- 3: Striking Weapons: Cartoons during the American Civil War, 1861-1865 -- 4: Culture Wars within a ?United? Kingdom: Irish Cartoons in a British Empire, 1870-1872 -- 5: Caricature and identity crisis on the satirical war between Punch and Pontos nos ii (1889-90) -- 6: ??Why should public men be held up to ridicule??: The George Reid Caricature Controversy of 1904 and its Echoes in the Continuities and Discontinuities in Australia in 2012 -- 7: The Conspiracy of Laughter: Cartoons and their Critics in India -- 8: Brazilian Disputed Imaginaries: Graphic Humour in the Black and Indigenous Press in the 1970s-80s -- 9: The Decade of Jyllands Posten and Charlie Hebdo: 2005-2015 -- 10: Mark Knight versus Serena Williams ? Game, Set, and Match for Political Correctness? -- 11: A Blind Man and a Dog Walk into a Cartoon: The Limits of Humour, Antisemitism and Racism and Informal Censorship in the Contemporary Liberal Press -- 12: Zapiro as Zorro: Political Cartooning during the South African HIV/AIDS Crisis -- 13: Conclusion. 330 $aThis edited collection of new research highlights the way in which the cartoon - long regarded as a staple of journalism and freedom of expression - faces new challenges in the twenty-first century that can be far better understood and appreciated if one takes an historical perspective. Current debates over the limits of freedom of expression, 'political correctness', and 'cancel culture' all have their precedents in past controversies over cartoons and caricature; indeed there is a definite continuum between these past instances of debate and their present manifestations. Chapters 2 and 10 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com. Richard Scully is Professor in Modern History at the University of New England, Australia. Paulo Jorge Fernandes is Assistant Professor in History at Universidade Nova de Lisboa, Portugal. Ritu Gairola Khanduri is Associate Professor in Sociology and Anthropology at the University of Texas at Arlington, USA. 410 0$aPalgrave Studies in the History of the Media,$x2634-6583 606 $aCivilization$xHistory 606 $aJournalism 606 $aWorld history 606 $aHistory, Modern 606 $aPrinting 606 $aPublishers and publishing 606 $aCultural History 606 $aVisual Journalism 606 $aWorld History, Global and Transnational History 606 $aModern History 606 $aPrinting and Publishing 615 0$aCivilization$xHistory. 615 0$aJournalism. 615 0$aWorld history. 615 0$aHistory, Modern. 615 0$aPrinting. 615 0$aPublishers and publishing. 615 14$aCultural History. 615 24$aVisual Journalism. 615 24$aWorld History, Global and Transnational History. 615 24$aModern History. 615 24$aPrinting and Publishing. 676 $a320.0207 700 $aScully$b Richard$01378546 701 $aFernandes$b Paulo Jorge$01836434 701 $aGairola Khanduri$b Ritu$01836435 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911018641703321 996 $aCartoon Conflicts$94414558 997 $aUNINA